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Introduction to Pathaan is a 2021 Indian action-drama film, directed by Gowtham Tinnanuri, who is known for his critically acclaimed film, Jersey. The film stars Shahid Kapoor in the lead role as a soldier-turned-gangster, who becomes a Robin Hood-like figure and fights against the corrupt system. It also features Vijay Sethupathi, Raashi Khanna, and newcomer Shriya Pilgaonkar in important roles. The film is set in the backdrop of the city of Mumbai and revolves around the story of Pathaan, played by Shahid Kapoor, who is a loyal soldier and a responsible son. However, circumstances and the corrupt system force him to take on the path of crime. Pathaan, who is feared by everyone, has a soft corner towards the underprivileged and decides to fight against the corrupt system and the powerful people who are responsible for their misery. The film promises to be an intriguing mix of action, drama, and emotions, and is eagerly awaited by Shahid Kapoor's fans and lovers of the genre.
Ever since the 1947 partition of the Indian subcontinent, Mumbai-based Hindi cinema has been returning compulsively to the idea of Pakistan, sometimes as the desirable other, sometimes as the horrifying antagonist. Hindi Cinema and Pakistan traces the genesis and development of this theme in Hindi cinema in the 1950s, showcasing its relevance as a tool that both reflects and shapes how India sees its neighbour, the India–Pakistan relationship, and itself. The book is a serious, multi-platform, multi-pronged exploration of the appearances, invocations, representations and treatment of Pakistan and Pakistanis in Hindi cinema. It follows Hindi cinema’s efforts to come to terms with the ‘idea’ and ‘reality’ of Pakistan. Through in-depth analyses of the enmity and rivalry between the two subcontinental nations in Partition films, thrillers, epic war films and sports films, to screen depictions of the shared cultural past and similarities in films on cross-border love or in films that show a reaching out through humour, this book investigates the visualization of Pakistan and contextualizes these representations within the broader frameworks of India’s political, socio-cultural and popular discourse. The extensive reach of the in-depth textual analyses of Hindi cinema will make this volume interesting and valuable both to the lay reader and to researchers and academics of cultural studies, media and film studies, and the study of socio-psychological violence in media and culture.
"Sengupta has written an in-depth study of the development of political Hinduism in India.... Readers of history, religion, and politics and with interest in India and its role in the world will find this detailed work appealing." - Booklist This is the first intellectual history of political Hinduism from its medieval origins to current-day India. It provides the ideological context of India’s rise economically and politically in the world in the last decade, illustrating not only where political Hinduism comes from, but more importantly, where it seeks to go. It provides an intellectual framework not only to understand the rise of Narendra Modi and his politics in the world’s largest democracy, but also India’s political, economic, and diplomatic choices as it negotiates its space as a rapidly rising, billion-strong democracy in a fluid and precarious world order.
This book provides an in-depth exploration of the evolving landscape of Bollywood cinema in response to recent socio-political changes in India, including a surge in sectarian violence and the ascent of Hindutva, or Hindu nationalism, under Prime Minister Narendra Modi's leadership. Through a comprehensive analysis of prominent filmmakers and actors like Sanjay Leela Bhansali, Kangana Ranaut, Akshay Kumar, and Anupam Kher, Ajay Gehlawat investigates the extent to which their recent works align with key tenets of the Hindutva movement. He scrutinizes the growing influence of the Bharatiya Janata Party (BJP) on film production, manifesting in collaborations covering diverse themes, from Modi's Clean India initiative to the nation's space exploration endeavors and grand historical epics such as Padmaavat (2018) and Manikarnika (2019) that seek to reshape Indian history in line with Hindutva ideology. Gehlawat goes on to dissect smaller budget films like Article 15 (2019) and Shubh Mangal Zyada Saavdhan (2020), which tackle pressing social issues like caste-based violence and homophobia exacerbated by the surge in right-wing extremism in India. In doing so, he elucidates the profound and far-reaching impact of Hindutva ideology on Indian cinematic narratives and aesthetics, while also considering the broader implications for Indian society as a whole.
