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Tony Conrad (1940-2016) was a pioneering American avant-garde video artist, experimental filmmaker, musician, composer, sound artist, teacher, and writer.Throughout his six-decade career he forged a unique path through numerous artistic movements and defined a vast range of culture, including rock music and public access television.In music, Conrad was an early member of the Theatre of Eternal Music (The Dream Syndicate), which included John Cale and La Monte Young. In the early 1960s he was also influential in the origins of the iconic band, The Velvet Underground. In film, Conrad was associated with the Structuralist movement which included filmmakers such as Paul Sharits and Hollis Frampton.This richly illustrated catalogue offers an in-depth introduction to Conrad's life and career: presenting his early Structuralist films projects in which he treated film as a sculptural and performative material; his Invented Acoustical Tools which presented as sculptures themselves; the ambitious films about power relations, set in the military and in prison; and his final sculptures and installations, which evoke and critique what he perceived as an emerging culture of surveillance, control, and containment.This book also includes Conrad's own writings writings from 1966 to 2016, as well as texts by curators, theorists and notable artists such as Tony Oursler, Christopher Müller, and Christopher Williams.Accompanying the exhibition, Introducing Tony Conrad: A Retrospective at Albright-Knox Art Gallery, Buffalo, New York (2018), MIT List Visual Arts Center and Carpenter Center for Visual Arts, Harvard University (2018/2019), and ICA, University of Pennsylvania (2019).
Examining Tony Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Tony Conrad has significantly influenced cultural developments from minimalism to underground film, "concept art," postmodern appropriation, and the most sophisticated rock and roll. Creator of the "structural" film, The Flicker, collaborator on Jack Smith's Flaming Creatures and Normal Love, follower of Henry Flynt's radical anti-art, member of the Theatre of Eternal Music and the first incarnation of The Velvet Underground, and early associate of Mike Kelley, Tony Oursler, and Cindy Sherman, Conrad has eluded canonic histories. Yet Beyond the Dream Syndicate does not claim Conrad as a major but under-recognized figure. Neither monograph nor social history, the book takes Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Such an approach simultaneously illuminates and estranges current understandings of the period, redrawing the map across medium and stylistic boundaries to reveal a constitutive hybridization at the base of the decade's artistic development. This exploration of Conrad and his milieu goes beyond the presentation of a relatively overlooked oeuvre to chart multiple, contestatory regimes of power simultaneously in play during the pivotal moment of the 1960s. From the sovereign authority invoked by Young's music, to the "paranoiac" politics of Flynt, to the immanent control modeled by Conrad's films, each avant-garde project examined reveals an investment within a particular structure of power and resistance, providing a glimpse into the diversity of the artistic and political stakes that continue to define our time.
Edited by Christopher Muller, Jay Sanders. Text by Diedrich Diederichsen, Tony Conrad.
Conversations with the avant-garde's leading lights--from Suicide to Anohni--by experimental music's go-to interviewer, guitarist and sound artist Alan Licht A precocious chronicler of New York's art and music scenes of the last 30 years, Alan Licht's (born 1968) experience as a consummate experimental guitarist and conceptual sound artist--combined with his dry wit and deep erudition--have distinguished him as the go-to interviewer of the avant-garde. Having already published articles on minimalist composers La Monte Young, Tony Conrad, Rhys Chatham and Charlemagne Palestine by the time he graduated from Vassar College, in 1998 Licht began writing frequently and conducting regular interviews for the British experimental music magazine The Wire. Common Tonescollects a selection of those interviews, as well as dialogues from Bombmagazine, transcriptions of conversations that took place at Red Bull Music Academy and the legendary experimental venue Tonic, and interviews conducted expressly for this book. Musicians, artists, writers and filmmakers interviewed by Licht include Vito Acconci, Anohni, Cory Arcangel, Matthew Barney, Glenn Branca, Rhys Chatham, Tony Conrad, Richard Foreman, Henry Flynt, Milford Graves, Georgia Hubley and Ira Kaplan of Yo La Tengo, Ken Jacobs, Jutta Koether, Christian Marclay, Phill Niblock, Tony Oursler, Karl Precode of The Dream Syndicate, Lou Reed, Martin Rev and Alan Vega of Suicide, The Sea and Cake, Tom Verlaine, Wolf Eyes and Rudy Wurlitzer.
