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This book is intended for those who are active with sound amplification and sound distribution. The book provides information on adapting sound systems and/or transducer to the given acoustics like in open, half-open and closed spaces. An important aspect is how loudspeakers can be adapted to cover all types of surroundings. Very often a choice has to be made from a wide range of loudspeakers. On the other hand a combination of loudspeakers must be developed and composed in order to adapt the loudspeakers to the given acoustical circumstances. The question of which loudspeaker is the correct choice and how they need to be set-up so that speech and music are fully comprehensible in all kinds of acoustical and noisy circumstances. This book gives a full answer to these questions. The reader is also made aware of the design of loudspeakers on the basis of Small and Thiele parameters. With thorough calculations and the visibility of the out coming of these calculations by simple software it is possible to convert the acoustic and mechanical elements of the loudspeaker into electrical analogues so that the loudspeaker is simulated on the PC. Using an example the calculations mentioned above can be supported. Finally the full reference list simplifies the task of the reader in finding the information they require. “I’ve been fascinated by the possibilities of Electro-acoustics since I was 10 years old and now I am very pleased to be able to share the knowledge that I built up over 40 years working in the Electro-acoustics division of Philips.” My work experience was supplemented by giving lectures on electro-acoustics at the post-academic courses on acoustics in Antwerp (Belgium)
Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource.
The acoustics of a space can have a real impact on the sounds you create and capture. Acoustics and Psychoacoustics, Fifth Edition provides supportive tools and exercises to help you understand how music sounds and behaves in different spaces, whether during a performance or a recording, when planning a control room or listening space, and how it is perceived by performers, listeners, and recording engineers. With their clear and simple style, Howard and Angus cover both theory and practice by addressing the science of sound engineering and music production, the acoustics of musical instruments, the ways in which we hear musical sounds, the underlying principles of sound processing, and the application of these concepts to music spaces to create professional sound. This new edition is fully revised to reflect new psychoacoustic information related to timbre and temporal perception, including an updated discussion of vocal fold vibration principles, samples of recent acoustic treatments, and a description of variable acoustics in spaces, as well as coverage of the environment’s effect on production listening, sonification, and other topics. Devoted to the teaching of musical understanding, an accompanying website (www.routledge.com/cw/howard) features various audio clips, tutorial sheets, questions and answers, and trainings that will take your perception of sound to the next level. This book will help you: Gain a basic grounding in acoustics and psychoacoustics with respect to music audio technology systems Incorporate knowledge of psychoacoustics in future music technology system designs as appropriate Understand how we hear pitch, loudness, and timbre Learn to influence the acoustics of an enclosed space through designed physical modifications
Introduction to Loudspeaker Design is written for students, technicians, engineers and hobbyists seeking an overview of the technology of loudspeakers. Starting with a brief history of audio developments the book begins by introducing the concepts of frequency, pitch and loudness and proceeds to develop the idea of a loudspeaker as a system. The book covers such topics as loudspeaker design tradeoffs, spatial loading, diffraction loss, cavity effect and enclosure construction. A complete chapter is devoted to the subject of crossover design including design equations. The second edition adds a new chapter on simulation and analysis which includes design equations for closed and vented type speakers. The appendices contain technical references, design aids, glossaries and a chart depicting 18 different loudspeaker enclosure types. The author is a physicist/audio design engineer with over 35 years experience in the research and development of audio products spanning both hardware and software. His WinSpeakerz, TrueRTA and DATS software applications are widely used throughout the audio industry as tools for simulating and measuring loudspeaker performance. Captain Murphy served as a space systems analyst for NORAD during his military career. Changes for the Second Edition: The second edition brings new material and polishes the first edition with many new or improved illustrations. Chapter 2 was expanded with the second half split into a new Chapter 3 titled "Speaker Response Functions." The discussion of Thiele-Small parameters has been expanded and now covers small-signal parameters vs. large-signal parameters as it explores the role of the test signal level in parameter measurement. The crossover design chapter has been expanded to include formulas for calculating component values for the most popular crossover types. Equations have been added for calculating impedance compensation and attenuation networks. The old Chapter 7 FAQ material was integrated into other chapters as appropriate. A new Chapter 8 titled "Loudspeaker Simulation" has been added and introduces loudspeaker equivalent circuit analysis with equations for calculating the magnitude and phase responses of closed and vented loudspeaker systems. Additional design equations are introduced and then examples are given for calculating the responses of a closed box and a vented box loudspeaker. Detailed design equation summaries are given for closed and vented boxes. Appendix C was added to provide a glossary of symbols and a glossary of terms. The box type charts were moved to Appendix D.
