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Why and how was the term ‘built environment’ first introduced? Inventing the Built Environment retrieves the origin of this ubiquitous term. The articulation of the ‘built environment,’ Kei demonstrates, coincided with the redefinition of education, research, and professional practices in architecture and town planning in 1960s Britain. Concentrating on the half-decade during which the term permeated the architectural and planning professions, this book recalls a time when the ‘built environment’ was conceived as a part of the British government’s effort in national economic planning. Inventing the Built Environment unpacks the proposal for a Research Council for the Built Environment to mobilise architecture and town planning for political economy. How a relatively small group of architects, planners, politicians, and researchers transposed scientific thoughts from biology, economics, and computation into the ‘built environment’ will be considered, too. Kei highlights the assumptions about and classification of the population that were made when inventing the ‘built environment.’ The architectural and biosocial implications of the making and remaking of this architectural-environmental notion, in Britain and beyond, will be revealed through the works of pre-eminent architect-planners including Richard Llewelyn-Davies and William Holford. At a time when environmental concerns again take the front seat of architectural and planning debates, this book offers, for scholars and students, an alternative lens to reflect on the assumptions and bias that can be embedded in our architectural lexicons.
We spend most of our lives in buildings and almost every building is unique. The purpose of this book is to explain what buildings are and to provide an integrated overview of how they are built and sustained. The book does not presume any specialist knowledge of buildings, seeking instead to explain why the different groups involved in designing, constructing, managing and occupying them follow certain procedures. It is particularly concerned with the generation and circulation of information between these groups. In taking this view, the book considers the recommendations of Sir Michael Latham's 1994 report Constructing the Team which called for better cohesion and communication between specialists in the construction industry.
Understand vital business factors that are central to modern land development projects As real estate development evolves to accommodate increasingly more complex regulation and sophisticated built structures, so too must the roles of different members of the development team evolve. The entire development team, including architects and civil engineers, must participate actively in consulting throughout the entire lifecycle of modern development projects. This expanded role often means that contemporary design team members may find themselves involved in contentious, cross-disciplinary decisions that their predecessors did not have to address. This comprehensive textbook explores the entire development process from an applied perspective to provide architects, civil engineers, and other team members with an understanding of the context in which real estate development occurs. Presented by an industry-leading design firm, the book offers complete explanations of all business considerations that influence land development projects at every stage. Development of the Built Environment: From Site Acquisition to Project Completion provides a holistic view of the development process and enables the development team to more effectively complete projects of all sizes and budgets. This text includes detailed coverage of: • Developers and the development process• Public and private project types• Recognizing opportunity • Selecting and controlling the site• Planning and creating the built environment• Key considerations for designing the project• Preliminary financial analysis and planning• Plan approval, permit issuance, construction, and completion
How do we design in a climate emergency? A new social and ecological prerogative demands appropriate material choices, a re-invention of construction and evolving building programmes that look at lifecycle, embodied energy and energy use. Highly illustrated with practical information and simple explanations for design ideas, this book is the perfect introduction to sustainable design for architecture students. It presents key concepts in relation to the embodied energy of construction, material properties and environmental performance of buildings in an accessible way. In explaining the principles and technologies by which we heat, cool, moderate and mitigate, it demystifies environmental design as a technical exercise and enables students to create sustainable buildings with impact. Keep this sourcebook with you. Features: Amphibious House (Baca Architects), Ashen Cabin (HANNAH), Bunhill 2 Energy Centre (Ramboll, Cullinan Studio, McGurk Architects and Colloide), Cork House (Matthew Barnett Howland, Oliver Wilton and Dido Milne), Dymaxion House (Richard Buckminster Fuller), Eastgate Centre (Mick Pearce), Neuron Pod (Will Alsop – aLL Design and AKT II), Quik House (Adam Kalkin) and Tension Pavilion (StructureMode and Weber Industries). Covers: Acoustics, bamboo construction, biopolymer, bioremediation, CLT, climatic envelope, computational fluid dynamics, earthen architecture, fabric formwork, hempcrete, insulation, mycelium biofabrication, paper construction, passive solar heating, pneumatic structures, solar geometry, tensegrity structures, thermal mass and more.
Impeccably researched and richly detailed, this book addresses the issue of translation between visual arts and landscape design in the 50-year career of American painter and environmental artist Patricia Johanson. Exploring the artist's search for an art of the real as a member of the postwar New York art world, it demonstrates that visual translation cannot be understood solely through the works of art, instead attention must be paid to the process of creation. This book is an insightful attempt to confront a crucial question in the history of art through the work of a contemporary artist.
Why Architects Matter examines the key role of research- led, ethical architects in promoting wellbeing, sustainability and innovation. It argues that the profession needs to be clear about what it knows and the value of what it knows if it is to work successfully with others. Without this clarity, the marginalization of architects from the production of the built environment will continue, preventing clients, businesses and society from getting the buildings that they need. The book offers a strategy for the development of a twenty-first-century knowledge-led built environment, including tools to help evidence, develop and communicate that value to those outside the field. Knowing how to demonstrate the impact and value of their work will strengthen practitioners’ ability to pitch for work and access new funding streams. This is particularly important at a time of global economic downturn, with ever greater competition for contracts and funds driving down fees and making it imperative to prove value at every level. Why Architects Matter straddles the spheres of ‘Practice Management and Law’, ‘History and Theory’, ‘Design’, ‘Housing’, ‘Sustainability’, ‘Health’, ‘Marketing’ and ‘Advice for Clients’, bringing them into an accessible whole. The book will therefore be of interest to professional architects, architecture students and anyone with an interest in our built environment and the role of professionals within it.
A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture’s place in the contemporary moment “Architecture begins to matter,” writes Paul Goldberger, “when it brings delight and sadness and perplexity and awe along with a roof over our heads.” In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant’Ivo in Rome as a work that “embraces the deepest complexities of human imagination.” In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson’s academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.
This volume presents a chronologically ordered and detailed account of the developing relationship between technics and poetics in environmental design in architecture through a consideration of the work of major names in the field.
Emulation is a challenging middle ground between imitation and invention. The idea of rivaling by means of imitation, as old as the Aenead and as modern as Michelangelo, fit neither the pessimistic deference of the neoclassicists nor the revolutionary spirit of the Romantics. Emulation thus disappeared along with the Renaissance humanist tradition, but it is slowly being recovered in the scholarship of Roman art. It remains to recover emulation for the Renaissance itself, and to revivify it for modern practice. Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.
In early December 2006, a powerful windstorm ripped through Vancouver’s Stanley Park. The storm transformed the city’s most treasured landmark into a tangle of splintered trees, and shattered a decades-old vision of the park as timeless virgin wilderness. In Inventing Stanley Park, Sean Kheraj traces how the tension between popular expectations of idealized nature and the volatility of complex ecosystems helped transform the landscape of one of the world’s most famous urban parks. This beautifully illustrated book not only depicts the natural and cultural forces that shaped the park’s landscape, it also examines the roots of our complex relationship with nature.