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Introduction to Christian Worship
An Important Study on the Worship of the Early Church This introduction to the origins of Christian worship illuminates the importance of ancient liturgical patterns for contemporary Christian practice. Andrew McGowan takes a fresh approach to understanding how Christians came to worship in the distinctive forms still familiar today. Deftly and expertly processing the bewildering complexity of the ancient sources into lucid, fluent exposition, he sets aside common misperceptions to explore the roots of Christian ritual practices--including the Eucharist, baptism, communal prayer, preaching, Scripture reading, and music--in their earliest recoverable settings. Now in paper.
Designed as a general introduction to Christian liturgy, this book explores the meaning, history, and practice of worship in Eastern and Western, Catholic and Protestant traditions. Its chapters cover the theology of worship, the historical development of Eucharist and the Prayer Offices, the lectionary and customs of the church year, other sacramental rites, and the use of music and the arts. As such, it is a perfect textbook for students seeking to understand the basics of liturgical worship, as well as a reliable guide for worship leaders.
The history of dancing in liturgy ... models for using dance in the eucharist ... and examples of dance consistent with the church year. How to dance. Why to dance. And how dance fits into liturgy. Kane's easy-to-follow format lets you choose the right movement for different parts of worship, much as you would choose the right music. VerEecke shares his personal account as a dancer - a theologian's conception of his art. Gagne provides a historical look at dance in worship and a chronology of the events which have shaped attitudes toward dance. Includes suggested gestures for danced prayer, step-by-step dance movements for use in your church, and many photographs. Inspiring. Informative. Easily reachable. A practical guide - with scholarship to back it up. -- from back cover.
Early Christian Worship is a straightforward, readable introduction to worship in the first four centuries of the church's existence. How did early Christians see and understand their own worship? How did this interact with early Christian beliefs? The book has been brought up-to-date and revised, with some chapters rewritten and an updated bibliography. Paul F. Bradshaw is professor of liturgy at the University of Notre Dame, and priest-vicar of Westminster Abbey and a member of the Church of England Liturgical Commission. He is the author or editor of several major books (The Search for the Origins of Christian Worship, Eucharistic Origins, Reconstructing Early Christian Worship, The Study of Liturgy, A Companion to Common Worship, volumes 1 and 2).
"At the Origins of Christian Worship" can deepen readers' understanding of early Christian worship by setting it within the context of the Roman world in which it developed. Hurtado highlights the two central characteristics of earliest Christian worship: its exclusive rejection of the ancient-world gods and its inclusion of Christ with God as the focus of devotion.
Is a church just something we create to serve our purposes or to maintain old traditions? Or is it something more vital, more meaningful, and more powerful? In this introduction to the nature of the local church, historian and missionary Scott Sunquist brings us a portrait of the church in motion, clarifying the two primary purposes of the church: worship and witness.
Jeanne Halgren Kilde's survey of church architecture is unlike any other. Her main concern is not the buildings themselves, but rather the dynamic character of Christianity and how church buildings shape and influence the religion. Kilde argues that a primary function of church buildings is to represent and reify three different types of power: divine power, or ideas about God; personal empowerment as manifested in the individual's perceived relationship to the divine; and social power, meaning the relationships between groups such as clergy and laity. Each type intersects with notions of Christian creed, cult, and code, and is represented spatially and materially in church buildings. Kilde explores these categories chronologically, from the early church to the twentieth century. She considers the form, organization, and use of worship rooms; the location of churches; and the interaction between churches and the wider culture. Church buildings have been integral to Christianity, and Kilde's important study sheds new light on the way they impact all aspects of the religion. Neither mere witnesses to transformations of religious thought or nor simple backgrounds for religious practice, church buildings are, in Kilde's view, dynamic participants in religious change and goldmines of information on Christianity itself.
"A respected scholar of theology and culture, William Dyrness here explores Christian worship in terms of its past, present, and future. He shows where the church has been, theologically and historically speaking, and how that shapes - and needs to shape -where the church will go. Through accessible language, clear examples, and thoughtful questions for reflection and discussion, Dyrness makes an essential conversation about worship available to a wide audience of pastors, worship leaders, and church members." --Book Jacket.
Worship sets an assembly in motion movement towards God in response to God's movement towards humans thus creating a resilient and caring community. Worship as Body Language brings the African community's experience of the body and its gestures together with the Christian liturgy, since worship and social action are closely related. The body language" or gestures of praise, adoration, contemplation, ritual dance, and care of the neighbor are meaningful to the ethnic group; African Christians tune into these body motions to express the one Christian faith. In Worship as Body Language, Father Uzukwu details how patterns of African ritual assemblies and sacred narratives have merged with Jewish, gospel, and early Church traditions to create living Christian communities and liturgies. Using a socio-historical method, this book sheds new light on liturgical action and theology, and suggests more transition rituals. It also provides samples of emergent African Christian liturgies that emphasize intense community participation with appropriate gestures. These local liturgies attest to the patristic principle that different customs actually confirm the unity of our faith in Christ. Scholars teaching and researching the foundations of the liturgy and liturgical inculturation, graduate students, and those organizing workshops on the regional, diocesan, or parish level will find Worship as Body Languagea ready handbook on the liturgy. It is also a useful textbook for introducing college students and seminarians to the anthropological, historical, and theological dimensions of the liturgy. Elochukwu E. Uzukwu, CSSp, ThD, lectures in liturgy and African theology in seminaries and Catholic universities in Nigeria, Congo, Zaire, and France. He is the author of Liturgy: Truly Christian, Truly African,and the editor of Bulletin of Ecumenical Theology. "