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From the author of Crime Scene Photography, 2nd Edition, this introductory text serves as a detailed nuts-and-bolts version of its big brother, currently required reading for certification by the IAI Crime Scene Certification Board. Written for those just beginning their educations related to crime scene investigations, Introduction to Crime Scene Photography shares many of the features of the advanced text. This text initiates the novice to all the essentials of basic crime scene photography techniques. And, it provides a smooth transition to the more complicated and advanced techniques found in the larger text. The beginning of the book deals with basic theory and science of photography. This acquaints the reader with knowledge required to take superior photographs using composition, lighting and focus. Then follows photographing the crime scene, including specialty types of photography such as ultraviolet, fluorescence and infrared, going digital, using photos specifically to document bodies, wounds, and other related components to the crime scene. Also included are two chapters on the legal aspects of forensic photography and digital image processing--Source other than Library of Congress.
Introduction to Crime Scene Photography acquaints the reader with the essentials of basic crime scene photography techniques. It looks at the concepts related to composition and relates them to the types of photographs captured by crime scene photographers. It explains how to capture images based on the exposure settings chosen to produce the effect desired. It considers the techniques used needed to control and maximize Depth of Field (DOF), and reviews how the different lenses will affect an image. Organized into seven chapters, the book begins with an overview of crime scene photography and composition, including the three cardinal rules of good photography. It then proceeds with a discussion of the benefits of bounce flash and how to utilize this technique to properly compose the subject of interest. It also explains how to capture any image necessary at the crime scene by combining the concepts of composition, nonflash exposure, DOF, flash exposure, and the use of various types of lenses. In addition, the reader is introduced to various energy sources and filters, digital processing of evidentiary photography, and legal issues related to photographs and digital images. Examples and illustrations are provided throughout to demonstrate how the concepts examined tend to form a sort of symbiotic relationship. This text will benefit scene investigators and photographers, forensic consultants, forensic scientists, undergraduate students in forensic and/or criminal justice programs, law enforcement professionals, and anyone who wants to acquire the skills needed to be a successful crime scene photographer. Contains over 350 high-quality 4-color images Rules of Thumb are included to highlight key concepts
Crime Scene Photography is a book wrought from years of experience, with material carefully selected for ease of use and effectiveness in training, and field tested by the author in his role as a Forensic Services Supervisor for the Baltimore County Police Department. While there are many books on non-forensic photography, none of them adequately adapt standard image-taking to crime scene photography. The forensic photographer, or more specifically the crime scene photographer, must know how to create an acceptable image that is capable of withstanding challenges in court. This book blends the practical functions of crime scene processing with theories of photography to guide the reader in acquiring the skills, knowledge and ability to render reliable evidence. Required reading by the IAI Crime Scene Certification Board for all levels of certification Contains over 500 photographs Covers the concepts and principles of photography as well as the "how to" of creating a final product Includes end-of-chapter exercises
This book provides crime scene investigators with a comprehensive, step-by-step resource on crime scene photography. It details the best way to properly document a crime scene, including methods to photograph various types of crime scene evidence under difficult and adverse conditions. Featuring more than 250 full-color images and photographs, t
Forensic photography plays a vitally important part in the investigation of crime and the subsequent administration of justice. Written by a practitioner with many years professional experience, this book provides an overview of the most common forensic photography techniques in use today for those readers who may not have a detailed understanding of camera techniques and who need to get to grips with the use of light and other key scientific aspects of the job. It covers image capture issues, file handling and relevant equipment, such as lasers and UV lights, and explores how they work. The predominance of the digital camera has resulted in an increasing trend for police forces across the world to use untrained camera users, rather than expert photographers. Therefore, this book will prove invaluable for those practitioners who need to produce accurate and clear photographic evidence, above and beyond the point and shoot mode on their cameras.
