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Discusses the roles and motives of the creators, packagers, advertising agencies, sponsors, producers, and lawyers involved in the scandal
Despite its enduring popularity with both broadcasters and audiences, the quiz show has found itself marginalised in studies of popular television. This book offers a unique introduction to the study of the quiz show, while also revisiting, updating and expanding on existing quiz show scholarship. Ranging across programmes such as Double Your Money, The $64,000 Dollar Question, Twenty-One, The Price is Right, Who Wants to be a Millionaire and The Weakest Link to the controversial 'Quiz TV Call' phenomenon, the book explores programmes with a focus on question and answer. Topics covered include the relationship between quiz shows and television genre; the early broadcast history of the quiz show; questions of institutional regulation; quiz show aesthetics; the social significance of 'games'; 'ordinary' people as television performers, and questions of quiz show reception (from interactivity to on-line fandom). Key Features*Represents one of few book-length studies of the quiz show*Offers an accessible introduction to the genre for undergraduate students*Draws upon new archival research in order to contribute to knowledge about the early history of the quiz show*Demonstrates why the quiz show matters to Television Studies*Brings together key approaches in the field with new interventions and areas of study (such as the quiz show in the multi-platform age, and the study of 'ordinary' people as performers).
Anderson provides an unprecedented probe into the inner workings of the quiz shows. He details their honest beginnings and explains how the practice of supplying answers grew out of a desire to keep popular contestants on the air as long as possible to boost ratings.
From the speechwriter and top adviser to presidents Kennedy and Johnson: A behind-the-scenes history of the most momentous decade in American politics. Richard N. Goodwin entered public service in 1958 as a law clerk for Supreme Court Associate Justice Felix Frankfurter. He left politics ten years later in the aftermath of Senator Robert F. Kennedy’s assassination. Over the course of one extraordinary decade, Goodwin orchestrated some of the noblest achievements in the history of the US government and bore witness to two of its greatest tragedies. His eloquent and inspirational memoir is one of the most captivating chronicles of those turbulent years ever published. From the Twenty-One quiz-show scandal to the heady days of John F. Kennedy’s presidential campaign to President Lyndon Johnson’s heroic vote wrangling on behalf of civil rights legislation, Remembering America brings to life the most fascinating figures and events of the era. As a member of the Kennedy administration, Goodwin charted a new course for US relations with Latin America and met in secret with Che Guevara in Uruguay. He wrote Johnson’s historic civil rights speech, “We Shall Overcome,” in support of the Voting Rights Act of 1965 and formulated the concept of the Great Society and its programs, which sought to eradicate poverty and racial injustice. After breaking with Johnson over the president’s commitment to the Vietnam War, Goodwin played a pivotal role in bringing antiwar candidate Eugene McCarthy to within a few hundred votes of victory in the 1968 New Hampshire primary. Three months later, he was with his good friend Robert F. Kennedy in Los Angeles the night that the young senator’s life—and the progressive movement that had rapidly brought about such significant change—came to a devastating end. Throughout this critical decade, Goodwin held steadfast to the passions and principles that had first led him to public service. Remembering America is a thrilling account of the breathtaking victories and heartbreaking disappointments of the 1960s, and a rousing call to action for readers committed to justice today.
I have to believe in the institutions we trust to be fair, and functional. Whether that be the judiciary, the police, the media ... That they should all be able to resist the temptations of a more entertaining lie, over a less extraordinary truth. April 2003. Army Major Charles Ingram, his wife and coughing accomplice are convicted for cheating on Who Wants to Be a Millionaire? The evidence is damning. The nation is gripped by the sheer audacity of the plot to snatch the £1,000,000 jackpot. But was he really guilty? It's time for you to decide. Question everything you think you know in James Graham's provocative new play. Olivier Award-nominee James Graham returns with a sharp, fictional imagination of one of the most famous quiz show controversies to date. The production premiered at Chichester Festival Theatre and this edition was published this edition was published to coincide with the West End opening at the Nöel Coward Theatre in April 2018.
Call TV quiz shows are an example of television programmes provided by commercial broadcasters in order to increase their revenue. The viewer watches the live broadcast, then sends a text message or makes a premium rate telephone call in order to take part, with the broadcaster keeping a proportion of the call revenue. The Culture Committee has decided to examine this development, and whether some form of regulation is required since the programmes seem to be another means of gambling, with some members of the public complaining about them. This report therefore has set out a number of recommendations as to how broadcasters and regulators should address this. The Committee states that there seems to be a lack of fairness and transparency throughout the process. For example, players are generally not told that it is a matter of luck whether a call is connected to the studio and that the chances of getting through are very slim. Also the cost of calling is not always made as clear as it might be, or the amount players might have to spend to win a prize. Primary responsibility for maintaining confidence in the Call TV quiz show format rests with the operating companies and the broadcasters. The Committee believes that the guidance drawn up by the two main regulators, Ofcom and ICSTIS does not go far enough; the Committee also states that Call TV quiz shows should constitute gaming under the Gambling Act 2005, and the Culture Department and the Gambling Commission should consider this as a matter of urgency; operators should have voluntarily introduced practices intended to help viewers who make repeated premium rate calls appreciate how much they are spending; also some assessment of the addiction to participation in such shows should be undertaken; viewers should be made aware that puzzles on Call TV quiz shows have a cryptic element, and that Ofcom should make it obligatory to have games verified with a third party and solutions lodged with them to prevent underhand changes being made while the show is on air; Ofcom should also publish periodic reports on its monitoring of Call TV quiz programmes; any practice of misleading viewers about call volumes or of blocking of calls would be unfair and fraudulent and should be punished under criminal law; the Committee recommends that broadcasters should be required to display some recent historical information about volume of incoming calls, and the odds of being connected to the studio; also that a single body, Ofcom, take responsibility for registering all complaints.
On Television exposes the invisible mechanisms of manipulation and censorship that determine what appears on the small screen. Bourdieu shows how the ratings game has transformed journalism - and hence politics - and even such seemingly removed fields as law' science' art' and philosophy. Bourdieu had long been concerned with the role of television in cultural and political life when he bypassed the political and commercial control of the television networks and addressed his country's viewers from the television station of the College de France. On Television' which expands on that lecture' not only describes the limiting and distorting effect of television on journalism and the world of ideas' but offers the blueprint for a counterattack.