Long-awaited update and expansion of a widely recognised classic in the field by pioneering acoustics expert, Leo L. Beranek Builds upon Beranek's 1954 Acoustics classic by incorporating recent developments, practical formulas and methods for effective simulation Uniquely, provides the detailed acoustic fundamentals which enable better understanding of complex design parameters, measurement methods and data Brings together topics currently scattered across a variety of books and sources into one valuable reference Includes relevant case studies, real-world examples and solutions to bring the theory to life Acoustics: Sound Fields and Transducers is a modern expansion and re-working of Acoustics, the 1954 classic reference written by Leo L. Beranek. Updated throughout and focused on electroacoustics with the needs of a broad range of acoustics engineers and scientists in mind, this new book retains and expands on the detailed acoustical fundamentals included in the original whilst adding practical formulas and simulation methods for practising professionals. Benefitting from Beranek's lifetime experience as a leader in the field and co-author Tim Mellow's cutting-edge industry experience, Acoustics: Sound Fields and Transducers is a modern classic to keep close to hand in the lab, office and design studio. Builds on Beranek's 1954 Acoustics classic by incorporating recent developments, practical formulas and methods for effective simulationUniquely provides the detailed acoustic fundamentals, enabling better understanding of complex design parameters, measurement methods and dataBrings together topics currently scattered across a variety of books and sources into one valuable referenceIncludes relevant case studies, real-world examples and solutions to bring the theory to life.
The ideal guide to audio systems. This practical hands-on tool is designed to help the audio professional find information quickly. Features many useful tables and checklists; illustrates the text with numerous photos and diagrams; improves and expedites system design; and provides tips and strategies for efficient audio system installation.
Sound Systems: Design and Optimization provides an accessible and unique perspective on the behavior of sound systems in the practical world. The third edition reflects current trends in the audio field thereby providing readers with the newest methodologies and techniques. In this greatly expanded new edition, you’ll find clearer explanations, a more streamlined organization, increased coverage of current technologies and comprehensive case studies of the author’s award-winning work in the field. As the only book devoted exclusively to modern tools and techniques in this emerging field, Sound Systems: Design and Optimization provides the specialized guidance needed to perfect your design skills. This book helps you: Improve your design and optimization decisions by understanding how audiences perceive reinforced sound Use modern analyzers and prediction programs to select speaker placement, equalization, delay and level settings based on how loudspeakers interact in the space Define speaker array configurations and design strategies that maximize the potential for spatial uniformity Gain a comprehensive understanding of the tools and techniques required to generate a design that will create a successful transmission/reception model
This book is essential for audio power amplifier designers and engineers for one simple reason...it enables you as a professional to develop reliable, high-performance circuits. The Author Douglas Self covers the major issues of distortion and linearity, power supplies, overload, DC-protection and reactive loading. He also tackles unusual forms of compensation and distortion produced by capacitors and fuses. This completely updated fifth edition includes four NEW chapters including one on The XD Principle, invented by the author, and used by Cambridge Audio. Crosstalk, power amplifier input systems, and microcontrollers in amplifiers are also now discussed in this fifth edition, making this book a must-have for audio power amplifier professionals and audiophiles.
(Book). This up-to-date book comprehensively covers all aspects of speech and music sound reinforcement. It is roughly divided into four sections: Section 1 provides the tutorial fundamentals that all audio engineers will need, discussing subjects such as fundamentals of acoustics, psychoacoustics, basic electrical theory and digital processing. Section 2 deals with the fundamental classes of hardware that the modern engineer will use, such as loudspeaker systems and components, microphones, mixers, amplifiers and signal processors. Special attention is given to digital techniques for system control and to audio signal analysis. Section 3 deals with the basics of system design, from concept to final realization. It covers topics such as basic system type and speech intelligibility, site survey, user needs analysis and project management. Section 4 discusses individual design areas, such as sports facilities, large-scale tour sound systems, high-level music playback, systems for the theater, religious facilities, and other meeting spaces. The book is written in an accessible style, but does not lack for ample amounts of technical information. It is truly a book for the 21st century! The Senior Director of Product Development and Application for JBL Professional, John Eargle is the author of The Handbook of Recording Engineering, The Microphone Book, Handbook of Sound System Design, Electroacoustical Reference Data, Music, Sound and Technology and The Loudspeaker Handbook . A 2000 Grammy Award-winner for Best Classical Engineering, Mr. Eargle is an honorary member and past national president of the Audio Engineering Society, a faculty-member of the Aspen Audio Recording Institute, and a member of the National Academy of Recording Arts and Sciences and the Academy of Motion Picture Arts and Sciences.