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Eleanor of Aquitaine (1124-1204), queen of France and England and mother of two kings, has often been described as one of the most remarkable women of the Middle Ages. Yet her real achievements have been embellished--and even obscured--by myths that have grown up over eight centuries. This process began in her own lifetime, as chroniclers reported rumours of her scandalous conduct on crusade, and has continued ever since. She has been variously viewed as an adulterous queen, a monstrous mother and a jealous murderess, but also as a patron of literature, champion of courtly love and proto-feminist defender of women's rights. Inventing Eleanor interrogates the myths that have grown up around the figure of Eleanor of Aquitaine and investigates how and why historians and artists have invented an Eleanor who is very different from the 12th-century queen. The book first considers the medieval primary sources and then proceeds to trace the post-medieval development of the image of Eleanor, from demonic queen to feminist icon, in historiography and the broader culture.
The Historians of Angevin England is a study of the explosion of creativity in historical writing in England in the late twelfth and early thirteenth centuries, and what this tells us about the writing of history in the middle ages. Many of those who wrote history under the Angevin kings of England chose as their subject the events of their own time, and explained that they did so simply because their own times were so interesting and eventful. This was the age of Henry II and Thomas Becket, Eleanor of Aquitaine and Richard the Lionheart, the invasion of Ireland and the Third Crusade, and our knowledge and impression of the period is to a great extent based on these contemporary histories. The writers in question - Roger of Howden, Ralph of Diceto, William of Newburgh, Gerald of Wales, and Gervase of Canterbury, to name a few - wrote history that is not quite like anything written in England before. Remarkable for its variety, its historical and literary quality, its use of evidence and its narrative power, this has been called a 'golden age' of historical writing in England. The Historians of Angevin England, the first volume to address the subject, sets out to illustrate the historiographical achievements of this period, and to provide a sense of how these writers wrote, and their idea of history. But it is also about how medieval intellectuals thought and wrote about a range of topics: the rise and fall of kings, victory and defeat in battle, church and government, and attitudes to women, heretics, and foreigners.
'Impeccably researched and beautifully written, this book offers a fresh perspective on one of the most controversial queens in history. Not to be missed.' Tracey Borman
Since its first appearance in 2004, The Crusades: A Reader has been the go-to sourcebook in the field. S.J. Allen and Emilie Amt cover the entire crusading movement, from its origins to its modern afterlife, using key primary source documents. The third edition features a new introduction that includes a guide for students on how to use the book. The editors have also added more content on women, material culture, Jewish and Byzantine perspectives, Muslim-Crusader interactions, and modern use of Crusade imagery and rhetoric by the Far Right. The geographic range is broad, covering not only Crusades in the Middle East, but also in Spain and in northern Europe and against European heretics. While scholarship, courses, and textbooks on the Crusades have proliferated over the past twenty years, The Crusades: A Reader remains the only comprehensive, up-to-date, and in-print sourcebook available on the subject.
In Earnest, Earnest?, the speaker, Eleanor, writes postcards to her on-again-off-again lover, Earnest. The fact that her lover’s name is Earnest and that their relationship is fraught, raises questions of sincerity and irony, and whether both can be present at the same time. While Earnest can be read literally as Eleanor’s lover, he is best understood as another side of the poet’s self. The ambiguity at play in Earnest, Earnest? is embodied in the form of the “Earnest Postcards” that structure the book—these postcards are experimental in their use of images and formal in their dialogue with the sonnet. Thus, Earnest, Earnest? is a question of tone, address, and form.
Unafraid to speak her mind and famously tenacious in her convictions, Eleanor Roosevelt was still mourning the death of FDR when she was asked by President Truman to lead a controversial commission, under the auspices of the newly formed United Nations, to forge the world’s first international bill of rights. A World Made New is the dramatic and inspiring story of the remarkable group of men and women from around the world who participated in this historic achievement and gave us the founding document of the modern human rights movement. Spurred on by the horrors of the Second World War and working against the clock in the brief window of hope between the armistice and the Cold War, they grappled together to articulate a new vision of the rights that every man and woman in every country around the world should share, regardless of their culture or religion. A landmark work of narrative history based in part on diaries and letters to which Mary Ann Glendon, an award-winning professor of law at Harvard University, was given exclusive access, A World Made New is the first book devoted to this crucial turning point in Eleanor Roosevelt’s life, and in world history. Finalist for the Robert F. Kennedy Book Award
Eleanor Roosevelt's remarkable ability to confront and overcome hurdles-be they political, personal, or social-made her one of the greatest leaders of the last century, if not all time. In Leadership the Eleanor Roosevelt Way, author and scholar Robin Gerber examines the values, tactics, and beliefs that enabled Eleanor Roosevelt to bring about tremendous change-in herself and in the world. Examining the former first lady's rise from a difficult childhood to her enormously productive and politically involved years in the White House, as a U.N. delegate and an honorary ambassador, an author, and beyond, Gerber offers women an inspiring road map to heroic living and an unparalleled model for personal achievement.