Every action performed by a crime scene investigator has an underlying purpose: to both recover evidence and capture scene context. It is imperative that crime scene investigators must understand their mandate—not only as an essential function of their job but because they have the immense responsibility and duty to do so. Practice Crime Scene Processing and Investigation, Third Edition provides the essential tools for what crime scene investigators need to know, what they need to do, and how to do it. As professionals, any investigator’s master is the truth and only the truth. Professional ethics demands an absolute adherence to this mandate. When investigators can effectively seek, collect, and preserve information and evidence from the crime scene to the justice system—doing so without any agenda beyond seeking the truth— not only are they carrying out the essential function and duty of their job, it also increases the likelihood that the ultimate goal of true justice will be served. Richly illustrated—with more than 415 figures, including over 300 color photographs—the Third Edition of this best-seller thoroughly addresses the role of the crime scene investigator in the context of: Understanding the nature of physical evidence, including fingerprint, biological, trace, hair and fiber, impression, and other forms of evidence Assessing the scene, including search considerations and dealing with chemical and bioterror hazards Crime scene photography; scene sketching, mapping, and documentation; and the role of crime scene analysis and reconstruction Bloodstain pattern analysis and discussion of the body as a crime scene Special scene considerations, including fire, buried bodies, and entomological evidence Coverage details the importance of maintaining objectivity, emphasizing that every action the crime scene investigator performs has an underlying purpose: to both recover evidence and capture scene context. Key features: Outlines the responsibilities of the responding officer, from documenting and securing the initial information to providing emergency care Includes three new chapters on light technology and crime scene processing techniques, recovering fingerprints, and castings Addresses emerging technology and new techniques in 3-D Laser scanning procedures in capturing a scene Provides a list of review questions at the end of each chapter Practice Crime Scene Processing and Investigation, Third Edition includes practical, proven methods to be used at any crime scene to ensure that evidence is preserved, admissible in court, and persuasive. Course ancillaries including PowerPoint® lecture slides and a Test Bank are available with qualified course adoption.
Crime Scene Investigation offers an innovative approach to learning about crime scene investigation, taking the reader from the first response on the crime scene to documenting crime scene evidence and preparing evidence for courtroom presentation. It includes topics not normally covered in other texts, such as forensic anthropology and pathology, arson and explosives, and the electronic crime scene. Numerous photographs and illustrations complement text material, and a chapter-by-chapter fictional narrative also provides the reader with a qualitative dimension of the crime scene experience.
"This hands-on guide clarifies the difference between what can be done digitally and what should be done in a forensic setting, and helps the reader "learn by doing" with exercises and step-by-step instructions. The images and exercises in the CD-ROM provide practical examples of the techniques described in the book." "Law enforcement professionals who follow the recommendations in this text can feel confident that their handling of imaging evidence will stand up to the high standards necessary for prosecuting criminal cases."--BOOK JACKET.
In Fundamentals of Forensic Photography, Keith Mancini and John Sidoriak offer practical techniques for common situations encountered in forensic documentation. Topics include equipment selection, lighting techniques, crime scene and evidence documentation, macro and micro photography as well as aerial, high speed and computational photography. Techniques for photographic documentation in both the laboratory and the field are discussed.
This is a guide to recommended practices for crime scene investigation. The guide is presented in five major sections, with sub-sections as noted: (1) Arriving at the Scene: Initial Response/Prioritization of Efforts (receipt of information, safety procedures, emergency care, secure and control persons at the scene, boundaries, turn over control of the scene and brief investigator/s in charge, document actions and observations); (2) Preliminary Documentation and Evaluation of the Scene (scene assessment, "walk-through" and initial documentation); (3) Processing the Scene (team composition, contamination control, documentation and prioritize, collect, preserve, inventory, package, transport, and submit evidence); (4) Completing and Recording the Crime Scene Investigation (establish debriefing team, perform final survey, document the scene); and (5) Crime Scene Equipment (initial responding officers, investigator/evidence technician, evidence collection kits).