Download Free Iranian Feminism And Transnational Ethics In Media Discourse Book in PDF and EPUB Free Download. You can read online Iranian Feminism And Transnational Ethics In Media Discourse and write the review.

Iranian Feminism and Transnational Ethics in Media Discourse examines the mediated dialogue of #WhiteWednesdays, specifically between U.S. mainstream news narratives and Iranian activists on Twitter. These narratives highlight how hierarchies of visibility in both news and social media discourse overshadow transnational feminist politics while reinforcing femonationalist narratives. Such discourses seemingly support women in Iran, but simultaneously promote Islamophobic messages aligned with U.S. geopolitical politics. In a critical discourse analysis of the #WhiteWednesdays campaign on Twitter and mainstream U.S. news coverage of the movement, this analysis complicates representations of Iran, Muslim women, and feminist politics. The author also unpacks the politics of representation, where voices on the ground are obscured in favor of elite sources who reaffirm U.S Islamophobic and xenophobic ideologies. Scholars and students of communication and media studies will find this book particularly interesting.
My dissertation explores how Iranian feminists are mobilizing new discourses and creating dynamic transnational networks, enabled in part by cyber and print cultures. I investigate the ways in which Iranian feminist praxis consequently disrupts and reframes the putative opposition between secularism and Islam, and the multiple binaries assembled through this opposition--democratic versus authoritarian; liberatory versus oppressive; egalitarian versus patriarchal; and modern versus backwards. Within a multimethodological and interdisciplinary framework, I examine three sites of Iranian feminist activism. I consider the One Million Signatures Campaign, a grassroots feminist movement that emerged in Iran in 2006, which utilizes Islamic human rights discourses and grassroots, democratic practices to engage the state in reforming family law. I also investigate the transnational network structure of the campaign, reflecting on the particular praxis offered by campaigners in the Iranian diaspora. Finally, I examine the writings and reception of Nobel Peace Prize winner Shirin Ebadi. As a Muslim, feminist and human rights activist, Ebadi emphasizes the compatibility of Islam with human rights, thereby disrupting discourses that counterpoise them. Considered together, these three sites of Iranian feminism destabilize Western hegemony over Iran, consolidated through discourses which pit "superior" liberal democracies over "backward" Islamic nations. This oppositional staging gains purchase through geopolitical relations of power, including some iterations of global feminism, which deploy neocolonial saving and rescue narratives in the name of women's human rights. Concomitantly, transnational feminist theory, which has destabilized the normative authority of Western hegemony and global feminism, can also often reify the very power relations it seeks to critique. By emphasizing the dangers, limits, and dilemmas of transnational feminist work, transnational feminist theory can neglect critical feminist projects on the ground, effectively writing some women out of history. My dissertation considers how Iranian feminists in Iran and the diaspora challenge these various modes of epistemic silencing. Through a close examination of the praxis of Iranian feminists, reflected primarily through the narratives of the activists themselves, my dissertation contributes to feminist theories of agency and helps revitalize transnational feminist studies.
Political tensions between Iran and the United States in the post-9/11 period and the Global War on Terror have set the stage for Iranian women’s rights activists inside and outside Iran as they seek full legal equality under the Islamic Republic. Axis of Hope recounts activists’ struggles through critical analysis of their narratives, including the One Million Signatures Campaign to End Discriminatory Law, the memoirs of human rights lawyer and Nobel Prize–winner Shirin Ebadi, and the life story of feminist Mahboubeh Abbasgholizadeh and her activist project ZananTV. Catherine Sameh examines how Iranian women’s rights activists have cultivated ways of thinking of and being with each other that rupture the relentless difference-making and violence of coloniality through local and transnational networks along axes of feminist solidarity, friendship, and love. Crucial to countering despair and cynicism about Iran as well as the dangerous interventions by Western powers “on behalf of” Iranians, activists’ experiences speak to the possibilities and challenges of transnational alliances in confronting oppressive regimes. These stories are particularly germane in such precarious times, marked by war, isolation, sanctions, and the intense demonization of Iranians and Muslims, as well as authoritarianism, militarism, and patriarchal nationalisms around the world. Situating postreform women’s rights activism within the unfolding, decades-long project to democratize Iran from within, Axis of Hope makes a timely contribution to studies of feminist movements, women’s human rights in Muslim contexts, activism and new media, and the relationship between activism, civil society, and the state.
