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Who invents masks, and why? Such questions have rarely been asked, due to stereotypes of anonymous African artists locked into the reproduction of "traditional" models of representation. Rather than accept this view of African art as timeless and unchanging, Z. S. Strother spent nearly three years in Zaire studying Pende sculpture. Her research reveals the rich history and lively contemporary practice of Central Pende masquerade. She describes the intensive collaboration among sculptors and dancers that is crucial to inventing masks. Sculptors revealed that a central theme in their work is the representation of perceived differences between men and women. Far from being unchanging, Pende masquerades promote unceasing innovation within genres and invention of new genres. Inventing Masks demonstrates, through first hand accounts and lavish illustrations, how Central Pende masquerading is a contemporary art form fully responsive to twentieth-century experience. "Its presentation, its exceptionally lively style, the perfection of its illustrations make this a stunning book, perfectly fitting for the study of a performing art and its content is indeed seminal. . . . A breakthrough."—Jan Vansina, African Studies Review
Combines biography, art, and religion to explore Kongo identity and culture, and the relationship between innovation and revelation.
"At its heart, Pasztory's thesis is simple and yet profound. She asserts that humans create things (some of which modern Western society chooses to call "art") in order to work out our ideas - that is, we literally think with things. Pasztory draws on examples from many societies to argue that the art-making impulse is primarily cognitive and only secondarily aesthetic. She demonstrates that "art" always reflects the specific social context in which it is created, and that as societies become more complex, their art becomes more rarefied."--Jacket.
Mask Making Techniques: Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV, introduces and demonstrates a variety of mask making materials, techniques, and styles to bring extraordinary characters to life. A foundation reference for mask making and design, the book features over 700 color photos and illustrations of different masks, as well as diagrams of construction and finishing techniques. It provides a wealth of practical information about material options, safety, how to build large- and small-scale masks, how to build armatures for appendages, options for coverings, and finishing techniques. Readers will learn how to use a wide range of materials, including latex, paper and fabric mâché, cold foam, thermoplastics, urethane, ethylene vinyl acetate (EVA) foam, resin, found objects, and organic materials. The book also provides tips on topics such as how to create rigid polyfoam head forms and three different ways to create eyes, as well as step-by-step instructions to construct 13 different masks. Mask Making Techniques is written for intermediate mask makers, students of theatrical mask making, costume crafts, and prop making courses, as well as prop builders, costume designers, and artists who create Halloween and cosplay costumes.
Presents instructions for creating masks based on styles from traditional cultures using common craft materials.
Who’s behind that mask? Readers will love creating and wearing masks made out of ordinary household items, such as felt, paper, cardboard, and Popsicle sticks. This book uses easy instructions and accessible text to teach readers how to make each mask, including a lion, rabbit, owl, and robot. Bright visuals showcase each step of the process to give readers a clear idea of their goals. The book begins with a list of materials to set artists up for success. This book is perfect for readers who like acting or playing dress up, or readers who just love making cool crafts out of everyday objects.
RES 65/66 includes Francesco Pellizzi, “Editorial: RES at 35”; Remo Bodei, “A constellation of words”; Mary Weismantel, “Encounters with dragons”; Z. S. Strother, “A terrifying mimesis”; Wyatt MacGaffey, “Franchising minkisi in Loango”; Karen Overbey, “Seeing through stone”; Noam Andrews, “The space of knowledge”; and other papers.