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The Iraq War has cost innumerable lives, caused vast material destruction, and inflicted suffering on millions of people. Iraq at a Distance: What Anthropology Can Teach Us About the War focuses on the plight of the Iraqi people, caught since 2003 in the carnage between U.S. and British troops on one side and, on the other, Iraqi insurgents, militias, and foreign al Qaeda operatives. The volume is a bold attempt by six distinguished anthropologists to study a war zone too dangerous for fieldwork. They break new ground by using their ethnographic imagination as a research tool to analyze the Iraq War through insightful comparisons with previous and current armed conflicts in Cambodia, Israel, Palestine, Northern Ireland, Afghanistan, and Argentina. This innovative approach extends the book's relevance beyond a critical understanding of the devastating war in Iraq. More and more parts of the world of long-standing ethnographic interest are becoming off-limits to researchers because of the war on terror. This book serves as a model for the study of other inaccessible regions, and it shows that the impossibility of conducting ethnographic fieldwork does not condemn anthropologists to silence. Essays analyze the good-versus-evil framework of the war on terror, the deterioration of women's rights in Iraq under fundamentalist coercion, the ethnic-religious partitioning of Baghdad through the building of security walls, the excessive use of force against Iraqi civilians by U.S. counterinsurgency units, and the loss of popular support for U.S. and British forces in Iraq and Afghanistan after the brutal regimes of the Taliban and Saddam Hussein had been toppled.
In war, there is no easy victory. When troops invaded Iraq in 2003 to topple Saddam Hussein’s regime, most people expected an easy victory. Instead, the gamble we took was a grave mistake, and its ramifications continue to reverberate through the lives of millions, in Iraq and the West. As we gain more distance from those events, it can be argued that many of the issues facing us today – the rise of the Islamic State, increased Islamic terrorism, intensified violence in the Middle East, mass migration, and more – can be traced back to the decision to invade Iraq. In The Iraq War, award-winning documentary maker James Bluemel collects first-hand testimony from those who lived through the horrors of the invasion and whose actions were dictated by such extreme circumstances. It takes in all sides of the conflict – working class Iraqi families watching their country erupt into civil war; soldiers and journalists on the ground; American families dealing with the grief of losing their son or daughter; parents of a suicide bomber coming to terms with unfathomable events – to create the most in-depth and multi-faceted portrait of the Iraq War to date. Accompanying a major BBC series, James Bluemel’s book is an essential account of a conflict that continues to shape our world, and a startling reminder of the consequences of our past decisions.
Iraq at a Distance describes the plight of the Iraqi people, caught since 2003 in the carnage between U.S. troops and Iraqi insurgents. This provocative book is a bold attempt by five distinguished anthropologists to study an inaccessible war zone through ground-breaking comparisons with armed conflicts around the world.
Since the fall of Bagdad, women’s voices have been largely erased, but four months after Saddam Hussein’s statue fell, a 24 year-old woman from Baghdad began blogging. In 2003, a twenty-four-year-old woman from Baghdad began blogging about life in the city under the pseudonym Riverbend. Her passion, honesty, and wry idiomatic English made her work a vital contribution to our understanding of post-war Iraq—and won her a large following. Baghdad Burning is a quotidian chronicle of Riverbend’s life with her family between April 2003 and September of 2004. She describes rolling blackouts, intermittent water access, daily explosions, gas shortages and travel restrictions. She also expresses a strong stance against the interim government, the Bush administration, and Islamic fundamentalists like Al Sadr and his followers. Her book “offers quick takes on events as they occur, from a perspective too often overlooked, ignored or suppressed” (Publishers Weekly). “Riverbend is bright and opinionated, true, but like all voices of dissent worth remembering, she provides an urgent reminder that, whichever governments we struggle under, we are all the same.” —Booklist “Feisty and learned: first-rate reading for any American who suspects that Fox News may not be telling the whole story.” —Kirkus
Maps poised at the intersection of art, architecture, activism, and geography trace a profound shift in our understanding and experience of space. The maps in this book are drawn with satellites, assembled with pixels radioed from outer space, and constructed from statistics; they record situations of intense conflict and express fundamental transformations in our ways of seeing and of experiencing space. These maps are built with Global Positioning Systems (GPS), remote sensing satellites, or Geographic Information Systems (GIS): digital spatial hardware and software designed for such military and governmental uses as reconnaissance, secrecy, monitoring, ballistics, the census, and national security. Rather than shying away from the politics and complexities of their intended uses, in Close Up at a Distance Laura Kurgan attempts to illuminate them. Poised at the intersection of art, architecture, activism, and geography, her analysis uncovers the implicit biases of the new views, the means of recording information they present, and the new spaces they have opened up. Her presentation of these maps reclaims, repurposes, and discovers new and even inadvertent uses for them, including documentary, memorial, preservation, interpretation, political, or simply aesthetic. GPS has been available to both civilians and the military since 1991; the World Wide Web democratized the distribution of data in 1992; Google Earth has captured global bird's-eye views since 2005. Technology has brought about a revolutionary shift in our ability to navigate, inhabit, and define the spatial realm. The traces of interactions, both physical and virtual, charted by the maps in Close Up at a Distance define this shift.