Bringing together 14 journalism scholars from around the world, this edited collection addresses the deficit of coverage of violence against women in the Global South by examining the role of the legacy press and social media that report on and highlight ways to improve reporting. Authors investigate the ontological limitations which present structural and systemic challenges for journalists who report on the normalization of violence against women in country cases in Argentina; Brazil; Mexico; Indonesia; Kenya, Nigeria, South Africa; Egypt; Libya, Syria, and Yemen. Challenges include patriarchal forces; gender imbalance in newsrooms; propaganda and censorship strategies by repressive, hyper-masculine, and populist political regimes; economic and digital inequities; and civil and transnational wars. Presenting diverse conceptual, methodological, and empirical chapters, the collection offers a revision of existing frameworks and guidelines and aims to promote more gender-sensitive, trauma-informed, solutions-driven, and victim or survivor centered reporting in the region.
The icon of the female protester and her alter-ego, the female superhero, fills screens in the news, in theaters, and in digital spaces. The female protester who is Muslim, though, has been subject to a legacy of discrimination. Superheroes in the Streets: Muslim Women Activists and Protest in the Digital Age follows the stories of both famous and grassroots Muslim female protestors, bringing careful attention to protest modes and online national icons. US Muslim women have long navigated public and digital spaces aware of the complex and nuanced histories that trail them. Given the pervasive influence of mainstream feminism, Muslim women activists are often made out to be damsels in distress. Even when mass media turns its attention to the activism of Muslim women, persistence of these false narratives demeans their culture and hypersexualizes their bodies. Following the stories of US Muslim women activists, author Kimberly Wedeven Segall shows how they have been reinventing the streets and remaking racialized codifications. Segall highlights their creativity in crafting protest media of posters, rap rally songs, and digital images of superheroes, carving public spaces into inclusive and digital territories. Each chapter teases apart the complexities of public banners and digital activism.
These days, society tells women they can buy self-care in a store or cross it off a to-do list. In this 40-day devotional, Tiffany Bluhm invites women into a deeper, more meaningful understanding of self-care that includes faith, rest, joy, lament, collaboration, and empowerment. Bluhm shows how self-care is critical to women's spiritual growth and empowerment to make a difference in the world. The Women We've Been Waiting For weaves together Scripture, liturgies, and stories of historical figures to show women that caring for themselves is the first step toward renewing their own souls and tackling the social problems they care most about. Bluhm draws from her own writing as well as guest contributions from a diverse group of ministers, authors, and activists. Each devotion invites readers to learn from women who have managed tension, survived the seemingly impossible, and embodied a resilient faith. Readers will emerge from their 40-day journey with a more vibrant spirituality to fuel them in their everyday lives.
Following a long historical legacy, Muslim women’s lives continue to be represented and circulate widely as a vehicle of intercultural understanding within a context of the "war on terror." Following Edward Said’s thesis that these cultural forms reflect and participate in the power plays of empire, this volume examines the popular and widespread production and reception of Muslim women’s lives and narratives in literature, poetry, cinema, television and popular culture within the politics of a post-9/11 world. This edited collection provides a timely exploration into the pedagogical and ethical possibilities opened up by transnational, feminist, and anti-colonial readings that can work against sensationalized and stereotypical representations of Muslim women. It addresses the gap in contemporary theoretical discourse amongst educators teaching literary and cultural texts by and about Muslim Women, and brings scholars from the fields of education, literary and cultural studies, and Muslim women’s studies to examine the politics and ethics of transnational anti-colonial reading practices and pedagogy. The book features interviews with Muslim women artists and cultural producers who provide engaging reflections on the transformative role of the arts as a form of critical public pedagogy.
Leading scholars of media and public life grapple with how to make sense of major transformations rocking media and politics.
CONTENTS.
Over the past few decades feminist media scholarship has flourished, to become a major influence on the fields of media, film and cultural studies. At the same time, the cultural shift towards 'post-feminism' has raised questions about the continuing validity of feminism as a defining term for this work. This book explores the changing and often ambivalent relationship between the three terms women, feminism and media in the light of these recent debates. At the same time it places them within the broader discussions within feminist theory - about subjectivity, identity, culture, and narrative - of which they have formed a crucial part.The book is organised around four key topic areas. 'Fixing into Images' offers a rethinking of one of the first preoccupations of feminist media analysis: the relationship between women and images. 'Narrating Femininity' explores the narratives of femininity produced in media texts in the light of theories of narrative and identity. 'Real Women' examines both the continuing absence of women's voices from the genres of news and documentary, and their over-presence within popular 'reality' media forms. Finally, 'Technologies of Difference' examines the relationship between feminism, women and new media technologies. Throughout, the book explores key issues within feminist media studies both through specific examples and via critical engagement with the work of major theoretical writers. Features*A completely up-to-date study of the key areas of issue and debate in feminist media studies.*Includes case studies and discussion of the work of key writers in the field.*Contains readings of specific texts, ranging from news and advertising to reality TV and 'postfeminist' TV drama.