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With the invention of the camera, the last century and a half has become the most visually documented age in history. This fascinating book describes in simple terms how a camera works and identifies the inventors who helped develop this important technology. Follow the camera's evolution from the discovery in ancient China that an image could be created from light traveling through a pinhole, to modern day digital cameras, camera phones, and web cams. Topics include - the first cameras and the birth of photography - the marketing industry and big players - advances in film, lenses, flashes and color photos - some of the world's most famous photographers Teacher's guide available.
Describes how the camera was invented and explores the evolution from daguerrerotype through the Kodak handheld, Polaroid, and digital cameras seen today.
Pictures that are made, not taken, are the focus of this exciting collection of worksby 90 American artists who are using appropriation, computer technology, performance, and numerousother sources of inspiration to stretch the limits and expand the possibilities of photographicart.
Provides an introduction to the history and development of the camera and explains how a camera works. Includes information on some of the inventors who were influential of the invention of the camera.
"An exploration of the origin, development, and societal impact of the camera"--Provided by publisher.
"Recycled objects transformed into working cameras, each paired with its symbiotic photograph. A battered suitcase photographs an old motel. A gas can peers up at abandoned filling station pumps. A shinola tin observes its polished boot. A VW van snares roadside attractions. This collection documents 25 years of pinhole and simple-lens tinkering and innovation by Jo Babcock"--Http://www.jobabcock.com/book.htm.
Early commercial cameras were big, boxy, and you had to actually give your camera back to the camera maker to develop your photos. Before that, making photographs was actually even more difficult. Complex chemicals and long hours in darkrooms were required to develop even a single shot. Readers take a journey through photography’s history, from solutions and glass plates to point-and-shoot cameras. The story is complex and amazing—just the like the cameras we use today.
Learn the exciting story of how Thomas Edison and William Friese-Greene went head-to-head to make the first working movie camera!
'Snapshot Chronicles' is a visual exploration of the creative outpouring made possible by the camera.
Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd