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The Hugo award-nominated sci-fi epic INVISIBLE REPUBLIC is back for its third arc! Maia Reveron becomes embroiled in the civil war raging on the treacherous, untamed planet of Asan while Croger BabbÕs actions threaten to unbalance the new Avalon regime. Filled with intrigue and darkly unyielding, issue # 11 is a great jumping-on point for new readers!
The Hugo Award finalist continues! Jump into this fast-paced, poli-sci-fi thriller and see why critics call INVISIBLE REPUBLIC "smart" and "fantastically sordid." When idealism becomes brutality, it's hard to pick a side. No one knows this better than Maia, but is she willing to give up her dreams for the sake of security? Collects INVISIBLE REPUBLIC #11-15.
The Hugo Award finalist continues! Jump into this fast-paced, poli-sci-fi thriller and see why critics call INVISIBLE REPUBLIC "smart" and "fantastically sordid." When idealism becomes brutality, it's hard to pick a side. No one knows this better than Maia, but is she willing to give up her dreams for the sake of security? Collects INVISIBLE REPUBLIC #11-15
When a reporter unearths the secret history of the recently deposed dictator of a remote colonized moon, he discovers exposing secrets can deadly. Collects INVISIBLE REPUBLIC #1-5.
A thoughtful analysis of how our world's borders came to be and why we may be emerging from a lengthy period of "cartographical stasis" What is a country? While certain basic criteria--borders, a government, and recognition from other countries--seem obvious, journalist Joshua Keating's book explores exceptions to these rules, including self-proclaimed countries such as Abkhazia, Kurdistan, and Somaliland, a Mohawk reservation straddling the U.S.-Canada border, and an island nation whose very existence is threatened by climate change. Through stories about these would-be countries' efforts at self-determination, as well as their respective challenges, Keating shows that there is no universal legal authority determining what a country is. He argues that although our current world map appears fairly static, economic, cultural, and environmental forces in the places he describes may spark change. Keating ably ties history to incisive and sympathetic observations drawn from his travels and personal interviews with residents, political leaders, and scholars in each of these "invisible countries."
The book establishes a philosophical base for the economic principles of Irish republicanism in the 21st century. It traces these from their late 18th century origins to the present day. It is unique in terms of contemporary books about Irish republicanism. There has been a dearth of economic analysis of the republican position since the creation of the modern Irish state in 1922. The book makes a link between the politics of Tone, Davis, Lalor, Connolly and Pearse through the economic experience of people living and working in not just Ireland but around the world today. The examples are contemporary but the ideological basis stretches from the present day back through the last 250 years of developing Irish republican thought. It identifies a series of key contemporary economic issues and gives a socialist republican perspective on possible solutions and strategies. Ultimately it provides a recalibration of the principles of socialism and republicanism in the 21st century.
Globalization discourse now presumes that the “world space” is entirely at the mercy of market norms and forms promulgated by reactionary U.S. policies. An academic but accessible set of studies, this wide range of essays by noted scholars challenges this paradigm with diverse and strong arguments. Taking on topics that range from the medieval Mediterranean to contemporary Jamaican music, from Hong Kong martial arts cinema to Taiwanese politics, writers such as David Palumbo-Liu, Meaghan Morris, James Clifford, and others use innovative cultural studies to challenge the globalization narrative with a new and trenchant tactic called “worlding.” The book posits that world literature, cultural studies, and disciplinary practices must be “worlded” into expressions from disparate critical angles of vision, multiple frameworks, and field practices as yet emerging or unidentified. This opens up a major rethinking of historical “givens” from Rob Wilson’s reinvention of “The White Surfer Dude” to Sharon Kinoshita’s “Deprovincializing the Middle Ages.” Building on the work of cultural critics like Edward Said, Gayatri Spivak, and Kenneth Burke, The Worlding Project is an important manifesto that aims to redefine the aesthetics and politics of postcolonial globalization withalternative forms and frames of global becoming.
Arc two comes to a close with a monster issue. All of Geoffrey's lies, secrets, and rationalizations have led to this. Plus, Radia's public stand against C.O.W.L.--will she win the independence she wants? And does Arclight have a future with C.O.W.L.? Or at all?
The 1960s and 1970s represent a rare moment in our cultural history -- music was exploring unprecedented territories, literature was undergoing a radical reinvention, politics polarized the nation, and youth culture was at the zenith of its influence. There has never been, nor is there likely to be, another generation that matches the contributions of the artists of that time period. In this poignant book, journalist Mikal Gilmore weaves a narrative of the '60s and '70s as he examines the lives of the era's most important cultural icons. Keeping the power of rock & roll at the forefront, Gilmore gathers together stories about major artists from every field -- George Harrison, Ken Kesey, Johnny Cash, Allen Ginsberg, to name just a few. Gilmore reveals the truth about this idealized period in history, never shying away from the ugly influences that brought many of rock's most exciting figures to their knees. He examines how Jim Morrison's alcoholism led to the star's death at the age of twenty-seven, how Jerry Garcia's drug problems brought him to the brink of death so many times that his bandmates did not believe the news of his actual demise, how Pink Floyd struggled with the guilt of kicking out founding member Syd Barrett because of his debilitating mental illness. As Gilmore examines the dark side of these complicated figures, he paints a picture of the environment that bred them, taking readers from the rough streets of Liverpool (and its more comfortable suburbs) to the hippie haven of Haight-Ashbury that hosted the infamous Summer of Love. But what resulted from these lives and those times, Gilmore argues, was worth the risk -- in fact, it may be inseparable from those hard costs. The lives of these dynamic and diverse figures are intertwined with Gilmore's exploration of the social, political, and emotional characteristics that defined the era. His insights and examinations combine to create a eulogy for a formative period of American history.