A Publishers Weekly Summer Reads Selection The modern romance novel is elevated to a subject of serious study in this addictively readable biography of pioneering celebrity author Elinor Glyn. Unlike typical romances, which end with wedding bells, Elinor Glyn’s (1864–1943) story really began after her marriage up the social ladder and into the English gentry class in 1892. Born in the Channel Islands, Elinor Sutherland, like most Victorian women, aspired only to a good match. But when her husband, Clayton Glyn, gambled their fortune away, she turned to her pen and boldly challenged the era’s sexually straightjacketed literary code with her notorious succes de scandale, Three Weeks (1907). An intensely erotic tale about an unhappily married woman’s sexual education of her young lover, the novel got Glyn banished from high society but went on to sell millions, revealing a deep yearning for a fuller account of sexual passion than permitted by the British aristocracy or the Anglo-American literary establishment. In elegant prose, Hilary A. Hallett traces Glyn’s meteoric rise from a depressed society darling to a world-renowned celebrity author who consorted with world leaders from St. Petersburg to Cairo to New York. After reporting from the trenches during World War I, the author was lured by American movie producers from Paris to Los Angeles for her remarkable third act. Weaving together years of deep archival research, Hallett movingly conveys how Glyn, more than any other individual during the Roaring Twenties, crafted early Hollywood’s glamorous romantic aesthetic. She taught the screen’s greatest leading men to make love in ways that set audiences aflame, and coined the term “It Girl,” which turned actress Clara Bow into the symbol of the first sexual revolution. With Inventing the It Girl, Hallett has done nothing less than elevate the origins of the modern romance genre to a subject of serious study. In doing so, she has also reclaimed the enormous influence of one of Anglo-America’s most significant cultural tastemakers while revealing Glyn’s life to have been as sensational as any of the characters she created on the page or screen. The result is a groundbreaking portrait of a courageous icon of independence who encouraged future generations to chase their desires wherever they might lead.
Scandal, politics, sex, triumphs, and tragedies abound in The Summer Queen, the first novel in this stunning trilogy, by New York Times bestselling author Elizabeth Chadwick Young Eleanor has everything to look forward to as the heiress to the wealthy Aquitaine. But when her beloved father suddenly dies, childhood is over. Sent to Paris and forced to marry Prince Louis VII of France, she barely adjusts before another death catapults them to King and Queen. The first in the Eleanor of Aquitaine Trilogy, The Summer Queen follows Eleanor through the Second Crusade to the end of her marriage to Louis VII. Faced with great scandals, trials, fraught relationships, and forbidden love at every turn, Eleanor seeks the path that will make her queen of two countries and one of the most powerful women in the world. Chadwick's meticulous research portrays the Middle Ages and Eleanor with depth and vivid imagery unparalleled in historical fiction that will keep readers riveted and wanting more. Following the legendary life of Eleanor of Aquitaine, 12th Century Queen of France, and later Queen of England, this trilogy is medieval historical fiction at its most romantic, scandalous, and intriguing. The Eleanor of Aquitaine Trilogy: The Summer Queen (Book 1) The Winter Crown (Book 2) The Autumn Throne (Book 3) Praise for The Summer Queen: "A magnificent woman's story told by a brilliant historical novelist; realistic, emotional, vibrant, exciting and unputdownable."—RT Book Reviews, July Top Pick "The Summer Queen is a fabulous novel based on the most up-to-date and meticulous research. This is historical fiction at its best and I loved every page of it."—For Winter Nights: A bookish blog
Super-smart Julian Calendar thinks starting junior high at a new school will mean he can shed his nerdy image-but then he meets Ben and Greta, two secret scientists like himself! The three form a secret club, complete with a high-tech lair. There, they can work to their hearts content on projects like the Stink-O-Meter, the Kablovsky Copter, and the Nightsneak Goggles. All that tinkering comes in handy when the trio discovers an evil scientist's dastardly plan to rob a museum. Can three inventors, armed with their wacky creations, hope to defeat this criminal mastermind?