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In the nineteenth century, here in Ireland, we started to walk away decisively from a native language that was a way of seeing and knowing things. In the twentieth century we started to walk away from a religion that in many of its ideas and practices was a folk religion. In this century we are walking away from local accents, from the big open vowels upon which so many of our poems depend for their full auditory effect. Overall, in line with revolutionary ambitions elsewhere in the world, we have moved from rites that related us to time and eternity to rights within a body politic. Could it be that we have moved too far, too fast? The Chinese say that the sage is to be found not walking ahead of humanity, finding a way for it, but behind it, picking up the inestimable treasures it leaves behind it in its flight into an ever-receding future. While he doesn't claim to be a sage, here too is where we find Moriarty, walking hundreds, even thousands, of years behind us, picking up things. As its centenary approaches, Invoking Ireland offers an alternative to the 1916 Easter Rising Proclamation. Here Moriarty proposes not a Republic but anEnflaith, reinstituting a Birdreign in which all things live ecumenically with all things, uniting man with nature, magic and the divine. Standing shamanically and mystically with the heroes of political thinkers, among them Plato, St Augustine and Rousseau.
A sweeping history of Ireland's native gods, from Iron Age cult and medieval saga to the Celtic Revival and contemporary fiction Ireland’s Immortals tells the story of one of the world’s great mythologies. The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation’s languages, the book describes how Ireland’s pagan divinities were transformed into literary characters in the medieval Christian era—and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and sometimes bizarre stories, Mark Williams’s comprehensive history traces how these gods—known as the Túatha Dé Danann—have shifted shape across the centuries. We meet the Morrígan, crow goddess of battle; the fire goddess Brigit, who moonlights as a Christian saint; the fairies who inspired J.R.R. Tolkien’s elves; and many others. Ireland’s Immortals illuminates why these mythical beings have loomed so large in the world’s imagination for so long.
Foreword by Shane Ross "As Ireland looks to regroup and rebuild for the future, this is exactly the type of book the country needs, with new people and new ideas." Peter Sutherland, former EU Commissioner and Director General of GATT and the WTO "Every crisis presents an opportunity and Ireland’s current crisis gives us an opportunity to reshape the country, to make it future-proof. Next Generation Ireland contains some fascinating ideas by some of Ireland's brightest young thinkers on how to build the Ireland of the 2020s and 2030s." David McWilliams, economist and author Ireland in the early 2010s stands at a crossroads. The ongoing change and crisis in institutions that once had our trust force us to ask, "What now?" Next Generation Ireland brings together ten young Irish men and women to answer this very question. All are under forty and are emerging experts in their chosen fields. They have come together because they believe that, in this time of questioning, there exists a huge opportunity for the next generation to build the Ireland of the 2020s and 2030s.The book tackles the essential challenges confronting Irish politics and society, the economy, the environment, and Ireland’s relationship with the rest of the world. Each writer proposes transformative policies in their respective areas that will renew and sustain the Irish state in the coming decades. Urging reform and policy transformation, Next Generation Ireland marks the beginning of an interesting conversation. Do you wish to participate? Contributors include: Eoin O’Malley, Michael Courtney, Stephen Kinsella, Michael King, Joseph Curtin, Aoibhín de Búrca, Neil Sands and Nicola White
This book analyzes particular patterns of nationalist self-configuration and nationalist uses of memory, counter-memory, and historical amnesia in Ireland from roughly around the time of the emergence of a broad-based non-sectarian Irish nationalist platform in the late eighteenth century (the Society of United Irishmen) until Ireland’s partition and the founding of the Irish Free State in 1922. In approaching Irish nationalism through the particular historical lens of “Iran,” this book underscores the fact that Irish nationalism during this period (and even earlier) always utilized a historical paradigm that grounded Anglo-Irish encounters and Irish nationalism in the broader world history, a process that I term “worlding of Ireland.” In effect, Irish nationalism was always politically and culturally cosmopolitan in outlook in some formulations, even in the case of many nationalists who resorted to insular and narrowly defined exclusionary ethnic and/or religious formulations of the Irish “nation.” Irish nationalists, as nationalists in many other parts of the world, recurrently imagined their own history either in contrast to or as reflected in, the histories of peoples and lands elsewhere, even while claiming the historical uniqueness of the Irish experience. Present in a wide range of Irish nationalist political, cultural, and historical utterances were assertions of past and/or present affinities with other peoples and lands.
