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After trading his tranquil Staten Island existence for a flat in the city and an editorial position at the New York Herald, William Nesmith anticipates as easy and uneventful a transition from bachelorhood to marriage-as soon as he's prepared to ask the vivacious Violet Chapin for her hand. Though Violet longs to climb the social ladder Will scorns, she seems willing to wait for him-and wait she must, for Will intends to make his way without the assistance of Violet's well-to-do connections.Whether that's a vow he can keep comes into question when he runs afoul of Charlie Kohlbeck, a capricious reporter with a keen eye for a story and the flexible ethics to dig up any secret, whether hidden in Manhattan's darkest corners or the grand marble halls of its social elite. When Will is ordered to work with him so they'll come to better appreciate each other's talents, Charlie takes him along on the hunt for an interview with the elusive Lord Belcourt. It's a meeting every reporter in town is after, but Charlie gains an audience by introducing Will as one of the wealthy California Nesmiths-a lie that sets Will on a path up the social ladder at a speed no respectable gentleman could stomach.Offered his own society column if he prolongs the charade, Will wants nothing more than to escape the bevy of eager debutantes on his trail and make peace with a very vexed Violet. But when he helps a shy heiress menaced by swindlers, he's caught in a tangled web turned dangerous and must put his faith in Charlie Kohlbeck-who may possibly prove the one road to ruin Will is defenseless to resist.
Virtually all of the composer's works for piano solo: 4 piano sonatas, "Invitation to the Dance," 8 sets of variations, "Grande Polonaise," others. Authoritative C. F. Peters edition.
The complexity and scale of the environmental problems confronting humanity today provoke a wide range of responses, from indifference to anger to creativity. Among a growing number of architects, landscape architects, and planners, however, these problems have inspired a new vision-sustainability-to guide their practices. In Nature, Landscape, and Building for Sustainability, a diverse group of contributors considers the concept of sustainability, both philosophically and practically. Some take a broad view of the divisions between nature and humanity, exploring the incomprehensible scale of human intervention in the natural world, the relationship between how we feel about nature and what we do about it, and the commodification of the natural world. Other essays focus on sustainable design practices: sustainability's roots in the American conservation tradition, its utility as a framework for future design practice, and the necessity of moving beyond demonstration projects into the mainstream. Together, these essays suggest that the gap between the promise and reality of sustainable design, although significant, can be bridged through diligence and practice. Contributors: D. Michelle Addington, Yale U; John Beardsley, Harvard Graduate School of Design; Albert Borgmann, U of Montana, Missoula; Peter Buchanan; Peter Del Tredici, Harvard Graduate School of Design; Robert France, Harvard Graduate School of Design; Susannah Hagan, U of East London; Kristina Hill, U of Virginia; Catherine Howett, U of Georgia; Niall Kirkwood, Harvard Graduate School of Design; Lucy R. Lippard; Bill McKibbin; Michael Pollan; Rossana Vaccarino, Vaccarino Associates, St. Thomas. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University's Graduate School of Design. He is editor of five previous Harvard Design Magazine Readers published by the University of Minnesota Press. Robert L. Thayer Jr. is emeritus professor of landscape architecture and founder of the landscape architecture program at the University of California, Davis.
The volume for the 50th season, 1940/41, includes "Repertoire, 1891-1941" [62] p. and "Solists, 1891-1941" [5] p.
GOD SPEAKS TO HIS BRIDAL PRESENCE IS PART OF THE END-TIME PSALMS OF GOD "I, The Lord, Speak to My bridal presence, intend to bind with a band of gold, ... I, The Lord, repeat the calling of The Lord, as the end-time builds unto a climax, as grace prepares to depart, as mercy waits upon the sidelines, as The Earth awaits her mantle of due honour, as life capitulates from evil with a change of heart, as truth and righteousness usher in the peace fields of divinity, ... " This is of extreme interest to all who do, and would, love The Lord Jesus
When Americans mamboed in the kitchen, waltzed in the living room, polkaed in the pavilion, and tangoed at the club; with glorious, full-color record cover art. In midcentury America, eager dancers mamboed in the kitchen, waltzed in the living room, Watusied at the nightclub, and polkaed in the pavilion, instructed (and inspired) by dance records. Glorious, full-color record covers encouraged them: Let’s Cha Cha Cha, Dance and Stay Young, Dancing in the Street!, Limbo Party, High Society Twist. In Designed for Dancing, vinyl record aficionados and collectors Janet Borgerson and Jonathan Schroeder examine dance records of the 1950s and 1960s as expressions of midcentury culture, identity, fantasy, and desire. Borgerson and Schroeder begin with the record covers—memorable and striking, but largely designed and created by now-forgotten photographers, scenographers, and illustrators—which were central to the way records were conceived, produced, and promoted. Dancing allowed people to sample aspirational lifestyles, whether at the Plaza or in a smoky Parisian café, and to affirm ancestral identities with Irish, Polish, or Greek folk dancing. Dance records featuring ethnic music of variable authenticity and appropriateness invited consumers to dance in the footsteps of the Other with “hot” Latin music, Afro-Caribbean rhythms, and Hawaiian hulas. Bought at a local supermarket, department store, or record shop, and listened to in the privacy of home, midcentury dance records offered instruction in how to dance, how to dress, how to date, and how to discover cool new music—lessons for harmonizing with the rest of postwar America.
Whether you’re seeking movie gifts or something for the history buffs in your life, this comprehensive guide to animation and cartoons has it all. In this one-of-a-kind definitive history of American animated cartoons, renowned film critic and historian Leonard Maltin presents the most extensive filmography on cartoons ever compiled. In this revised and updated edition of Of Mice and Magic, Leonard Maltin not only recreates this whole glorious era from the silent days through the Hollywood golden age to Spielberg’s An American Tail, he traces the evolution of the art of animation and vividly portrays the key creative talents and their studios. This definitive history of American animated cartoons also brings Maltin’s many fans up to date on the work being done today at the Walt Disney and Warner Bros. studios, and other developments in the world of animation. Drawing on colorful interviews with many of the American cartoon industry’s principals, Maltin has come up with a gold mine of anecdotes and film history. Behind the scenes were genius animators and entrepreneurs such as Walt Disney, Chuck Jones, Tex Avery, Mel Blanc, and a legion of others. In all, Maltin has put together a glorious celebration of a universally loved segment of Americana.