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Over the last few decades, Iranian architects have made a significant contribution to architectural design. This has, however, remained largely unrecognised internationally, as architects in Iran have had little exposure in publications abroad and the diaspora of well-known Iranian designers working in the West, such as Hariri & Hariri and Nader Tehrani of NADAAA, are not necessarily associated with their cultural background. Moreover Iran, or rather Persia, has one of the richest and longest architectural heritages, which has a great deal of untapped potential for contemporary design. The intention of this issue is both to introduce key works and key architects from a range of generations – at home and abroad – and to highlight the potential of historical structures for contemporary architecture. Features Hariri & Hariri, Nader Tehrani of NADAAA, Farjadi Architects, and studio INTEGRATE. Places the spotlight on emerging practices in Iran: Arsh Design Studio, Fluid Motion Architects, Pouya Khazaeli Parsa and Kourosh Rafiey (Asar). Contributors include: Reza Daneshmir and Catherine Spiridonoff, Farrokh Derakhshani, Darab Diba, Dr Nasrine Faghih and Amin Sadeghy, Farshad Farahi, Mehran Gharleghi and Michael Hensel. Looks at garden and landscape design as well as the urban fabric in Iran from a historical and contemporary context. Includes articles on the work of post-revolutionary architecture.
This book focuses on leadership -- what it is, how it works, and how complex, multi-layered and multi-dimensional it is -- and how it will change in the years ahead. If we are to build tomorrow’s leaders today, we need to anticipate what skills, temperaments, and specific competencies will be valuable as we face future needs. If the past is a predictor of the future, the world of tomorrow will be characterized by rapid change, new technology, greater diversity, increased globalization, and the need for lifelong learning. As a political scientist and presidential scholar, Michael Genovese incorporates a wide range of disciplinary perspectives and research on leadership in this book to give students, practitioners, and leadership scholars a welcome and engaging look to the future.
In the first comprehensive look at Iranian art and visual culture since the 1979 revolution, Talinn Grigor investigates the official art sponsored by the Islamic Republic, the culture of avant-garde art created in the studio and its display in galleries and museums, and the art of the Iranian diaspora within Western art scenes. Divided into three parts—street, studio, and exile—the book argues that these different areas of artistic production cannot be understood independently, revealing how this art offers a mirror of the sociopolitical turmoil that has marked Iran’s recent history. Exploring the world of galleries, museums, curators, and art critics, Grigor moves between subversive and daring art produced in private to propaganda art, martyrdom paraphernalia, and museum interiors. She examines the cross-pollination of kitsch and avant-garde, the art market, state censorship, the public-private domain, the political implications of art, and artistic identity in exile. Providing an astute analysis of the workings of artistic production in relation to the institutions of power in the Islamic Republic, this beautifully illustrated book is essential reading for anyone interested in Iranian history and contemporary art.
A new perspective on Iranian politics and culture in the 1960s-1970s documenting the 'Westoxification' discourses adopted by the Pahlavi State.
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
"For the past several months this subcommittee has been conducting an inquiry into United States aid operations, with particular reference to Iran"--Page 1.