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In the "years of stagnation" before glasnost changed the cultural map of the Soviet Union, Iurii Trifonov (1926-1981) defied the rules of censorship. In Invented Truth, Josphine Woll examines how, within the repressive artistic and political constraints of the Soviet publishing world, Trifonov managed not only to write on controversial tropics such as Soviet history but even to achieve and maintain popular status in doing so. Woll analyzes the aesthetic strategies Trifonov deployed to transmit his ideas and opinions to Soviet readers and elucidates the major themes of his late fiction: the moral climate that permitted the triumph of Stalinist immorality, the relationship between the Bolshevik revolutionary past and present-day Soviet amorality, and, finally, art's prismatic interpretation of reality. Drawing on both Western and Soviet scholarship, as well as interviews with many Soviet and emigre writers, literary critics, and personal acquaintances of Trifonov, Woll provides detailed background on the Soviet literary milieu and the rules governing literary production.
For centuries, all manner of truth-seekers have used the lie detector. In this eye-opening book, Geoffrey C Bunn unpacks the history of this device and explores the interesting and often surprising connection between technology and popular culture.
Ian Schrager, Marcus Aurelius, Supreme, Kith, Rick Rubin, Kanye West, Soulcycle, Ikea, Sweetgreen, The Wu-Tang Clan, Danny Meyer, Tracy Chapman, Warren Buffett, Walt Disney, Jack's Wife Freda, Starbucks, A24, Picasso, In-N-Out Burger, intel, Tom Brady, Mission Chinese, Nike, Masayoshi Takayama, Oprah, the Baal Shem Tov. What do they all have in common? They have discovered their purpose and unlocked their creative potential. We have been born into a time when all the tools to make our dreams a reality are available and, for the most part, affordable. We have the freedom to manifest our truth, pursue our own path, and along the way discover our best selves. Whether as individuals or as part of a group, we can't be held back by anything except knowledge. The Age of Ideas provides that knowledge. It takes the reader on an incredible journey into a world of self-discovery, personal fulfillment, and modern entrepreneurship. The book starts by explaining how the world has shifted into this new paradigm and then outlines a step-by-step framework to turn your inner purpose and ideas into an empowered existence. Your ideas have more power than ever before, and when you understand how to manifest and share those ideas, you will be on the road to making an impact in ways you never before imagined. Welcome to the Age of Ideas.
How the philosophy of Giambattista Vico was influenced by eighteenth-century Neopolitan painting Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.
DNA profiling—commonly known as DNA fingerprinting—is often heralded as unassailable criminal evidence, a veritable “truth machine” that can overturn convictions based on eyewitness testimony, confessions, and other forms of forensic evidence. But DNA evidence is far from infallible. Truth Machine traces the controversial history of DNA fingerprinting by looking at court cases in the United States and United Kingdom beginning in the mid-1980s, when the practice was invented, and continuing until the present. Ultimately, Truth Machine presents compelling evidence of the obstacles and opportunities at the intersection of science, technology, sociology, and law.
J. M. Coetzee: Truth, Meaning, Fiction illuminates the intellectual and philosophical interests that drive Coetzee's writing. In doing so, it makes the case for Coetzee as an important and original thinker in his own right. Whilst looking at Coetzee's writing career, from his dissertation through to The Schooldays of Jesus (2016), and interpreting running themes and scenarios, style and evolving attitudes to literary form, Anthony Uhlmann also offers revealing glimpses, informed by archival research, of Coetzee's writing process. Among the main themes that Uhlmann sees in Coetzee's writing, and which remains highly relevant today, is the awareness that there is truth in fiction, or that fiction can provide valuable insights into real world problems, and that there are also fictions of the truth: that we are surrounded, in our everyday lives, by stories we wish to believe are true. J. M. Coetzee: Truth, Meaning, Fiction offers a revealing new account of one of arguably our most important contemporary writers.
The Mysterious Plus opens with a situation recently in the news: the murder of an American embassy official in a North African country. The aim of the novel, however, is broader than an individual act of violence. Its murder becomes a symbol of the fanatic-inflamed divisions between Muslim Middle East and Judeo-Christian West, which are fraying the ties that bond humanity. The hero of The Mysterious Plus straddles both worlds. To save his sister, Omar Naaman, nineteen, betrayed comrades and country during Algeria’s fight for independence from colonial rule. At the war’s end, the defeated French, grateful for his double-dealing service, whisked him to France, bestowing a new identity, Remy Montpellier. Years later, Remy is coerced by the French DGSE (their intelligence service) to return incognito to Algeria, where as Omar he is still branded as a traitor, in fact, as the last of the “Seven Devils,” the first six “great collaborators” having been tracked down and killed by Algerian agents. Sent to investigate the gay-bashing murder of an American embassy attaché, who (DGSE suspected) was trafficking classified documents, Remy gradually moves from pursuer to pursued. Will he fulfill the true purpose of his returning to Algiers, or will his treasonous past overtake him? How does the “Mysterious Plus” control the answers to these two questions and hence the resolution to the novel? In his previous book, The Saint of Sodomy (GLB, 1999), William Tarvin, who lived in the Middle East for two decades, satirized Muslim sexual hypocrisies. Though the same barbed wit infuses The Mysterious Plus, it is counterpoised by a darker strain, that materialistic/spiritual differences between West and Middle East threaten to sever the cords bonding humanity. Addendum: Since the novel incorporates ideas from around one thousand philosophical, religious, literary, social, psychological, historical, and political works, Tarvin has provided some commentary and definitions in end-of-chapter footnotes.
In The Plausible World , the intersections of literature and cartography enable readers to understand that place is anything but purely geographic: a plausible world is created as a strategy to fill the void. Innovative in his approach, Westphal challenges the view that perceptions and representations of space are stable or straightforward.
Follow bestselling author, speaker, and pastor James MacDonald as he delivers the biblical hope of God’s promises in the midst of life’s storms. 2 Peter 1:3 refers to certain portions of God’s Word as exceedingly great and precious promises. Great promises are ones that don’t fall apart during difficult times; they reveal hope in the midst of the storm. Precious promises are ones that we find strong enough to hold us up and resilient enough to get us through. God’s promises become exceedingly great and precious to us when nothing else will do. By way of digging into the theology of God’s Promises, Pastor James uncovers 5 major categories of promise in the Bible and the 5 areas about which God repeatedly makes promises. From what to do with fear and doubt to God’s goodness, help, and victory—the Bible has much to say about God’s presence in our difficulty. Last year, Pastor James released When Life is Hard to point you toward hope in the midst of trials. Now, Always True will point you to God’s promises, which are always true.
Gottlob Frege (1848–1925) was unquestionably one of the most important philosophers of all time. He trained as a mathematician, and his work in philosophy started as an attempt to provide an explanation of the truths of arithmetic, but in the course of this attempt he not only founded modern logic but also had to address fundamental questions in the philosophy of language and philosophical logic. Frege is generally seen (along with Russell and Wittgenstein) as one of the fathers of the analytic method, which dominated philosophy in English-speaking countries for most of the twentieth century. His work is studied today not just for its historical importance but also because many of his ideas are still seen as relevant to current debates in the philosophies of logic, language, mathematics and the mind. The Cambridge Companion to Frege provides a route into this lively area of research.