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Out of more than 180 science fiction films produced in the United States between 1950 and 1959, twenty were concerned with the notion of an invasion. Of these, a select number used the invasions as metaphors of issues that were of importance to America at the time, such as assaults upon individuality and marriage and debates about the supremacy of the human race. The invasion may be real (The Day the Earth Stood Still and War of the Worlds), dreamed (Invaders from Mars), or the result of a mental breakdown, as seems to be the case in Invasion of the Body Snatchers. Real or not, all of these massive disturbances to the status quo convey the same anxiety: In the 1950s, many Americans felt that things in their world weren’t quite right, and this sense of unease was expressed in the country’s art, notably these films. In Invasions USA: The Essential Science Fiction Films of the 1950s, Michael Bliss examines movies that stripped away the veneer of normality during a decade often portrayed as the last innocent period in American history. From a boy’s nightmares about his alien-controlled parents and a young woman’s fears that her fiancé has been replaced by an emotionless alien to an extraterrestrial visitor who comes to warn mankind about its self-destructive ways, the stories of these films offer a variety of messages, both subtle and overt. With detailed discussions and analyses of the films in question, this book examines a unique group of movies with profound messages. By exploring depictions of insecurities—whether personal or political—Bliss shows how science fiction films spoke to American audiences deeply troubled by their circumstances. Invasions USA will appeal to science fiction buffs and film aficionados interested in this significant phenomenon in movie and cultural history.
The diversity of the earth's climates superimposed upon a complex configuration of physical features has provided the conditions for the evolution of a remarkable array of living things which are linked together into complex ecosystems. The kinds of organisms comprising the ecosystems of the world, and the nature of their interactions, have constantly changed through time due to coevolutionary interactions along with the effects of a continually changing physical environ ment. In recent evolutionary time there has been a dramatic and ever-accelerating rate of change in the configuration of these ecosystems because of the increasing influence of human beings. These changes range from subtle modifications caused by anthropogenically induced alterations in atmospheric properties to the total destruction of ecosystems. Many of these modifications have provided the fuel, food, and fiber which have allowed the expansion of human populations. Unfortunately, there have been many unanticipated changes which accompanied these modifications which have had effects detrimental to human welfare in cluding substantial changes in water and air quality. For example, the use of high-sulfur coal to produce energy in parts of North America is altering the properties of freshwater lakes and forests because of acidification.
Invasion of America: Indians, Colonialism, and the Cant of Conquest
America has invaded 43% of the countries in the world, and it has been militarily involved with nearly all the rest. This book offers a global tour of America's military activity, arranged by country, relating a history of gallantry and sacrifice as America has spread its power and influence worldwide.--Publisher.
One of the earliest U.S. counterinsurgency campaigns outside the Western Hemisphere, the Siberian intervention was a harbinger of policies to come. At the height of World War I, President Woodrow Wilson dispatched thousands of American soldiers to Siberia, and continued the intervention for a year and a half after the armistice in order to overthrow the Bolsheviks and to prevent the Japanese from absorbing eastern Siberia. Its tragic legacy can be found in the seeds of World War II, and in the Cold War.
American Invasions: Canada to Afghanistan, 1775 to 2010 is a thought-provoking analysis of the reasons for American invasions and warmongering over the last two centuries. Contrary to the views expressed by the Western media and Western historians the American Empire is not a force for the promotion of free thinking and democracy but instead a force for imperial conquests and imposed dictatorships through the use of a military-industrial complex, fed by the American Empire outspending the rest of the world combined, on weapons of mass destruction. The American Empire has used and will continue to use the most sophisticated weapons, from nuclear bombs to bunker-busting bombs to land mines to chemical and biological weapons, on defenseless men, women, and children to feed its insatiable appetite for warmongering and imperial expansion. It combines military bases around the world with military prisons used for torture and extraction of information. Its navy patrols every corner of the globe, and its planes can rain down bombs from the heavens on every civilian on the planet.
A history of the numerous attempts of European invaders to conquer North America details the successful efforts of the Native American peoples to repel these invasions
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One of BookPage's Best Books of 2020 “The detailed, nuanced, gripping account of that strange and complex journey offered in Robert Draper’s To Start a War: How the Bush Administration Took America Into Iraq is essential reading—now, especially now . . . Draper’s account [is] one for the ages . . . A must-read for all who care about presidential power.” —The Washington Post From the author of the New York Times bestseller Dead Certain comes the definitive, revelatory reckoning with arguably the most consequential decision in the history of American foreign policy--the decision to invade Iraq. Even now, after more than fifteen years, it is hard to see the invasion of Iraq through the cool, considered gaze of history. For too many people, the damage is still too palpable, and still unfolding. Most of the major players in that decision are still with us, and few of them are not haunted by it, in one way or another. Perhaps it's that combination, the passage of the years and the still unresolved trauma, that explains why so many protagonists opened up so fully for the first time to Robert Draper. Draper's prodigious reporting has yielded scores of consequential new revelations, from the important to the merely absurd. As a whole, the book paints a vivid and indelible picture of a decision-making process that was fatally compromised by a combination of post-9/11 fear and paranoia, rank naïveté, craven groupthink, and a set of actors with idées fixes who gamed the process relentlessly. Everything was believed; nothing was true. The intelligence failure was comprehensive. Draper's fair-mindedness and deep understanding of the principal actors suffuse his account, as does a storytelling genius that is close to sorcery. There are no cheap shots here, which makes the ultimate conclusion all the more damning. In the spirit of Barbara Tuchman's The Guns of August and Marc Bloch's Strange Defeat, To Start A War will stand as the definitive account of a collective process that arrived at evidence that would prove to be not just dubious but entirely false, driven by imagination rather than a quest for truth--evidence that was then used to justify a verdict that led to hundreds of thousands of deaths and a flood tide of chaos in the Middle East that shows no signs of ebbing.