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Invocation is the imagination of a deity and the subsequent identification with this imagined image of the deity. This procedure is one of the basics of magic, because through such an identification one's own possibilities of perception and action become many times greater. This technique goes back to the late Paleolithic Age, when hunters identified themselves with a panther in order to obtain the strength and speed of a panther during their hunt. Later, the grain god was invoked in the Neolithic period, and then the One God was invoked in kingship. The effectiveness of the technique of invocation, of course, like all magical phenomena, cannot be proven by words, but at least described in such a way that you may try this technique yourself. As with almost all things, patience and practice are beneficial, but there are also some methods, such as dream travel, that make the whole thing much easier and more effective.
Ever since Esther Solar’s grandfather was cursed by Death, everyone in her family has been doomed to suffer one great fear in their lifetime. Esther’s father is agoraphobic and hasn’t left the basement in six years, her twin brother can’t be in the dark without a light on, and her mother is terrified of bad luck. The Solars are consumed by their fears and, according to the legend of the curse, destined to die from them. Esther doesn’t know what her great fear is yet (nor does she want to), a feat achieved by avoiding pretty much everything. Elevators, small spaces and crowds are all off-limits. So are haircuts, spiders, dolls, mirrors and three dozen other phobias she keeps a record of in her semi-definitive list of worst nightmares. Then Esther is pickpocketed by Jonah Smallwood, an old elementary school classmate. Along with her phone, money and a fruit roll-up she’d been saving, Jonah also steals her list of fears. Despite the theft, Esther and Jonah become friends, and he sets a challenge for them: in an effort to break the curse that has crippled her family, they will meet every Sunday of senior year to work their way through the list, facing one terrifying fear at a time, including one that Esther hadn’t counted on: love.
Drawn from the world's religions, this work takes the reader on a pilgrimage to the heart of prayer and reveals why prayer is the essence of the human condition.
The ‘A Tentative Guide to Islamic Invocations’ is a personal selection of invocations, all of which claim to be from the Prophet Muhammad (SAW) or from his immediate Companions. In other words, everything in this collection is a transmitted (ma’thur) invocation. Apart from a single narration (which is traceable to the Tabi‘ al-Tabi‘in Imam Sufyan al-Thawri [97–161 ah/716–778 ce] and who arguably would not have related it without a now-lost chain of transmission to the Prophet (SAW)), there are no non-transmitted invocations here from any of the great figures of Islamic history and spirituality after the Companions of the Prophet (SAW).
2018 California Book Award Finalist "Reyes writes with conviction about the various ways imperialism transforms women into 'capital, collateral, damaged soul.' However, the women that appear throughout the book are not merely victims; in Reyes's radical cosmology, these women--these daughters--are rebels, saints, revolutionaries, and torchbearers, 'sharp-tongued, willful.' This book is a call to arms against oppressive languages, systems, and traditions."--Publishers Weekly, starred review "Infused with Spanish and Tagalog, Reyes's beautiful, angry verse shines throughout. For a wide range of readers."--Library Journal, starred review Invocation to Daughters is a book of prayers, psalms, and odes for Filipina girls and women trying to survive and make sense of their own situations. Writing in an English inflected with Tagalog and Spanish, in meditations on the relationship between fathers and daughters and impassioned pleas on behalf of victims of brutality, Barbara Jane Reyes unleashes the colonized tongue in a lyrical feminist broadside written from a place of shared humanity. Praise for Invocation to Daughters "Against violence against women, Barbara Jane Reyes rips and runs, jumping off Audre Lorde's 'the master's tools will never dismantle the master's house, ' Invocation to Daughters recombines registers--prayers, pleas and elegy--braiding a trilingual triple-threat, a 3-pronged poetics that enjambs and reconfigures the formal with the street, utterance with erasure, the prose sentence with the liminal. Invocation to Daughters reminds me of the 70's in the East Bay, when Jessica Hagedorn met Ntozake Shange and ignited a green flash seen from horizon to horizon. Barbara Jane Reyes is one of the Bay Area's incendiary voices."--Sesshu Foster "Invocation to Daughters is a space for multitudes, a hypnotic collection that draws from family history--particularly the complex cultural gendered dynamic between father and daughter--in order to create a manual for emancipation from the interior and exterior binds that keep us from ourselves. Through prayers, calls to actions, and testimonies, Reyes invents 'a language so that we know ourselves, so that we may sing, and tell, and pray.'"--Carmen Gim nez Smith
This sourcebook explores the most extensive tradition of Buddhist dhāraṇī literature and provides access to the earliest available materials for the first time: a unique palm-leaf bundle from the 12th–13th centuries and a paper manuscript of 1719 CE. The Dhāraṇīsaṃgraha collections have been present in South Asia, and especially in Nepal, for more than eight hundred years and served to supply protection, merit and auspiciousness for those who commissioned their compilation. For modern scholarship, these diverse compendiums are valuable sources of incantations and related texts, many of which survive in Sanskrit only in such manuscripts.