The traditionally separate Fixed, Mobile, and Internet sectors have been evolving recently toward a single sector, offering numerous implications for those involved in technology and business. It is therefore essential for telecommunication professionals to get a keen grasp of where the industry is heading. Providing a solid foundation in the industry, Introduction to Mobile Communications: Technology, Services, Markets explores the core requirements of modern mobile telecommunications-from markets to technology. It explains how wireless systems work, how mobility is supported, the underlying infrastructure, and what interactions are needed among the different functional components. The book also examines how mobile communications are evolving in order to meet the changing needs of users. The information provided in the book comes primarily from the four core modules of the Certificate in Mobile Communications Distance Learning program run by the Informa Telecoms Academy in London. Designed by a highly experienced training development team, the program examines the complex and fascinating world of mobile communications. Designed to give a broad picture of mobile communications, the book provides an excellent grounding for those involved in both business and engineering-leaving them much better equipped to fulfill roles within their current or prospective companies
Welcome to the series of original mysteries starring Adrian Monk, the brilliant investigator who always knows when something’s out of place.... Natalie is taking a break from studying for her PI license—the last step to becoming Monk’s full partner. She sneaks off to Half Moon Bay for a retreat run by Miranda Bigley, leader of the Best Possible Me self-help program, but her plans for a relaxing weekend are disrupted when Monk tracks her down to rescue her from the “cult.” Their argument is cut short when Miranda, in full view of everyone, calmly walks to the edge of a cliff and jumps. Even though Miranda’s death looks like suicide, Natalie is sure it's murder. But Monk brushes her off to help the SFPD solve the murder of a clown, despite his coulrophobia, aka fear of clowns. As Monk and Natalie begin their independent investigations, they quickly learn that if they want to figure out whodunit, they will have to find a way to become true partners.... An all-new story starring Adrian Monk by Edgar® Award–nominated Monk screenwriter and coexecutive producer Hy Conrad. It’s compulsive, page-turning fun.
In an increasingly diverse United States, minority and low-income students of all ages struggle to fit into mainstream colleges and universities that cater predominantly to middle-income and affluent white students fresh out of high school. Anchored in a study conducted at twelve minority-serving institutions (MSIs), Educating a Diverse Nation turns a spotlight on the challenges facing nontraditional college students and highlights innovative programs and practices that are advancing students’ persistence and learning. Clifton Conrad and Marybeth Gasman offer an on-the-ground perspective of life at MSIs. Speaking for themselves, some students describe the stress of balancing tuition with the need to support families. Others express their concerns about not being adequately prepared for college-level work. And more than a few reveal doubts about the relevance of college for their future. The authors visited the four main types of MSIs—historically black colleges and universities, tribal colleges and universities, Hispanic-serving institutions, and Asian American and Native American Pacific Islander–serving institutions—to identify strategies for empowering nontraditional students to succeed in college despite these obstacles. Educating a Diverse Nation illuminates such initiatives as collaborative learning, culturally relevant educational programs, blurring the roles of faculty, staff, and students, peer-led team learning, and real-world problem solving. It shows how these innovations engage students and foster the knowledge, skills, and habits they need to become self-sustaining in college and beyond, as well as valuable contributors to society.
Welcome to the series of original mysteries starring Adrian Monk, the brilliant investigator who always knows when something’s out of place.... Of all the things that make Adrian Monk uneasy, change ranks high on the list. So when Natalie completes her P.I. license—and technically becomes Monk’s boss—it’s not easy for him to accept. Nor can he accept Natalie attending a business seminar at sea without him, even if it means spending a week with her on a cruise ship. Between choppy waters and obnoxious kids, Monk finds himself in a perfect storm of anxiety. Luckily, Mariah, the cruise director, is always able to smooth things over…until the crew fishes her dead body out of the water. Even after the ship’s doctor declares Mariah’s death an accident, Monk isn’t convinced. So when the captain hires Monk and Natalie to look into a mysterious rash of vandalism on board, Monk steers the investigation toward murder.…
Following the success of A Brief History of Curating this publication gathers together interviews with pioneering musicians of the 1950s to the 1980s.The book brings together avant-garde composers such as Elliot Carter, Pierre Boulez, and Karlheinz Stockhausen; originators of electro-acoustic music such as François Bayle, Pauline Oliveros, Iannis Xenakis, and Peter Zinovieff; Minimalist and Fluxus-inspired artists such as Tony Conrad, Henry Flynt, Phil Niblock, Yoko Ono, Steve Reich, and Terry Riley; as well figures such as Brian Eno, Kraftwerk, Arto Lindsay, and Gaetano Veloso.Their contributions map the evolution of the musical field, from early experiments in concrete and abstract music, to the electronic development and the hybridisation between Pop and avant-garde culture.This book is part of the Documents series, co-published with Les presses du réel and dedicated to critical writings.