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A pioneer in East-West and interreligious dialogue issues an invitation to a world spirituality. Panikkar stresses the intense personal and societal reassessment that comes from a serious encounter with world religious traditions, its affront to Western parochialism and to modern thinking. This volume gathers some of Panikkar's best writing.
There is one thing we can be sure of: we are all going to die. But once we accept that fact, the questions begin. In this thought-provoking book, philosophy professor Shelly Kagan examines the myriad questions that arise when we confront the meaning of mortality. Do we have reason to believe in the existence of immortal souls? Should we accept an account according to which people are just material objects, nothing more? Can we make sense of the idea of surviving the death of one's body? If I won't exist after I die, can death truly be bad for me? Would immortality be desirable? Is fear of death appropriate? Is suicide ever justified? How should I live in the face of death? Written in an informal and conversational style, this stimulating and provocative book challenges many widely held views about death, as it invites the reader to take a fresh look at one of the central features of the human condition—the fact that we will die.
First Published in 1991. This book attempts to defend a conception of reason—or to use the Greek word "logos"—that I contend can be extracted from the dialogues of Plato. The very notion of defending Plato may seem strange. Why would a philosopher enshrined for centuries as "classic" need a defense? A defense against whom and what charge? What does it mean to defend an author so long dead? Can he somehow be revived? In other words, what significance can a defense of Plato possibly attain for a contemporary audience?
This book is an exploration into the paradoxical structure of pluralistic thinking as illuminated by both Western and Eastern insights—especially Jainism. By calling into question the most fundamental assumptions of religious pluralists, the author hopes to contribute to a paradigm shift in discourse on religious pluralism and conflicting truth claims.
These papers examine how occult and esoteric themes appear in visual and verbal media, connecting to intellectual history, literature, the arts, present day pop culture, and religious practices. The topics range from the witchcraft motives in the love poetry of the 15th-century Humanist poet, Conrad Celtis; through the activities of Polish and Russian theosophists; Croatian, Greek, Polish painters of the spiritual; the philosophy of wine by the Hungarian esoteric philosopher Béla Hamvas; to contemporary Serbian magic and neo-shamanism. Two studies touch upon the influence of Freemasonry and the Kabbalah in Western esotericism, and, although these are not specifically Central European topics, they provide parallel perspectives to what the other papers of the collection are investigating.
WHAT CHRISTIANS OUGHT TO DO ConfidenceClement of AlexandriaStromata4.8 ConfidenceHebrews10.35 Confidence before GodOrigenDe Principiis3.1.21 Confidence: boldness in confidenceOrigenCommentary on Ephesians3.12 Confidence: exorcise confidentlyTwo Letters to Virgins(pseudo-Clement)1.12 Confidence, godly1 Clement2.3 Confidence: husbands are to have confidence in their wivesClement of AlexandriaPaedagogus3.11 Confidence: if you think you can stand, take heed lest you fall1 Corinthians10.12 Confidence: if you think you can stand, take heed lest you fallTwo Letters to Virgins(pseudo-Clement)2.13 Confidence in faithOrigenHomilies on Judges9.1 Confidence in GodClement of AlexandriaStromata2.6 Confidence in GodOrigenDe Principiis3.1.21 Confidence in GodTheophilusTo Autolycus1.8 Confidence in God rather than manHippolytusCommentary on Daniel3.29 Confidence in Jesus ChristOrigenHomilies on Isaiah7.2 Confidence in the Lord1 Clement34.5 Confidence in the LordTertullianAgainst Marcion2.19 Confidence in the mindOrigenHomilies on Judges9.1 Confidence in the WordClement of AlexandriaProtrepticus12 Confidence of uncreated libertyOrigenHomilies on Leviticus16.6.1
A new assessment of the philosophical traditions Hippolytus depends on and of his method of presentation. This book deals with the reception of the Presocratics, Plato and Aristotle in the first centuries CE, and is a major contribution to our knowledge of the various currents in Pre-Neoplatonic Greek philosophy.
Specific Chinese models for theories of knowledge were premised upon a structurally ordered external reality; since natural (or cosmic) order is organic, it naturally follows the ‘flow’ of structural patterns and operates in accordance with structural principles that regulate every existence. In this worldview, our mind is also structured in accordance with this all-embracing, but open, organic system. The axioms of our recognition and thought are therefore not arbitrary, but follow this rationally designed structure. The compatibility of both the cosmic and mental structures is the basic precondition that enables humans to perceive and recognize external reality. The present study shows that this paradigm of structural epistemology can already be found in the earliest Chinese theories of knowledge. The introduction of Chinese models and their incorporation into Western discourses fills an important theoretical gap in the Western model of structuralism. This book offers an insight into epistemological systems that arose outside the discourses of the Euro-American tradition. It can thus help us to eliminate and supersede certain culturally conditioned prejudices as to the superiority and omnipresence of Western theoretical models, while demonstrating incontrovertibly that the results of Western discourses are by no means the only force driving theoretical innovation at the present time.
Choice Outstanding Academic Title 2003 Film as Religion argues that popular films perform a religious function in our culture. Like more formal religious institutions, films can provide us with ways to view the world and values to confront it. Lyden contends that approaches which interpret films only ideologically or theologically miss the mark in understanding their appeal to viewers. He develops an alternative method which shows how films can be understood as representing a “religious” worldview in their own right. Lyden surveys the state of the study of religion and film, offering an overview of previous methods before presenting his own. Rather than seeking to uncover hidden meanings in film detectable only to scholars, Lyden emphasizes how film functions for its audiencesᾹthe beliefs and values it conveys, and its ritual power to provide emotional catharsis. He includes a number of brief cases studies in which he applies this method to the study of film genres—including westerns and action movies, children's films, and romantic comedies—and individual films from The Godfather to E.T., showing how films can function religiously.