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This engaging and highly regarded book takes readers through the key stages of their PhD research journey, from the initial ideas through to successful completion and publication. It gives helpful guidance on forming research questions, organising ideas, pulling together a final draft, handling the viva and getting published. Each chapter contains a wealth of practical suggestions and tips for readers to try out and adapt to their own research needs and disciplinary style. This text will be essential reading for PhD students and their supervisors in humanities, arts, social sciences, business, law, health and related disciplines.
A step-by-step guide to crafting a compelling scholarly book proposal—and seeing your book through to successful publication The scholarly book proposal may be academia’s most mysterious genre. You have to write one to get published, but most scholars receive no training on how to do so—and you may have never even seen a proposal before you’re expected to produce your own. The Book Proposal Book cuts through the mystery and guides prospective authors step by step through the process of crafting a compelling proposal and pitching it to university presses and other academic publishers. Laura Portwood-Stacer, an experienced developmental editor and publishing consultant for academic authors, shows how to select the right presses to target, identify audiences and competing titles, and write a project description that will grab the attention of editors—breaking the entire process into discrete, manageable tasks. The book features over fifty time-tested tips to make your proposal stand out; sample prospectuses, a letter of inquiry, and a response to reader reports from real authors; optional worksheets and checklists; answers to dozens of the most common questions about the scholarly publishing process; and much, much more. Whether you’re hoping to publish your first book or you’re a seasoned author with an unfinished proposal languishing on your hard drive, The Book Proposal Book provides honest, empathetic, and invaluable advice on how to overcome common sticking points and get your book published. It also shows why, far from being merely a hurdle to clear, a well-conceived proposal can help lead to an outstanding book.
This eBook version includes the Preface, Foreword and introductory texts only. Here is an authoritative and beautiful overview of the graphic art produced by artists, illustrators and writers who have used the typewriter as a tool and a medium. Marvin and Ruth Sackner mine the superlative collection they have created over four decades to present over 600 examples produced by more than 60 of the world's finest contributors to the genre. From early ornamental works produced by secretaries in the late 19th century to more recent works that consider the uniqueness of the typewritten document in the digital age, there is an astonishing and delightful range of creativity in every artwork. The publication features three main sections: an introduction to the history of the typewriter and its art; an expansive plate section showing key works, thematized and rendered in exquisite detail; and a reference section featuring biographies of the most influential artists and writers. Each book has a cover with a unique combination of front and back image, meaning no two books are the same. This is a once-in-a-generation publication, carefully curated through decades of first-hand experience to inspire a new wave of designers and artists for the future.
The First Chapters uncovers the origins of the first paragraph or chapter divisions in copies of the Christian Scriptures. Its focal point is the magnificent, fourth-century Codex Vaticanus (Vat.gr. 1209; B 03), perhaps the single most significant ancient manuscript of the Bible, and the oldest material witness to what may be the earliest set of numbered chapter divisions of the Bible. The First Chapters tells the history of textual division, starting from when copies of Greek literary works used virtually no spaces, marks, or other graphic techniques to assist the reader. It explores the origins of other numbering systems, like the better-known Eusebian Canons, but its theme is the first set of numbered chapters in Codex Vaticanus, what nineteenth-century textual critic Samuel P. Tregelles labelled the Capitulatio Vaticana. It demonstrates that these numbers were not, as most have claimed, late additions to the codex but belonged integrally to its original production. The First Chapters then breaks new ground by showing that the Capitulatio Vaticana has real precursors in some much earlier manuscripts. It thus casts light on a long, continuous tradition of scribally-placed, visual guides to the reading and interpreting of Scriptural books. Finally, The First Chapters exposes abundant new evidence that this early system for marking the sense-divisions of Scripture has played a much greater role in the history of exegesis than has previously been imaginable.
Introductory Statistics 2e provides an engaging, practical, and thorough overview of the core concepts and skills taught in most one-semester statistics courses. The text focuses on diverse applications from a variety of fields and societal contexts, including business, healthcare, sciences, sociology, political science, computing, and several others. The material supports students with conceptual narratives, detailed step-by-step examples, and a wealth of illustrations, as well as collaborative exercises, technology integration problems, and statistics labs. The text assumes some knowledge of intermediate algebra, and includes thousands of problems and exercises that offer instructors and students ample opportunity to explore and reinforce useful statistical skills. This is an adaptation of Introductory Statistics 2e by OpenStax. You can access the textbook as pdf for free at openstax.org. Minor editorial changes were made to ensure a better ebook reading experience. Textbook content produced by OpenStax is licensed under a Creative Commons Attribution 4.0 International License.
"A wordless graphic novel in which twelve-year-old Marisol must adapt to a new life 1960s Brooklyn after her parents send her to the United States from Cuba to keep her safe during Castro's regime."--
SHORTLISTED FOR THE CWA GOLD DAGGER AWARD A haunting, atmospheric mystery set against a country divided, by the author of A House of Ghosts. January 1921. Though the Great War is over, in Ireland a new civil war is raging. The once-grand Kilcolgan House, a crumbling bastion shrouded in sea mist, lies half empty and filled with ghosts, both real and imagined, while it shelters the surviving members of the Prendeville family. Then, when an IRA ambush goes terribly wrong, Maud Prendeville, Lord Kilcolgan’s eldest daughter, is killed, leaving the family reeling. Yet the IRA column behind the attack insists they left her alive, that someone else must be responsible for her terrible fate. Captain Tom Harkin, an IRA intelligence officer and Maud's former fiancé, is sent to investigate. He becomes an unwelcome guest in this strange, gloomy household. Working undercover, Harkin must delve into the house's secrets—and discover where, in this fractured, embattled town, allegiances truly lie. But Harkin too is haunted by the ghosts of the past and by his terrible experiences on the battlefields. Can he find the truth about Maud's death before the past—and his strange, unnerving surroundings—overwhelm him? The Winter Guest is a gripping and immersive read for fans of classic mysteries by the likes of Agatha Christie and Dorothy Sayers along with Charles Todd’s Ian Rutledge series, Ann Cleeves, and Jacqueline Winspear.