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This book charts the effects of new communication technologies and the Internet on the creation of music in the early 21st century. It examines how the music industry will be altered by the Internet, music online services and MP3-technology. This is done through an integrated model based on an international history of the industry since the phonograph’s invention in 1877, and thus, the history of the music industry is described in full detail for the first time.
North Carolina harbors an incredible diversity of habitats that provide food and shelter for more than 440 bird species throughout the year, making the state a destination for birders and nature lovers. The North Carolina Birding Trail is a driving trail linking birders and tourists with great birding sites across the state and the local communities in which they are found. The third of three regional guides, the Mountain Trail Guide presents 105 premier birding destinations in the North Carolina mountains, from the Tennessee border in the west to Interstate 77 in the east. The spiral-bound volume features maps, detailed site descriptions, and color photographs throughout. Each site description includes directions as well as information on access, focal species and habitats, and on-site visitor amenities. Special "while you're in the area" listings accompany each of eighteen site groupings, so visitors can travel to a cluster of birding destinations and enjoy other local highlights and attractions along the way.
The first major study of slavery in the maritime South, The Waterman's Song chronicles the world of slave and free black fishermen, pilots, rivermen, sailors, ferrymen, and other laborers who, from the colonial era through Reconstruction, plied the vast inland waters of North Carolina from the Outer Banks to the upper reaches of tidewater rivers. Demonstrating the vitality and significance of this local African American maritime culture, David Cecelski also reveals its connections to the Afro-Caribbean, the relatively egalitarian work culture of seafaring men who visited nearby ports, and the revolutionary political tides that coursed throughout the black Atlantic. Black maritime laborers played an essential role in local abolitionist activity, slave insurrections, and other antislavery activism. They also boatlifted thousands of slaves to freedom during the Civil War. But most important, Cecelski says, they carried an insurgent, democratic vision born in the maritime districts of the slave South into the political maelstrom of the Civil War and Reconstruction.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
"It is the contention of the author that the major events of the past, the wars, the depressions and the revolutions, have been planned years in advance by an international conspiracy."--Page 4 of cover
Environmental Remediation Cost Data -- Unit Price provides you with the detailed line items, component costs, forms, instructions, and guidelines needed to prepare or verify cost estimates for almost any type of environmental remediation project, ranging from simple underground storage tank removals to complex hazardous waste sites. Line item costs include crew, hourly output, adjustment factors, labor cost, equipment cost, and material cost organized in a work breakdown structure designed for environmental remediation work.The 2002 edition features: -- Detailed assembly unit costs covering a wide range of environmental remediation technologies, including ordnance and explosive waste removal, biological, chemical, physical and thermal treatments with supporting monitoring, sampling, testing, analysis, collection, control and containment data. -- Added new asbestos and lead paint removal assemblies. -- Expanded cost data for biological and passive treatment methods -- the fastest growing remediation approach.