Woven Shades of Green is an annotated selection of literature by authors who focus on the natural world and the beauty of Ireland. It begins with the Irish monks and their largely anonymous nature poetry, written at a time when Ireland was heavily forested. A section follows devoted to the changing Irish landscape, through both deforestation and famine, including the nature poetry of William Allingham, and James Clarence Mangan, essays from Thomas Gainford and William Thackerary, and novel excerpts from William Carleton and Emily Lawless. The anthology then turns to the nature literature of the Irish Literary Revival, including Yeats and Synge, and an excerpt from George Moore’s novel The Lake. Part four shifts to modern Irish nature poetry, beginning with Patrick Kavanaugh, and continuing with the poetry of Seamus Heaney, Eavan Boland, and others. Finally, the anthology concludes with a section on various Irish naturalist writers, and the unique prose and philosophical nature writing of John Moriarty, followed by a comprehensive list of environmental organizations in Ireland, which seek to preserve the natural beauty of this unique country. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
This volume focuses on ‘fittingness’ as an ethical-aesthetical idea, and in particular examines how the concept is beneficial for environmental ethics. It brings together an innovative set of contributions to argue that fittingness is a significant but under-investigated facet of human ethical deliberation with both ethical and aesthetic dimensions. In widely diverse matters – from architecture to table manners – individuals and communities make decisions based on ‘fittingness’, also expressed in related terms, such as appropriateness, prudence, temperance, and mutuality. In the realm of environmental ethics, fittingness denotes a relation between conscious embodied persons and their habitats and is of relevance to judgements about how humans shape, and take up with, the non-human environment, and hence to ethical decisions about the development and use of the environment and non-human creatures. As such, fittingness can be of great benefit in reframing human relationships to the non-human, stimulating a way of living in the world that is fitting to the preservation of its fruitfulness, goodness, beauty, and truth.
Here at the end of the Cenozoic Era with the life systems withering away, a surprising creativity appears, a kind of mystical balancing act. The world's spiritual traditions are entering into deeply engaged conversations through which the riches of each are ignited in new ways. With The Salmon in the Spring, Jason Kirkey has boldly carved out his place in this exciting work with his original interpretations of the concepts and stories of ancient Ireland . . . Kirkey's vision speaks directly to our present ecological challenge. Rejecting those nature- denying forms of spirituality that have been used too easily to justify our domestication of the planet, The Salmon in the Spring announces its thrilling spiritual foundation: 'Our wild nature is our soul.' --Brian Swimme, California Institute of Integral Studies
• Shares insights from herbalism, ecology, neurobiology, psychology, Irish history, and magical tradition to show how to tap into the flow of communication from the wild world • Explores the seven principles of animist herbalism and the ancient Irish understanding of the “three cauldrons” of the body, showing how they can be applied to the practice of modern herbalism • Introduces thirteen important plant and fungi allies and provides simple practices for deepening your connections with wild plants and your ancestors To our ancestors, the wild world around them was filled with meaning, guidance, and insight. They recognized the symbols hidden in Nature that represent invitations to connect with our wild kin, such as the Silver Branch of Irish legend. They understood that plants and fungi are living teachers who can become our allies in healing and magic. They knew that there is deep healing available when one lives in direct connection with the living world. Braiding together insights from herbalism, ecology, neurobiology, psychology, Irish history, and magical tradition, Seán Pádraig O’Donoghue shows how we, too, can tap into the flow of communication from the wild world and our ancestral traditions to transform our lives, culture, and worlds. Introducing the seven principles of animist herbalism, he revitalizes the ancient Irish understanding of the "three cauldrons" of the body and shows how this framework can be applied to the practice of modern herbalism. He examines the importance of physical and spiritual nourishment, including the role of seasonal ritual in setting the rhythms of our lives. He shares ancient Irish stories, with precautions and protocols regarding the ethics of engaging the Otherworld and working with plant medicines, especially psychedelics. O’Donoghue introduces 26 of his closest plant and fungi allies, discussing what it means to develop a relationship with a plant and how to work with their medicines for healing and magic. He also provides simple practices for rooting in nature, navigating the wheel of the year, and deepening your connection with wild plants as well as the sun, water, and the ancestors. Revealing the depths of healing and magic available through wild plants, O’Donoghue helps us to reconnect body and spirit with the living world around us.
Micheál Ó Muircheartaigh is best known as the voice of the GAA. But his interests and enthusiasms – sporting and non-sporting – go far beyond the fields of Gaelic games. In his new book, the follow-up to his bestselling memoir From Dún Síon to Croke Park, Micheál brings us along on his travels around the world, and to the villages, townlands and sporting fields of the four provinces of Ireland. He recalls great days at the races and in sporting stadiums big and small, and great nights in the dance halls. Above all, he tells the stories of these places and the people he has encountered there – stories told as only Micheál can tell them.
The English language in the Renaissance was in many ways a collection of competing Englishes. Paula Blank investigates the representation of alternative vernaculars - the dialects of early modern English - in both linguistic and literary works of the period. Blank argues that Renaissance authors such as Spenser, Shakespeare and Jonson helped to construct the idea of a national language, variously known as 'true' English or 'pure' English or the 'King's English', by distinguishing its dialects - and sometimes by creating those dialects themselves. Broken English reveals how the Renaissance 'invention' of dialect forged modern alliances of language and cultural authority. This book will be of interest to scholars and students of Renaissance studies and Renaissance English literature. It will also make fascinating reading for anyone with an interest in the history of English language.