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The history of dancing in liturgy ... models for using dance in the eucharist ... and examples of dance consistent with the church year. How to dance. Why to dance. And how dance fits into liturgy. Kane's easy-to-follow format lets you choose the right movement for different parts of worship, much as you would choose the right music. VerEecke shares his personal account as a dancer - a theologian's conception of his art. Gagne provides a historical look at dance in worship and a chronology of the events which have shaped attitudes toward dance. Includes suggested gestures for danced prayer, step-by-step dance movements for use in your church, and many photographs. Inspiring. Informative. Easily reachable. A practical guide - with scholarship to back it up. -- from back cover.
REVISED EDITION: It is important that dancers begin to contend for the higher calling of God and move past the normal and the ordinary. It
Worship sets an assembly in motion movement towards God in response to God's movement towards humans thus creating a resilient and caring community. Worship as Body Language brings the African community's experience of the body and its gestures together with the Christian liturgy, since worship and social action are closely related. The body language" or gestures of praise, adoration, contemplation, ritual dance, and care of the neighbor are meaningful to the ethnic group; African Christians tune into these body motions to express the one Christian faith. In Worship as Body Language, Father Uzukwu details how patterns of African ritual assemblies and sacred narratives have merged with Jewish, gospel, and early Church traditions to create living Christian communities and liturgies. Using a socio-historical method, this book sheds new light on liturgical action and theology, and suggests more transition rituals. It also provides samples of emergent African Christian liturgies that emphasize intense community participation with appropriate gestures. These local liturgies attest to the patristic principle that different customs actually confirm the unity of our faith in Christ. Scholars teaching and researching the foundations of the liturgy and liturgical inculturation, graduate students, and those organizing workshops on the regional, diocesan, or parish level will find Worship as Body Languagea ready handbook on the liturgy. It is also a useful textbook for introducing college students and seminarians to the anthropological, historical, and theological dimensions of the liturgy. Elochukwu E. Uzukwu, CSSp, ThD, lectures in liturgy and African theology in seminaries and Catholic universities in Nigeria, Congo, Zaire, and France. He is the author of Liturgy: Truly Christian, Truly African,and the editor of Bulletin of Ecumenical Theology. "
For many years now, the church in North America has heard figure after figure concerning the steady flow of young people leaving the church. In the midst of these troubling figures, there remains a glimmer of hope for these youth as they transition into young adults. Ever Ancient, Ever New tells the story of a generation of younger Christians from different backgrounds and traditions who are finding a home and a deep connection in the church by embracing a liturgical expression of the faith. Author and teacher Winfield Bevins introduces you to a growing movement among younger Christians who are returning to historic, creedal, and liturgical reflections of Christianity. He unpacks why and how liturgy has beckoned them deeper into their experience of Jesus, and what types of churches and communities foster this "convergence" of old and new. Filled with stories illustrating the excitement and joy many young adults have found in these ancient expressions of Christianity, this book introduces you to practices and principles that may help the church as it seeks to engage our postmodern world.
An Important Study on the Worship of the Early Church This introduction to the origins of Christian worship illuminates the importance of ancient liturgical patterns for contemporary Christian practice. Andrew McGowan takes a fresh approach to understanding how Christians came to worship in the distinctive forms still familiar today. Deftly and expertly processing the bewildering complexity of the ancient sources into lucid, fluent exposition, he sets aside common misperceptions to explore the roots of Christian ritual practices--including the Eucharist, baptism, communal prayer, preaching, Scripture reading, and music--in their earliest recoverable settings. Now in paper.
Embodied Liturgy marks a return to the body in thinking about Christian liturgy and sacramental practice. Rooted in phenomenology and incarnational theology, the book gives primary focus to the body as it considers the prayer offices and the liturgical calendar, sacrifices and sacraments, initiation and vestments, ritual theory and play, word and meal, fasting and feasting, penance and celebration, rites of passage, cultural perspectives, and the role of art, music, dance, and drama in worship. The author invites readers to return to the experience of their own body through guided yogic exercises. As a text for students and liturgical practitioners, the volume gives fresh voice to the experience and practice of worship as bodily acts. Embodied Liturgy is a dynamic, accessible new resource in liturgical and sacramental theology from one of the premiere scholars in the field. Frank C. Senn distills an established legacy of expertise in an innovative and inviting perspective on bodily acts of worship.
To many, the word liturgy brings to mind juggling a hymnal, Bible and a bulletin printed with formal responsive texts as you worship in a cavernous Gothic-styled church. With great faith and affection, Benedict rescues liturgy from its stuffy associations, revealing it as a momentous occasion every Sunday, no matter the worship style. Worship is a remarkable spiritual adventure and the liturgy itself is God's playground—a pilgrimage of individuals and faith communities joining the divine purpose. Through the liturgy's daily, weekly, seasonal and annual dimensions, we experience God's power to shape our lives. We unite with Christ in heart, mind and work to participate in God's new creation. "Liturgy is more than personal piety," writes Benedict. "It is worship for the long haul… It simply goes on week by week and invites us to come along. It even carries us when our spiritual feet get tired and our energy level flags." Rather than seeing the ordered patterns of worship as a repetitive thing we do, liturgy has a cumulative effect as it transforms us to God-oriented worship and living. Benedict examines the hidden rhythms of Sunday worship Holy Communion baptism daily prayer the Christian calendar Exercises contained in the group discussion guide will awaken your imagination to the power of the liturgical life. Liturgy is where God is waiting. Your part is to include yourself in that community of open hands, hearts and minds.
In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Throughout the medieval era, the Latin Church denounced and prohibited dancing in religious and secular realms, often aligning it with demonic intervention, lust, pride, and sacrilege. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. This book investigates how dance became a legitimate form of devotion in Christian culture. Sacred dance functioned to gloss scripture, frame spiritual experience, and imagine the afterlife. Invoking numerous manuscript and visual sources (biblical commentaries, sermons, saints' lives, ecclesiastical statutes, mystical treatises, vernacular literature, and iconography), this book highlights how medieval dance helped shape religious identity and social stratification. Moreover, this book shows the political dimension of dance, which worked in the service of Christendom, conversion, and social cohesion. In Ringleaders of Redemption, Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.