The much-anticipated book by first time author Michael Hastings which was sold by the Wylie agency in a very high-profile deal to Scribner in the USA. MUP is proud to have acquired the ANZ rights to I Lost My Love in Baghdad. In January 2007, Andi Parhamovich was killed in Baghdad. She was a 28-year-old American aid worker whose car had been ambushed in one of Baghdad's worst neighbourhoods. Andi was also engaged to the author, Newsweek's Iraqi correspondent Michael Hastings. Hastings charts the ups and downs of their relationship, a modern love story played out against the ultra-violent backdrop of Iraq. From the day they met in New York to her tragic killing, it is a story that tries to answer questions about our involvement in the war in Iraq. This is Michael Hastings' scathing, savage picture of a hopeless war gone horribly wrong.
National bestseller: the ultimate insider account about what really is going on in Iraq. It's the most controversial conflict of our time: a war which has divided citizens, politicians, and militaries, resulted in headlines about torture and suicide bombings, death and destruction. there's no single identifiable enemy and no exit strategy. So how will the war in Iraq be won? What would victory look like?When Australian Major General Jim Molan was deployed to the war to oversee a force of 300,000 troops, including 155,000 Americans, he faced these and other questions on a daily basis. In Running the War in Iraq he gives a gripping insider's account of what modern warfare entails - the ghastly body count, the complex decisions which will mean life or death, the divide between political masters and foot soldiers - and the small, hard-won triumphs.
A sobering read from another lost front. - Kirkus ReviewsWhat happens when you drop an experienced American cop in the middle of a war zone - with very little preparation or support - to train Iraqi police? Under the Gun in Iraq tells you in high fidelity detail about this vital aspect of U.S. efforts to build a nation.-BRYAN VILA, Ph.D., Professor at Washington State University, former Marine, Los Angeles police officer and cross-cultural police trainerOne moment, I was standing there with my buddies unloading a truck. The next moment, my ears picked up the distinct 'pssst' sound homing in on us.... Hit the ground! someone yelled. Right behind the first mortar was a second, then a third, then a fourth. They each slammed into the earth with an enormous impact. The ground shook. The eight-story building above us shuddered, and we all covered our heads when the windows blew out. As I lay there with glass and debris raining down on me, all I could think was, 'Holy shit, what did I get myself into?'President Bush is fond of saying, When Iraq can stand up, America can stand down. A large part of standing up is having a well-trained police force in place to maintain peace and order.Why is it taking so long to put a solid police force together? How prepared are the Iraqis to carry out their duties? What pitfalls are Americans facing as they try to get Iraqi police up to speed?In this book Robert Cole-a retired California police officer hired by DynCorp as an international police trainer-presents a vivid account of the challenges of training the Iraqis to handle their own security. In blunt, everyday language, Cole gives the reader an unusually candid and often hair-raising glimpse into reality at the street level as he and his colleagues navigate the dangerous sectors of Baghdad, Tikrit, and Kirkuk, dodging explosions and bullets aimed at them by young, Iraqi, wannabe heroes.Cole describes situations not shown in the media that fly in the face of the party line from Washington: men in their sixties being hired as policemen, Iraqi detectives who extract information from people by ramming toothpicks under their fingernails, officers suggesting that the best way to subdue potential suspects who flee is by shooting them in the back, police hunkered down in their barracks who refuse to patrol neighborhoods for fear of violence, an enemy that easily blends into a population armed to the teeth with loaded AK-47s, and the routine frustrations of cultural and language barriers to communication.In sharp contrast to the usual bromides about staying the course, Under the Gun in Iraq paints a brutally realistic picture of the bleak, perilous road ahead. This is essential reading for all Americans seeking an honest understanding of the dire situation in Iraq.Robert Cole was a police officer for over 25 years. He retired from the force in East Palo Alto, California, where he was one of the commanders that helped bring the city back from its status as the murder capital of the United States. Cole recently finished almost two years in the United Nations Peacekeeping Mission in Haiti. He served a one-year tour of duty working for DynCorp as an international police trainer in Iraq and will be redeployed for another in 2008.Jan Hogan (Las Vegas, NV) is an award-winning staff writer for Stephens Media who writes for View newspapers and has published numerous articles in AAA's Motorland (now Via), Law & Order, and other publications. She is currently writing her next book on dyslexia.
“An urgent and deeply moving novel” (Michiko Kakutani, The New York Times) about a young American soldier struggling to find meaning during the final, dark days of the War in Iraq. The US military is preparing to withdraw from Iraq, and newly minted lieutenant Jack Porter struggles to accept how it’s happening—through alliances with warlords who have Arab and American blood on their hands. Day after day, Jack tries to assert his leadership in the sweltering, dreary atmosphere of Ashuriyah. But his world is disrupted by the arrival of veteran Sergeant Daniel Chambers, whose aggressive style threatens to undermine the fragile peace that the troops have worked hard to establish. As Iraq plunges back into chaos and bloodshed and Chambers’s influence over the men grows stronger, Jack becomes obsessed with a strange, tragic tale of reckless love between a lost American soldier and Rana, a local sheikh’s daughter. In search of the truth and buoyed by the knowledge that what he finds may implicate Sergeant Chambers, Jack seeks answers from the enigmatic Rana, and soon their fates become intertwined. Determined to secure a better future for Rana and a legitimate and lasting peace for her country, Jack will defy American command, putting his own future in grave peril. For fans of Phil Klay’s Redeployment or Ben Fountain’s Billy Lynn’s Long Halftime Walk, Youngblood provides startling new dimension to both the moral complexity of war and its psychological toll.