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Face-to-face with Universa. She came from a distant planet, wielding unimaginable power, seeking to drain our planet dry of all energy. Invincible was able to stop her. But how long can she be contained... and what can be done with her?
After the dust of World War II had settled, the military position of the UK was far from straightforward. It was of course allied to the USA and part of NATO, but it was at odds with the former in maintaining an Empire and the two nations also had competing oil interests in the Middle East. The UK's engagement in war after 1945 was thus a strange mixture ranging from homeland security through insular actions within the colonies or protectorates to preserve empire - to playing a major role in confronting the USSR. The types of active involvement of the RAF, Fleet Air Arm and Army Air Corps between 1945 and 1995 include the following, with examples. Maintaining Local Stability - Greece, Netherlands East Indies. Maintaining Empire - Malaya, Kenya. Defending Empire - Borneo. Defending Interests - Suez, Kuwait. Homeland Security - Northern Ireland, air defence. Confrontation - Berlin Airlift, Korea. Covert Action - Albania, strategic reconnaissance. Humanitarian and Peacekeeping- Jordan, Cyprus. Development of Deterrent - Bombs, bombers and missiles.
The battleship era began with the launch of HMS Dreadnought in 1906 and ended when air power became the dominant force. Many battleships remain household names and the losses of the Hood, Bismarck, Yamato and Arizona still echo through the decades because of their fascinating stories.
Choice Outstanding Academic Title "State-of-the-art yet accessible analyses that significantly expand understanding of the role of anarchism in Latin America. . . . Will long be a standard text that provides [an] important reference for scholars and students of labor and social movement history."--Choice "A vivid picture of the transnational nature of the anarcho-syndicalist/anarchist movement."--Anarcho-Syndicalist Review "A pioneering collection of essays on the world of anarchists, anarcho-syndicalists and libertarian thinkers in Latin America."--Barry Carr, coeditor of The New Latin American Left: Cracks in the Empire "An important contribution to a recent trend which sees anarchism not as derived from a European center but as a genuine Latin American phenomenon."--Bert Altena, coeditor of Reassessing the Transnational Turn: Scales of Analysis in Anarchist and Syndicalist Studies "Thoughtful, well-researched, and well-written. As a collection, this goes a long way to furthering our understanding not just of anarchism in Latin America, but of anarchism more generally."--Mark Leier, author of Bakunin: The Creative Passion. In this groundbreaking collection of essays, anarchism in Latin America becomes much more than a prelude to populist and socialist movements. The contributors illustrate a much more vast, differentiated, and active anarchist presence in the region that evolved on simultaneous--transnational, national, regional, and local--fronts. Representing a new wave of transnational scholarship, these essays examine urban and rural movements, indigenous resistance, race, gender, sexuality, and social and educational experimentation. They offer a variety of perspectives on anarchism’s role in shaping ideas about nationalism, identity, organized labor, and counterculture across a wide swath of Latin America.
For the Austrian poet and novelist Rainer Maria Rilke, travel was not only integral to his work, it was a way of life. Venice stands out as a location of particular importance to Rilke, and he visited the city ten times between 1897 and 1920. This city has inspired countless writers and artists, but Rilke, both enthralled and provoked by it, reveals a striking and deeply felt love for the city. He was as eager to explore the city’s underbelly, its deserted shipyards and back alleys, as he was to experience its iconic sights of St. Mark’s and the Doge’s Palace. Staying in both simple guesthouses and the grand palaces of his patrons, Rilke would walk prodigiously. His contemporary Stefan Zweig commented that “knowing every last corner and depth of the city was his passion” and Rilke himself said his walking allowed him to “grasp the whole breadth of the city.” In eleven walks, Birgit Haustedt guides readers through Venice following the poet’s footsteps. Haustedt invites us to look on the beloved sights of the city through Rilke’s eyes, offering a new vision of this famed destination. Rilke’s Venice provides new insight into one of the finest and most widely recognized writers of the twentieth century. It also acts as a literary travel companion and guidebook to Venice, offering eleven detailed maps of walks through the city.
Examining how the rise of book illustration affected the historic hegemony of the word, Keri Yousif explores the complex literary and artistic relationship between the novelist Honoré de Balzac and the illustrator J. J. Grandville during the French July Monarchy (1830-1848). Both collaborators and rivals, these towering figures struggled for dominance in the Parisian book trade at the height of the Romantic revolution and its immediate aftermath. Both men were social portraitists who collaborated on the influential encyclopedic portrayal of nineteenth-century society, Les Français peints par eux-mêmes. However, their collaboration soon turned competitive with Grandville's publication of Scènes de la vie privée et publique des animaux, a visual parody of Balzac's Scènes de la vie privée. Yousif investigates Balzac's and Grandville's individual and joint artistic productions in terms of the larger economic and aesthetic struggles within the nineteenth-century arena of cultural production, showing how writers were forced to position themselves both in terms of the established literary hierarchy and in relation to the rapidly advancing image. As Yousif shows, the industrialization of the illustrated book spawned a triadic relationship between publisher, writer, and illustrator that transformed the book from a product of individual genius to a cooperative and commercial affair. Her study represents a significant contribution to our understanding of literature, art, and their interactions in a new marketplace for publication during the fraught transition from Romanticism to Realism.
Despite the existence of about a thousand ethnolinguistic groups in Southeast Asia, very few historians of the region have engaged the complex issue of ethnicity. Leaves of the Same Tree takes on this concept and illustrates how historians can use it both as an analytical tool and as a subject of analysis to add further depth to our understanding of Southeast Asian pasts. Following a synthesis of some of the major issues in the complex world of ethnic theory, the author identifies two general principles of particular value for this study: the ideas that ethnic identity is an ongoing process and that the boundaries of a group undergo continual—if at times imperceptible—change based on perceived advantage. The Straits of Melaka for much of the past two millennia offers an ideal testing ground to better understand the process of ethnic formation. The straits forms the primary waterway linking the major civilizations to the east and west of Southeast Asia, and the flow of international trade through it was the lifeblood of the region. Privileging ethnicity as an analytical tool, the author examines the ethnic groups along the straits to document the manner in which they responded to the vicissitudes of the international marketplace. Earliest and most important were the Malayu (Malays), whose dominance in turn contributed to the "ethnicization" of other groups in the straits. By deliberately politicizing differences within their own ethnic community, the Malayu encouraged the emergence of new ethnic categories, such as the Minangkabau, the Acehnese, and, to a lesser extent, the Batak. The Orang Laut and the Orang Asli, on the other hand, retained their distinctive cultural markers because a separate yet complementary identity proved to be economically and socially advantageous for them. Ethnic communities are shown as fluid and changing, exhibiting a porosity and flexibility that suited the mandala communities of Southeast Asia. Leaves of the Same Tree demonstrates how problematizing ethnicity can offer a more nuanced view of ethnic relations in a region that boasts one of the greatest diversities of language and culture in the world. Creative and challenging, this book uncovers many new questions that should revitalize and reorient the historiography of Southeast Asia.