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Susan Bell recounts her thirty-year search for tapestries based on Christine de Pizan's City of Ladies (1405) that were listed as possessions of 16th C. European rulers, mostly women.
Mary Queen of Scots (1542-1587) was active as monarch of Scotland for just six years between 1561 and 1567, but her impact as a ruler in Scotland is much less important than her subsequent role in popular culture and imagination. Her story has enjoyed perpetual retelling and reached a global audience over the past four and a half centuries. This collection surveys the exceptionally varied range of objects, literature, art and media that have been produced to commemorate Mary between her own time and the present day. Why is her story so enduring, pervasive, and of such interest to so many different audiences? How have the narratives associated with these objects evolved in response to shifting cultural attitudes? The collection offers a much-needed novel perspective on the Queen of Scots, using an approach at the intersection of early modern, gender and cultural history, museum and heritage studies, and memory studies.
In Mary Queen of Scots: The First Biography, Ronald Santangeli has recovered a long-forgotten document of great historiographical, literary and cultural importance. Written in 1624 in Neo-Latin by George Con, a young expatriate Scot in Rome, the Vita Mariae Stuartae is worthy of study, both for its content and its literary dimension. The fully recensed Latin text is presented with a meticulous translation into English and a fully-annotated commentary. The image Con creates of the Scottish Queen has prevailed in European cultural representations from poetry and drama to novels, paintings and opera, while Con's own meteoric career highlights the impact on seventeenth-century Catholic Europe by members of the Scottish diaspora. A significant addition to Marian and Scottish Neo-Latin studies.
On the evening of 9 March 1566, a raiding party forced their way into the palace of Holyrood House and stabbed Italian secretary, David Rizzio to death while he was at supper with Mary, Queen of Scots. The attack was savage and brutal - Rizzio was stabbed over fifty times - and Mary's husband, Darnley, was among the conspirators. David Rizzio came to Scotland in 1561. There, he rose to power and influence in the court of Mary, Queen of Scots. He was her secretary, chief minister and the architect of her plan to avoid Scotland turning into a Calvanist republic. It was also rumoured that he was her lover and father of her child, James VI and I. David Tweedie explains how Rizzio so enraged the Scots lords that they plotted his murder. He points to the complicity of Elizabeth and her ministers and shows that Rizzio's murder was a serious political event, since with his death, died the possibility of religious counter-reformation in Scotland. While the other men in Mary's life have received their dur from the historians, Rizzio remains a shadowy figure. This book restores the balance and explores one of the most shocking events of Mary's colourful reign.
Highly Commended, Society for Renaissance Studies Biennial Book Prize 2022 In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century. With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity. Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors.