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Archaeologists use the artifacts and fauna they found to examine the lives and activities of the inhabitants of Pueblo Bonito as well as to further interpret current models of Chaco archaeology.
Chaco Canyon and Mesa Verde are arguably the two best-known archaeological areas in the American Southwest. Yet despite more than a century of archaeological research, many questions remain unanswered. From more than fifty years of research, archaeologist Jonathan E. Reyman has uncovered a wealth of materials from the work of George Pepper and Richard Wetherill, mostly from the 1896–1901 Hyde Exploring Expedition at Chaco Canyon but also from later field and collections research at more than twenty institutions in the United States. Previously unpublished Pepper-Wetherill field notes, photographs, and drawings combined with newly commissioned drawings offer a significant revision to what we know about the Chacoan world. Reyman’s research has produced a unique book that compares the published record with the unpublished record to provide new information and insight into the archaeological culture and history of Chaco, the findings of the HEE and other pre-1950 archaeological projects, various Chaco field schools, and much more. Pueblo Bonito and Chaco Canyon Revisited offers a blueprint for future research among existing archaeological collections.
This book is a collection of contributions to the Special Issue “Historical Acoustics: Relationships between People and Sound over Time”. The research presented here aims to explore the origins of acoustics and examine the relationships that have evolved over the centuries between people and auditory phenomena. Sounds have indeed accompanied human civilizations since the beginning of time, helping them to make sense of the world and to shape their cultures. Several key topics emerged, such as the acoustics of historical worship buildings, the acoustics of sites of archaeological interest, the acoustics of historical opera houses, and the topic of soundscapes as cultural intangible heritage. The book, as a whole, reflects the vibrant research activity around the “acoustics of the past”, which will hopefully be serve as a foundation for inspiring the future path of this discipline.