Through engaging media coverage of the public lives of Bollywood actresses, this book unveils understandings of idealized femininity and gender within this cultural context. Beyond its own borders, such a context is unique given the global relevance of content from and about Bollywood with members of the diaspora as well as those culturally Indian individuals that are no longer part of the diaspora. This book thus engages these actresses as global Indian celebrities who are framed and presented as contemporary urban Indian exemplars of gender via media coverage about them. The book therefore offers a robust and detailed case study of the Bollywood star system so as to demonstrate how the nuances of this unique cultural context influence the dimensions of postfeminism and celebrity culture therein.
Contributed articles presented at the conference, Shah Rukh Khan and Global Bollywood, held on September 30, 2010, at Vienna, Austria.
You Will Sail Through” is a story about Anubha, the protagonist, a young millennial in her mid-twenties, who got dumped by her boyfriend, Ashish. Anubha decides to end her life by committing suicide amidst the beaches of Pondicherry. She ends up meeting Abhishek, the author of this book, who narrates her the “millennials’ things”. The millennials' things revolve around the rationale of “Why we go through, what we go through, and what has to be done to overcome whatever we go through,” answering the millennials’ generation's questions. Be it Mithali, Debanjana, Maddy, or as many as other twenty-six millennials about which the author narrates, they all found it difficult to sail through in their lives in one area or the other they all sailed through in the end. What were those twenty-six millennials going through in their lives? How those twenty-six millennials who found it almost impossible in the beginning sailed through in the end? What did the author narrate to Anubha, which not only sailed her through those throbbing sea waves at the beaches of Pondicherry but also sailed her through the emotional turmoil she was going through and led her finding the lost purpose in her life. This October, Come, Read an exciting, thrilling, and a humorous book inspired by the real-life events of millennials and learn the Art of Sailing Through Remember, “You Will Sail Through” “Sail Through,” What?? “Whatever you are going through!"
Yesterday’s Melodies Todays Memories is a rare collection of profiles of all important music-makers of the Hindi Film Industry between 1931 and 1970. It not only gives a biographical background of each music artiste, but it goes further to interview many of the surviving giants and completes the task by listing some of the best songs with which that person is associated. Here are singers that include the whole gamut from KL Saigal to Asha Bhosle, lyricists that include Sahir and Gulzar, music composers from Naushad to RD Burman, artistes that were part-time singers and full time actors like Ashok Kumar, melody queens like Noor Jahan and Lata Mangeshkar, gentlemen lyricists like Prem Dhawan and gentlemen singers like Manna Dey, mischief-makers like Kishore Kumar and rebels without pause like OP Nayyar and Majrooh Sultanpuri. In fact, this book is a house in which all these great talents live happily, each in a separate room, given space for self-expression. The serious research that has gone into this book is evident as you move from one chapter to another, opening layers after layers presented non-seriously. Over 100 music makers are presented this way and many more in a huge single chapter.
Researched with the assistance of US and Indian intelligence agents, war correspondents and the crime veteran S. Hussain Zaidi, The Bard of Blood takes you on a thrilling journey from the power corridors of RAW to the war-torn terrain of Balochistan. In Delhi, ex-RAW boss Lieutenant General Sadiq Sheikh is killed by a double agent. Sadiq’s killer is a man who knows too much and is part of a diabolical plot to create what might become the Third World War. In Mumbai, literature professor Kabir Anand is settling down into his new life, when a call from the PMO thrusts him back into the world he is trying hard to forget. A brilliant agent who served under Sadiq Sheikh, Kabir has been forced to leave RAW because of a disastrous mission in Balochistan in 2006 that was undertaken as part of the Indian secret service’s covert support of the Balochi rebels against the Pakistan government. Kabir must now revisit those ghosts, avenge his mentor and face his deadliest enemies—Mullah Omar and the ISI—while racing against time to save his country.
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