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From Zeus to Europa, to Pan and Prometheus, the myths of ancient Greece and Rome continue to pervade the numerous facets of our existence. The author explores the rich history and varying interpretations of classical myth in both high art and popular culture as well as its ongoing influence in modern society.
This Very Short Introduction explores different approaches to myth from several disciplines, including science, religion, philosophy, literature, and psychology. In this new edition, Robert Segal considers both the future study of myth as well as the impact of areas such as cognitive science and the latest approaches to narrative theory.
Myth and Knowing is by far the most comprehensive world mythology textbook.
Presents an introduction to Greek mythology, discussing the roles of gods and goddesses, as well as the adventures of heroes and mythical beings.
An Introduction to Mythology by Lewis Spence: Embark on a fascinating journey through the myths and legends of various cultures with Lewis Spence's "An Introduction to Mythology." This comprehensive guide introduces readers to the rich tapestry of human mythology. Key Aspects of the Book "An Introduction to Mythology": Mythological Diversity: Lewis Spence explores myths from a wide range of cultures, providing readers with a global perspective on human storytelling. Legendary Figures: The book introduces readers to gods, heroes, and mythical creatures from different mythologies, shedding light on their significance and symbolism. Cultural Insights: "An Introduction to Mythology" offers insights into the cultural, religious, and psychological aspects of mythology, enriching our understanding of human belief systems. Lewis Spence was a Scottish author and folklorist known for his work on mythology and the occult. His exploration of myths from around the world in this book provides a valuable resource for enthusiasts and scholars alike.
Discover the exciting and fascinating world of Greek and Roman gods, goddesses, monsters, and heroes, from Zeus and Athena to Hercules, Medusa, and more! Take a journey through Mount Olympus, Ancient Greece, and Ancient Rome with this collection of the greatest tales found in Greek and Roman mythology. From origin stories to family drama, you’ll learn about the most powerful Olympic gods including Zeus, Hera, Poseidon, Athena, Apollo, Artemis, Aphrodite, Hades, and more. But this book has more than just gods and goddesses! You’ll also discover the dangerous and intriguing world of ancient monsters, fantastical creatures, and mortal heroes that populate some of the most awesome stories from the time, including: Atlas, who carries the weight of the world on his shoulders Kronos, a Titan who swallows his newborn children Persephone, a kidnapped goddess who becomes queen of the Underworld Minotaur, a half-bull, half-man imprisoned in a labyrinth Hydra, a poisonous serpent who grows two heads when one is severed Sirens, sea nymphs whose irresistible singing lures sailors to their doom All of these tales and more are written in a fun, kid-friendly manner, perfect for children interested in history or for fans of the Percy Jackson series.
At least three major questions can be asked of myth: what is its subject matter? what is its origin? and what is its function? Theories of myth may differ on the answers they give to any of these questions, but more basically they may also differ on which of the questions they ask. C. G. Jung's theory is one of the few that purports to answer fully all three questions. This volume collects and organizes the key passages on myth by Jung himself and by some of the most prominent Jungian writers after him: Erich Neumann, Marie-Louise von Franz, and James Hillman. The book synthesizes the discovery of myth as a way of thinking, where it becomes a therapeutic tool providing an entrance to the unconscious. In the first selections, Jung begins to differentiate his theory from Freud's by asserting that there are fantasies and dreams of an "impersonal" nature that cannot be reduced to experiences in a person's past. Jung then asserts that the similarities among myths are the result of the projection of the collective rather than the personal unconscious onto the external world. Finally, he comes to the conclusion that myth originates and functions to satisfy the psychological need for contact with the unconscious--not merely to announce the existence of the unconscious, but to let us experience it.