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* Finalist for the National Book Award for Translated Literature * An engrossing, incantatory novel about the legacy of historical crimes by the author of Space Invaders It is 1984 in Chile, in the middle of the Pinochet dictatorship. A member of the secret police walks into the office of a dissident magazine and finds a reporter, who records his testimony. The narrator of Nona Fernández’s mesmerizing and terrifying novel The Twilight Zone is a child when she first sees this man’s face on the magazine’s cover with the words “I Tortured People.” His complicity in the worst crimes of the regime and his commitment to speaking about them haunt the narrator into her adulthood and career as a writer and documentarian. Like a secret service agent from the future, through extraordinary feats of the imagination, Fernández follows the “man who tortured people” to places that archives can’t reach, into the sinister twilight zone of history where morning routines, a game of chess, Yuri Gagarin, and the eponymous TV show of the novel’s title coexist with the brutal yet commonplace machinations of the regime. How do crimes vanish in plain sight? How does one resist a repressive regime? And who gets to shape the truths we live by and take for granted? The Twilight Zone pulls us into the dark portals of the past, reminding us that the work of the writer in the face of historical erasure is to imagine so deeply that these absences can be, for a time, spectacularly illuminated.
Can you live your life by what The Twilight Zone has to teach you? Yes, and maybe you should. The proof is in this lighthearted collection of life lessons, ground rules, inspirational thoughts, and stirring reminders found in Rod Serling’s timeless fantasy series. Written by veteran TV critic, Mark Dawidziak, this unauthorized tribute is a celebration of the classic anthology show, but also, on another level, a kind of fifth-dimension self-help book, with each lesson supported by the morality tales told by Serling and his writers. The notion that “it’s never too late to reinvent yourself” soars through “The Last Flight,’’ in which a World War I flier who goes forward in time and gets the chance to trade cowardice for heroism. A visit from an angel blares out the wisdom of “follow your passion” in “A Passage for Trumpet.” The meaning of “divided we fall” is driven home with dramatic results when neighbors suspect neighbors of being invading aliens in “The Monsters Are Due on Maple Street.” The old maxim about never judging a book by its cover is given a tasty twist when an alien tome is translated in “To Serve Man.”
While 97 percent of all American cities are smaller than 50,000 and millions of Americans experience civic life in these communities, what we know about their politics and governance is limited, particularly how local board systems operate, who the board members are, what motivates them to serve, and what they think about their experiences. Drawing on a unique and extensive set of survey data from board members, mayors, and city councilors in sixty cities across six states, Government in the Twilight Zone significantly expands our knowledge of small city boards and politics. By embedding the empirical research in the historical trajectory of small towns, John R. Baker provides a rich narrative that discusses the role of entities such as planning commissions, parks and recreation boards, and zoning appeals boards. He also clarifies how board and commission members are recruited in small cities, explains how these organizations work to make the decisions required of them, and reveals what they and their city councilors and mayors think about their importance and effectiveness.
Into The Twilight Zone: The Rod Serling Programme Guide includes complete episode guides with cast, credits and story summaries of the original Twilight Zone series, as well as its many film and television revivals, and Rod Serling's Night Gallery. The book features an overview and filmography of Serling's life and career, and interviews with many of his colleagues, including Buck Houghton, Richard Matheson, Frank Marshall, Joe Dante, Phil DeGuere, Wes Craven, Alan Brennert, Paul Chitlik and Jeremy Bertrand Finch. It also includes indices of actors and creative personnel. "The best TV programme guide I have seen." --Ty Power, Dreamwatch "The perfect complement to The Twilight Zone Companion." --David McDonnell, Starlog
A visually stunning backstage glimpse through time and space into the history and making of Rod Serling's The Twilight Zone. This is an invitation to explore a portion of the show's archives: over 300 original behind-the-scenes production stills taken during filming, accompanied by insightful captions, rare documents and interviews with 40 producers, directors, writers and actors who worked on the series including Bill Murray and Earl Hammer, Jr. With a foreword by Neil Gaiman.
Under the skillful editorship of Rod Serling's widow, this anthology offers a wonderful array of new ventures into the unexplored territory of the imagination. Alan Dean Foster, Elizabeth Ann Scarborough, William Nolan, Henry Slesar, and other top fantasy and horror authors present striking stories featuring those special Twilight Zone endings. Includes Rod Serling's classic tale "Suggestion".
Once again, the spine tingling sensibility of America's favorite fantasy tv show electrifies a collection of tales guaranteed to leave readers with that strange feeling of having been to a distant, but familiar place, a place like our world, but strangely, subtly different. Edited by Rod Serling's wife Carol Serling, this collection is the newest in a series begun with "The Twilight Zone: The Original Stories--" a series of story anthologies dedicated to capturing the unique Zone atmosphere on the printed page, which in many cases is where it began. "Return to the Twilight Zone" includes 19 stories by a wide range of today's best mystery, sci-fi and fantasy authors. Carol Serling has called on many of today's hottest writers--including Pamela Sargent, Robert Weinberg, Barry Longyear, Charles Grant, and Jack Dann--to create the kind of imagination-grabbing stories with that unique twist which is the special trademark of "The Twilight Zone." Here, for your careful consideration, are unforgettable new excursions into that mysterious dimension beyond our own.
The Twilight Zone explores the possibilities inhering in the ordinary. A Twilight Zone episode can move us by being poignant and intimate, rambunctious or thought provoking. It can also be orchestrated as a set of intertwined plot developments or as a serial progression. But regardless of whether it takes place on an asteroid, in a city pool room, or in the backwoods, it will usually convey both a folklorist's eye for detail and the born raconteur's sense of pace. Rod Serling, the show's founder, main scriptwriter, and artistic director, knew how much burden he could place on his rhetorical and dramatic gifts. Deservedly celebrated as a pioneer in TV science fiction, he also writes about history and loyalty, the grip of everyday reality, and the dangers of both forgetting about one's ghosts and giving them the upper hand.
Longlisted for the National Book Award for Translated Literature A dreamlike evocation of a generation that grew up in the shadow of a dictatorship in 1980s Chile Space Invaders is the story of a group of childhood friends who, in adulthood, are preoccupied by uneasy memories and visions of their classmate Estrella González Jepsen. In their dreams, they catch glimpses of Estrella’s braids, hear echoes of her voice, and read old letters that eventually, mysteriously, stopped arriving. They recall regimented school assemblies, nationalistic class performances, and a trip to the beach. Soon it becomes clear that Estrella’s father was a ranking government officer implicated in the violent crimes of the Pinochet regime, and the question of what became of her after she left school haunts her erstwhile friends. Growing up, these friends—from her pen pal, Maldonado, to her crush, Riquelme—were old enough to sense the danger and tension that surrounded them, but were powerless in the face of it. They could control only the stories they told one another and the “ghostly green bullets” they fired in the video game they played obsessively. One of the leading Latin American writers of her generation, Nona Fernández effortlessly builds a choral and constantly shifting image of young life in the waning years of the dictatorship. In her short but intricately layered novel, she summons the collective memory of a generation, rescuing felt truth from the oblivion of official history.