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After her mother dies of an accidental overdose, Alex takes leave from her job as a writer for a Washington, DC, lifestyle magazine to return home to Maryland’s Eastern Shore. There, she joins her brother Owen, a study in failure-to-launch, in sorting out their mother’s whimsical and often self-destructive life. Alex has proposed to her editor that while she is home she profile Juliette Sprigg, her former high school fling, owner of a wildly popular local restaurant, and celebrity chef in the making. While working on the story and trying for a second chance with Juliette, Alex meets Carolyn Massey, editor of the town newspaper, and wonders if there’s more to life than reheating leftovers. Enter Alex and Owen’s Aunt Johanna, who arrives from Seattle to help with arrangements. When Johanna reveals a family secret, Alex may have to accept her family for who they are rather than who she hoped they would be. And just maybe apply the same philosophy to her heart and herself.
Creative Writing and Art History considers the ways in which the writing of art history intersects with creative writing. Essays range from the analysis of historical examples of art historical writing that have a creative element to examinations of contemporary modes of creative writing about art. Considers the ways in which the writing of art history intersects with creative writing Covers a diverse subject matter, from late Neolithic stone circles to the writing of a sentence by Flaubert The collection both contains essays that survey the topic as well as more specialist articles Brings together specialist contributors from both sides of the Atlantic
Benjamin loves chocolate. He also knows a lot about it. But one person knows more - his grandfather Marco, otherwise known as the Chocolate King. Benjamin’s family arrive in France at the beginning of the 17th century, having escaped the Spanish Inquisition. They have nothing but the clothes on their backs and as many cocoa beans as they can carry. Back in Spain, Benjamin’s grandfather Marco was El Rey de Chocolate, famed for his delicious hot chocolate drink, a recipe he claims he learned from an intrepid Spanish explorer. But now, if the family are to make a living, they must persuade the people of France to fall in love with Marco’s strange mud-colored concoction. Benjamin is desperate to help, dreaming that he might grow up to wear the Chocolate King crown. Then, one day, Benjamin causes chaos in the kitchen. Covered head-to-toe in chocolate, he stumbles into the street and straight into the path of the real King - the King of France. Finally, the family get the breakthrough they need, and all of Benjamin’s dreams start to come true.
Enticing, heart wrenching, and darkly funny, the interconnected stories in The Artstars are set in creative communities—an art school, an illegal loft studio, a guerrilla street performance troupe—where teamwork and professional jealousy mix, and the artists grapple with economic realities and evolving expectations. A middle-aged poet, reeling from 9-11, fights homesickness, writer's block, and ladybugs at an artist's colony. A new empty-nester finds a creative outlet in her community garden, but gets tangled up in garden politics. As the characters pass through each other's stories, making messes and helping mop them up, some find inspiration in accidents; others are ready to quit art completely. Together, they stumble through the creative process, struggling to make art and find the spark of something new and original within themselves. In a world where the odds of becoming a star are nearly impossible, The Artstars tells the stories of those who dare to dream.
Poetry. Asian & Asian American Studies. Women's Studies. LGBTQIA Studies. In her debut short collection, poet Kristin Chang bursts onto the page and into our consciousness like a dazzling, dizzying uproar: "I suck / until my teeth riot / with rot & I have nothing / left in my mouth to keep / quiet." Quiet Chang's speakers are not. In these nineteen poems, the body is personal and communal, hunter and hunted: "My mother says / women who sleep with women / are redundant: the body symmetrical / to its crime. Between your knees / I mistake need for belief / in a father figure: once, we renamed / our fathers by burning them / out of our bodies, smoking the sky / into meat." PAST LIVES, FUTURE BODIES is a knife-sharp and nimble examination of migration, motherhood, and the malignant legacies of racism. In this collection, family forms both a unit of survival and a framework for history, agency, and recovery. Chang undertakes a visceral exploration of the historical and unfolding paths of lineage and what it means to haunt body and country. These poems traverse not only the circularity of trauma but the promise of regeneration--what grows from violence and hatches from healing--as Chang embodies each of her ghosts and invites the specter to speak. "Kristin Chang wields the line break like a sword cutting through dimensions of reality and language. Each break offers another surprise gut-punch or gutting grace on the other side as these fiercely sharp poems turn and turn, Chang never faltering to rise to the occasion of these blood-filled verses. Chang, quite simply, can write her ass off. I read these poems and I feel like I'm discovering poetry all over again. Chang makes a spell rise from every wound, and I'm caught all the way up in this magic. Kristin Chang is one of the best emerging writers out there, and this chapbook is one step into a career we will all be transformed by. PAST LIVES, FUTURE BODIES couldn't be a better way to be introduced to your new favorite poet. It's Kristin's world, thank God we're reading in it."--Danez Smith "Kristin Chang's PAST LIVES, FUTURE BODIES is full of mouths swallowing food, language, home, memory, and bodily desires to finally arrive at explosive demonstrations of what happens when the unspeakable is uttered and shouted. Each poem shows the process of turning a painful reflection on history, sexuality, race, family, and nation into a prismatic object of beauty. We are lucky to witness Chang's use of silence as a productive narrative frame."--Emily Jungmin Yoon "In PAST LIVES, FUTURE BODIES, Kristin Chang's knotty examination into the complexities of intergenerational relationships, we come to understand the fraught nature of both the known and the unknown. These meditations on family, pain, and the ways we communicate untangle the threads of what it means to love those who have hurt us. Chang writes, 'Every language has different / words for the same want,' and the poems in this collection stunningly reveal those words and leave us wanting for more."--Eloisa Amezcua