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Selected and arranged by the author, and with a new introduction by novelist David Mitchell, How To Be Invisible presents the lyrics of Kate Bush published together for the first time. 'For millions around the world, Kate is way more than another singer-songwriter: she is a creator of musical companions that travel with you through life. One paradox about Kate is that while her lyrics are proudly idiosyncratic, those same lyrics evoke emotions and sensations that feel universal. Literature works in similar mysterious ways. Kate's the opposite of a confessional singer-songwriter ... You don't learn much about Kate from her songs. She's fond of masks and costumes - lyrically and literally - and of yarns, fabulations and atypical narrative viewpoints. Yet, these fiercely singular songs, which nobody else could have authored, are also maps of the heart, the psyche, the imagination. In other words, art.' David Mitchell
Every Friday the 13th, 6th-grade genius Nate Bannister does three not-so-smart things to keep life interesting. This time, he taught a caterpillar to read, mailed a love letter, and super-sized his cat Proton before turning him invisible. Now Proton is on the loose, and Nate and his new friend Delphine must reverse the experiment before the cat crushes everything and everybody in town. As if that's not enough, the Red Death Tea Society, known for its criminal activity, killer tactics, and tea-brewing skills, is plotting against Nate and Delphine. The dynamic duo must use their creativity, courage and friendship to save the day. Paul Tobin blends wacky humour and chaotic high jinks in this rip-roaring, action-packed middle-grade debut;perfect for fans of David Walliams and Tom Gates.
Shows how the most creative minds in science used tools that can help us improve our creative abilities. Geniuses are not omnipotent. They are just very skilled at employing the creativity toolbox highlighted in this book, including finding the right question, observation, analogy, changing point of view, dissection, reorganization, the power of groups, and frame shifting.
Virgil Flowers will have to watch his back--and his mouth--as he investigates a college culture war turned deadly in another one of Sandford's "madly entertaining Virgil Flowers mysteries" (New York Times Book Review). At the local state university, two feuding departments have faced off on the battleground of science and medicine. Each carries their views to extremes that may seem absurd, but highly educated people of sound mind and good intentions can reasonably disagree, right? Then a renowned and confrontational scholar winds up dead, and Virgil Flowers is brought in to investigate . . . and as he probes the recent ideological unrest, he soon comes to realize he's dealing with people who, on this one particular issue, are functionally crazy. Among this group of wildly impassioned, diametrically opposed zealots lurks a killer, and it will be up to Virgil to sort the murderer from the mere maniacs.
Consisting of anonymous e-mail messages sent by the author to an acclaimed visual artist over the course of a year, Permission is the record of an experiment: an attempt to forge a connection with a stranger through the writing of a book, and thus a search for fellowship in solitude, as well as a testimony to the isolating effects and creative possibilities of the digital age. With reveries touching upon the insipid landscape of post-Cold War Poland, the elongated shadows of the Holocaust, and the narrator's "safe passage" to America, Permission not only updates the "epistolary novel" for our time by embracing the permissiveness we associate with digital communication, it opens up a new literary frontier.