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Learn about the history and culture surrounding Chinese embroidery and learn to embroider yourself with this easy-to-follow and beautifully illustrated guide. Embroidery in China is a true art form, one that has been practiced for over 2,000 years. In Chinese Embroidery, you'll discover everything from the history of the art to the different schools in different ages and their styles to knowledge about selection, collection and preservation of embroidered articles. Chinese Embroidery contains over 200 full-color photos of works and step-by-step guides—all of which help to explain and analyze over twenty kinds of needlework and teach comprehensive application of these basic skills. When you reach the end of this book, you'll have learned about twenty different embroidered pieces for daily use and display purposes. Learn about the pattern-oriented art and traditional culture of China at the same time as you master the embroidery craftsmanship unique to China. Stimulate your imagination and creativity as you experience the joy of embroidery with Chinese Embroidery.
An excellent introduction to the study of Chinese textiles, this volume was originally written as a handbook to accompany a special exhibit of Chinese court robes and accessories presented by the Museum in December, 1931. In addition to providing an historical background information essential to understanding these beautiful objects, specific examples from the Met's collection are discussed in detail.
Collaboration between the Suzhou Embroidery Research Institute and Robert Glenn Ketchum. Photographs by Ketchum were recreated as pieces of embroidery by SERI.
Braid embroidery is just one of the many wonderful textile traditions found in China. This book is intended as a snapshot of the technique, providing insights into its history and development. It considers materials and equipment, ranging from the made-for-purpose to household alternatives.
This glorious book is filled to the brim with a wide ranging history of textiles and 350 superb illustrations drawn from many countries and sources vestments and costume, samplers and pictures, great beds and furniture. The story of embroidery and needlework is discussed within the fascinating context of the history of fabrics, of decorative costume, of interior decoration, of church and state ceremonial, of girl's education, of furniture and pastimes. Silk, cotton, linen, and the significance of colours and dyes are also considered. Two interesting chapters reveal the world-wide fascination in an influence of Chinese embroidery and Indian textiles. With a broad account of the artistic achievements of every facet of decorative needlework the book is rich with the art-historical background encompassing the most magnificent of all embroidery, the mediaeval English vestments so coveted by Popes and Bishops across Europe, to the domestic treasures created in more recent centuries. Baroque, Rococo, neo-classical and other period characteristics are each discussed with reference to works created by children, young girls, and ladies who made furniture coverings destined for posterity. The nineteenth century saw extremes of art and fashion ranging from Berlin woolwork to Art Needlework and the eclectic inspiration represented by William Morris, all leading to simpler modernist styles which evolved over the twentieth century. The author sets in political and social context the whole panoply of textiles distinguishing between the magnificent products of professional workshops and the uniquely individual and especially charming amateur embroideries that survive today amongst the most beautiful treasures of the decorative arts. Mr Synge's text is authoritative but examines with infectious enthusiasm this field which has never been sufficiently understood but now interests more people than ever before. It will appeal to all who admire beautiful things, fine workmanship, good design and lovely fabrics. 320 colour & 30 b/w illustrations
Chinese folk arts originate in the rural areas of China's vast territory. As forms of communal art, folk arts are evident in everyday food, clothing and shelter, in traditional festivals, ceremonies and rituals, and in beliefs and taboos. As a living example of cultural heritage, folk art demonstrates the continuity of Chinese culture from ancient to modern times, a culture with distinctive national and regional characteristics and a history of some 8,000 years. Chinese Folk Arts provides an illustrated introduction to the history and development of this colourful part of China's unique artistic culture.
Deep in the fir woods of southwestern China, in a village called Dimen, live several women who are masters of many cultural arts. Following the centuries-old lifestyle of their ancestors, they are the living repositories of their civilization. They carry the unwritten history and wisdom of the Kam people in their songs, weave cloth that is smooth and strong, and dye fabric to the richest indigo blue. They devote every free moment to embroidering sleeves, hems, hats, and purses in the bright colors of the natural setting that surrounds the village. Through everyday activities, lessons in craft, folk stories and songs, the women weave a patchwork of Kam culture and reveal its hidden treasures in fibers, textiles, papermaking as well as ethnography, anthropology, and Sinology. This book presents an opportunity to learn from the past long lost in Western tradition, explore contemporary rural life in China, and experience ancient culture metamorphosing under the pressure of technology.
Most analyses of gender in High Qing times have focused on literature and on the writings of the elite; this book broadens the scope of inquiry to include women's work in the farm household, courtesan entertainment, and women's participation in ritual observances and religion. In dealing with literature, it shows how women's poetry can serve the historian as well as the literary critic, drawing on one of the first anthologies of women's writing compiled by a woman to examine not only literary sensibilities and intimate emotions, but also political judgments, moral values, and social relations.
Learn to create stunning needlecraft projects inspired by traditional fairy tales, including The Wizard of Oz, Karolcia, The Wild Swans, and Cinderella. This magical collection takes as its central theme a magnificent embroidery depicting the “Tree of Happiness.” Each part of the embroidery is then explored in detail through stitch diagrams, explanations of the threads used, and alternative ways of working. There are seven wonderful designs in total, each dedicated to one of Tatiana’s favorite fairy tales, and all illustrated with gorgeous photographs and informative diagrams. Over 90 stitches are described in the book, all worked using stranded cotton and cotton pearl thread rather than traditional crewel wool, which gives the embroideries a fresh, modern appeal. Whether you are new to embroidery or an experienced embroiderer looking for inspiration and expert guidance, Tatiana’s beautiful book is one you will turn to again and again. “Tatiana Popova is a major craftswoman in her art, and what she does is beautiful. She not only demonstrates the techniques of crewel, she simplifies and breakdown each design into small achievable parts.” —Postcard Reviews