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Studies In Classic American Literature Is Valuable Not Only For The Light It Sheds On Eighteenth And Nineteenth Century American Consciousness, Telling 'The Truth Of The Day', But Also As A Prime Example Of Lawrence'S Learning, Passion And Integrity Of Judgement.To Cite Herbert J. Seligmann, 'Studies In Classic American Literature Alone Is A Foundation For A New American Critical Literature. Lawrence Fertilizes With Fire. No Living American Writing In A Critical Sense From Now On Will Be Able To Ignore Him.'Lawrence Asserted That 'The Proper Function Of A Critic Is To Save The Tale From The Artist Who Created It' In These Highly Individual, Penetrating Essays He Has Exposed 'The American Whole Soul' Within Some Of That Continent'S Major Works Of Literature. In Seeking To Establish The Status Of Writings By Such Authors As Poe, Melville, Fenimore Cooper And Whitman, Lawrence Himself Has Created A Classic Work.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Landmark volume of D. H. Lawrence's writings on American literature including major essays on Poe, Hawthorne, Melville and Whitman.
This book contains thirteen original essays about Puritan culture in colonial New England. Prompted by the growing interest in secular studies, as well as postnational, transnational, and postcolonial critique in the humanities, American Literature and the New Puritan Studies seeks to represent and advance contemporary interest in a field long recognized, however problematically, as foundational to the study of American literature. It invites readers of American literature and culture to reconsider the role of seventeenth-century Puritanism in the creation of the United States of America and its consequent cultural and literary histories. It also records the significant transformation in the field of Puritan studies that has taken place in the last quarter century. In addition to re-reading well known texts of seventeenth-century Puritan New England, the volume contains essays focused on unknown or lesser studied events and texts, as well as new scholarship on post-Puritan archives, monuments, and historiography.
For more than a decade, Americanists have been concerned with the problem of ideology, and have undertaken a broad reassessment of American literature and culture. This volume brings together some of the best work in this area.
Although American literature is a standard subject in the American college curriculum, a century ago few people thought it should be taught there. Elizabeth Renker uncovers the complex historical process through which American literature overcame its image of aesthetic and historical inferiority to become an important field for academic study and research. Renker's extensive original archival research focuses on four institutions of higher education serving distinct regional, class, race and gender populations. She argues that American literature's inferior image arose from its affiliation with non-elite schools, teachers and students, and that it had to overcome this social identity in order to achieve status as serious knowledge. Renker's revisionary analysis is an important contribution to the intellectual history of the United States and will be of interest to anyone studying, teaching or researching American literature.
This book considers the fascination with the free market and the economic world evident within postwar literature.
This text rethinks American literary history by focusing on the non-human, environmental agents that have shaped its development.
The voice of the nation rings out loud and clear in this unique anthology of great American poetry. Editors Oscar Williams and Edwin Honig concentrate on the work of 20 major American poets. They include sizable selections from the poetry of: • Wallace Stevens • Ralph Waldo Emerson • William Carlos Williams • Henry Wadsworth • Ezra Pound • Walt Whitman • Edgar Allen Poe • Emily Dickinson • Edna St. Vincent Millay • Stephen Crane • e. e. cummings • Robert Frost • Hart Crane • W. H. Auden • And more...