Download Free Investigating The Kensington Rune Stone And Its Authenticity Book in PDF and EPUB Free Download. You can read online Investigating The Kensington Rune Stone And Its Authenticity and write the review.

This book is comprised of three essays investigating the Kensington Rune Stone, the Callanish Standing Stones, and the Vikings in North America. Each topic is covered in-depth in this book, compiled by Dr. Austin Mardon.
What do our myths say about us? Why do we choose to believe stories that have been disproven? David M. Krueger takes an in-depth look at a legend that held tremendous power in one corner of Minnesota, helping to define both a community’s and a state’s identity for decades. In 1898, a Swedish immigrant farmer claimed to have discovered a large rock with writing carved into its surface in a field near Kensington, Minnesota. The writing told a North American origin story, predating Christopher Columbus’s exploration, in which Viking missionaries reached what is now Minnesota in 1362 only to be massacred by Indians. The tale’s credibility was quickly challenged and ultimately undermined by experts, but the myth took hold. Faith in the authenticity of the Kensington Rune Stone was a crucial part of the local Nordic identity. Accepted and proclaimed as truth, the story of the Rune Stone recast Native Americans as villains. The community used the account as the basis for civic celebrations for years, and advocates for the stone continue to promote its validity despite the overwhelming evidence that it was a hoax. Krueger puts this stubborn conviction in context and shows how confidence in the legitimacy of the stone has deep implications for a wide variety of Minnesotans who embraced it, including Scandinavian immigrants, Catholics, small-town boosters, and those who desired to commemorate the white settlers who died in the Dakota War of 1862. Krueger demonstrates how the resilient belief in the Rune Stone is a form of civil religion, with aspects that defy logic but illustrate how communities characterize themselves. He reveals something unique about America’s preoccupation with divine right and its troubled way of coming to terms with the history of the continent’s first residents. By considering who is included, who is left out, and how heroes and villains are created in the stories we tell about the past, Myths of the Rune Stone offers an enlightening perspective on not just Minnesota but the United States as well.
Controversy about the so-called Kensington stone, found in Minnesota in 1898 - whether it is an authentic Rune stone left by Pre-Columbian explorers from Scandinavia.
The Kensington Rune Stone has been the subject of passionate debate over its authenticity since it was discovered in the roots of a tree near Kensington, Minnesota, by Olof Ohman in 1898. Through the presentation of compelling new evidence this book answers the many nagging questions that have eluded investigators for over 100 years. Much of this new evidence is truly startling and has led to the understanding of not only who carved the stone, but where they came from and why the came to North America. Co-authors geologist Scott Wolter and engineer Richard Nielsen present the evidence of their collective 25 years of research on the artifact. The results of their research present a compelling and convincing case. The Kensington Rune Stone: Compelling New Evidence is both a forensic inquisition and engaging mystery. As an easy-to-follow reference source, it's the must-have guide for making an informed decision about the evidence surrounding one of the most famous inscriptions in North America. As the scientific community's own Da Vinci Code, this book is poised to expose the clash of scientific ideology, politics and academia - while distilling the truth into one clear, but spellbinding, tome. - Publisher.
In 1898, a farmer in northwestern Minnesota unearthed a large stone engraved with what appeared to be Norse runes carved in 1362. Could medieval Scandinavians have penetrated deep into mainland North America over a century before Columbus discovered the New World? Does the stone provide evidence that forces a rewrite of American history, or was it merely a well-executed hoax? In the absence of written records documenting a Norse expedition into Minnesota, most historians have dismissed the Kensington Runestone as a forgery. However, Kehoe approaches the question holistically. She examines not only historical and literary evidence, but also brings in data from archaeology, geology, linguistics, and biological anthropology. She concludes that the stones authenticity should not be dismissed as readily as it has been so far, even if that means re-thinking deeply ingrained ideas about contact between Europeans and indigenous Americans.
These are the first words in a rigorous translation of the 1362 memorial poem inscribed on the Spirit Pond runestone, found on the coast of Maine in 1971. This translation climaxed a decade of histor¬ical investigations by authors Johnson and Westin in which they address a 450 year-gap in North American history between the 1492 voyage of Columbus and the Vinland voyages of Leif Eriksson and Thorfinn Karlsefni shortly after 1000 ad. After the Vinland voyages the Greenlanders developed a lucrative trade in North American furs, marketed in Norway and taxed by the king. But after 1300 a cooling climate caused the Green¬land merchants to migrate to North America and the trade died. To regain the trade and expand his empire, in 1356 King Magnus of Norway and Sweden sent his son, young King Haakon VI, on an expedition to North America with Commander Paul Knutson. The inscrip¬tions on the Spirit Pond and Kensington runestones enable the authors to recon¬struct the fascinating story of Magnus and his expedition, more than a century before Columbus left the shores of Spain.
Hired by the king of Sweden to authenticate an odd stone unearthed by a Minnesota farmer, Sherlock Holmes soon finds himself investigating theft and murder as well.
"Few questions in American history," writes Theodore C. Blegen, "have stirred so much curiosity or provoked such extended discussions as that of the authenticity of the runic inscription on a stone found near Kensington, Minnesota, in 1898." Swedish-American farmer Olof Ohman discovered the stone clasped in the roots of an aspen tree on a knoll above the surrounding swamp. His young son was the first to notice the strange letters chiseled into the rock face. Since then historians, geologists and runic scholars have entered the debate over the age and meaning of these carvings. Are they genuine 14th-century runes, evidence of a pre-Columbian Viking expedition to North America, or are they a clever 19th-century hoax? In this classic volume, Blegen untangles the circumstances surrounding the unearthing of the Kensington Rune Stone. Marshalling letters, affidavits, newspaper accounts and investigative reports, he lays out in authoritative detail the early history of this controversial artifact and investigates the background and character of Olof Ohman and other men involved in its discovery. He also describes the first cycles of investigation and dispute and devotes a chapter to the role of Hjalmar R. Holand, who acquired the stone in 1907 and was its chief defender until his death in 1963. Fourteen appendixes offer useful primary source materials and supply English translations where needed. This lucid text, together with its footnotes and appendixes, remains a cornerstone for further investigation and discussion.
We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.