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An account of the East India Company's fourth voyage; with an appendix containing William Revett's 1609 account of the Seychelles, and reports on other places by merchants and seamen of the same period. Appendices: A. William Revett's account of the Seychelles. B. William Revett's narrative of events at Aden, his voyage to Mocha, etc. C. Captain Sharpeigh's account of events at Aden and Mocha, of the shipwreck, and of his subsequent journey to Agra. D. William Finch's description of Ma?ndu? and Gwalior. E. Coen's narrative of the visit of the Darling to Amboyna and Ceram. F. The fight at Patani and death of Jourdain. "Bibliography (by Basil H. Soulsby)": p. [375]-384. This is a new print-on-demand hardback edition of the volume first published in 1905.
This book provides an original study of the sizeable Portuguese community in Ayutthaya, the chief river-state in Siam, during a period of apparent decline (1640-1720). Portuguese populations were displaced from their chief settlements like Melaka and Makassar, and attracted to the river-states of mainland South-East Asia by a protective model of kingship, hopes of international trade and the opportunity to harvest souls. A variety of sources will be used to shed light on the fortunes and make-up of this displaced, mixed-race 'tribe', which was largely independent of the matrices of Portuguese colonial power, and fared poorly alongside other foreign communities in this remarkably open, dynamic environment. Circumstances changed for the better after the National Revolution of 1688, when Portuguese started to fill many of the jobs at court and in commerce previously occupied by Frenchmen and northern Europeans.
Describing His Experiences In Arabia, India And The Malay Archipelago.
Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.
Captain John Anderson served in the Dutch East India Company (VOC) as ‘Pilot-Major’ in a fleet of ships that set sail from Europe in December 1640, and returned with his ships in July 1643. This was Anderson’s fourth voyage to the East Indies. His journey took three years during which time he safely brought a VOC fleet to Java and home again through tempests and full-scale battles with the Portuguese at sea. In this, the first-ever edition of Anderson’s Journal, the editors have complemented his own words with chapters discussing the author’s contributions to the History of Warfare in Asia, Maritime Navigation and Early Modern Travel Writing.
Famously referred to as the "cradle of globalization," the Indian Ocean has received increasing attention from scholars. However, few have examined the 'human' dimensions of the ocean. In this volume, historians, geographers, anthropologists and literary analysts each address a specific human factor in Indian Ocean exchanges.
It takes a great mind to study a great mind. The literary critic John Livingston Lowes puts his reputation on the line by chosing to analyse the sources, thoughts and imagination of the poet Samuel Taylor Coleridge. The result, 'The Road to Xanadu', is a remarkable and insightful examination of the creative processes and reading material that inspired 'The Rime of the Ancient Mariner' and 'Kubla Khan'. Lowes brilliantly uses his study of Coleridge as a springboard to a more wide-ranging analysis of the imagination. If you like Coleridge's work, you will be fascinated by this look into the mind of a literary giant. John Livingston Lowes (1867-1945) was an American scholar and critic of English literature. His best-known subjects were Samuel Taylor Coleridge and Geoffrey Chaucer, author of 'The Canterbury Tales'. His most famous work is 'The Road to Xanadu: A Study in the Ways of the Imagination', which examines the sources of Coleridge's 'The Rime of the Ancient Mariner' and 'Kubla Khan'.
Francis Bacon's Contribution to Shakespeare advocates a paradigm shift away from a single-author theory of the Shakespeare work towards a many-hands theory. Here, the middle ground is adopted between competing so-called Stratfordian and alternative single-author conspiracy theories. In the process, arguments are advanced as to why Shakespeare’s First Folio (1623) presents as an unreliable document for attribution, and why contemporary opinion characterised Shakspere [his baptised name] as an opportunist businessman who acquired the work of others. Current methods of authorship attribution are critiqued, and an entirely new Rare Collocation Profiling (RCP) method is introduced which, unlike current stylometric methods, is capable of detecting multiple contributors to a text. Using the Early English Books Online database, rare phrases and collocations in a target text are identified together with the authors who used them. This allows a DNA-type profile to be constructed for the possible contributors to a text that also takes into account direction of influence. The method brings powerful new evidence to bear on crucial questions such as the author of the Groats-worth of Witte (1592) letter, the identifiable hands in 3 Henry VI, the extent of Francis Bacon’s contribution to Twelfth Night and The Tempest, and the scheduling of Love’s Labour’s Lost at the 1594–5 Gray’s Inn Christmas revels for which Bacon wrote entertainments. The treatise also provides detailed analyses of the nature of the complaint against Shakspere in the Groats-worth letter, the identity of the players who performed The Comedy of Errors at Gray’s Inn in 1594, and the reasons why Shakspere could not have had access to Virginia colony information that appears in The Tempest. With a Foreword by Sir Mark Rylance, this meticulously researched and penetrating study is a thought-provoking read for the inquisitive student in Shakespeare Studies.