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Penetrating the meaning and the mystery of Jim Morrison and The Doors
a keeper of things forgotten, a vase / for pictures made by words, a riverbed / for the stories you tell, an earthen silhouette / of a child With vivid imagery and endless compassion for her subjects, Tanya Standish McIntyre’s words breathe life. Her richly lyrical phrases capture both the fear and the beauty of growing up in a rural working-class community, anchored by the magical bond between a young girl and her grandfather. Way’s Mills, Quebec, is the setting for these poems, although as with Mark Twain’s Mississippi, physical place becomes a place in the heart in this elegy for lost ancestral farms. Standish McIntyre gives voice to the unspoken, shining a light into the dark corners of our collective memory to reveal an indelible past that gleams with clarity, empathy, and humanity. Taking seed in the dilapidated barns and warm sunlit rooms of Standish McIntyre’s personal history, these poems weave a filigree of well-worn remembrances and time-honoured treaties of the self, half forgotten yet ever lingering. Lucid, sharp, and crisp as spring water, this collection holds a sweeping narrative power that will stay with you long after the last line.
A dramatic coming-of-age story about a girl grappling with issues such as domestic abuse, sexism, and the disconnect between modern youth and traditional parents. Debut novel for readers of Butter Honey Pig Bread and The Son of the House. Commercial women's fiction from Nigeria, originally published in 2021 by Penguin South Africa.
A popular subject in sociology and cultural studies, divorce has until recently been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, Love American Style traces the treatment of divorce in the American novel. This book draws upon popular, sociological, political and architectural history to illustrate how divorce reflects conflicting ideologies and notions of American identity. Focusing primarily on work by William Dean Howells, Edith Wharton, Mary McCarthy and John Updike, Kimberly Freeman delineates a system of tropes particular to divorce in American novels, such as the association of divorce with the West and modernity, the dismantling of the home, and the disruption of the boundary between the public and the private. These tropes suggest a literary tradition of love, marriage and divorce that is central to twentieth century American fiction. Offering an explanation for both the treatment of divorce in the American novel as well as its predominance in American culture, this book should appeal to scholars of American literature and popular culture, or anyone interested in how divorce has become so 'American'.
This is England in the late 50's, and Penny is in her last year at school. She works hard, her teachers like her, and they have hopes she will go to Cambridge. However, no one in her family has been to university before and her father thinks it will only give her unrealistic fantasies. He needn't have worried: Penny is not destined to go to Cambridge. She makes the mistake of falling in love. At first she thinks she and Richard can go together. That won't happen either. Every step of her way Penny is fighting to stay on course, and at every step her gentle nature suffers shattering blows. Love almost costs her her sanity. Throughout this book which opens up the world of the late fifties and early sixties, we see how society is changing, how the old certainties are giving way, and we see the sacrifices Penny makes to achieve her dream. 'Penny Black' is the second part of 'The Brighton Trilogy'.