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One of the most impressive of all Victorian scientists but also a marvellous writer, Bates' (1825-1892) account of his years in the upper reaches of the Amazon is almost too good to be true - a great monument to human inquisitiveness as he battles great hoards of malevolent reptiles and insects in his quest for ever more obscure specimens on ever more narrow and creeper-choked tributaries. Great Journeys allows readers to travel both around the planet and back through the centuries – but also back into ideas and worlds frightening, ruthless and cruel in different ways from our own. Few reading experiences can begin to match that of engaging with writers who saw astounding things: Great civilisations, walls of ice, violent and implacable jungles, deserts and mountains, multitudes of birds and flowers new to science. Reading these books is to see the world afresh, to rediscover a time when many cultures were quite strange to each other, where legends and stories were treated as facts and in which so much was still to be discovered.
A provocative travel narrative about one of the world's few matriarchal societies
By turns fascinating, funny, and horrifying, this is Nick Gordon’s account of more thannbsp;10 years spent in the Amazonian forests as a wildlife filmmaker, snorting ground-up seeds with the local shaman, building an artificial tarantula habitat to film the furry monsters mating,nbsp;and killing and eating a two-foot snake.
The real history of the Amazons in war and love Amazons—fierce warrior women dwelling on the fringes of the known world—were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons. But just who were these bold barbarian archers on horseback who gloried in fighting, hunting, and sexual freedom? Were Amazons real? In this deeply researched, wide-ranging, and lavishly illustrated book, National Book Award finalist Adrienne Mayor presents the Amazons as they have never been seen before. This is the first comprehensive account of warrior women in myth and history across the ancient world, from the Mediterranean Sea to the Great Wall of China. Mayor tells how amazing new archaeological discoveries of battle-scarred female skeletons buried with their weapons prove that women warriors were not merely figments of the Greek imagination. Combining classical myth and art, nomad traditions, and scientific archaeology, she reveals intimate, surprising details and original insights about the lives and legends of the women known as Amazons. Provocatively arguing that a timeless search for a balance between the sexes explains the allure of the Amazons, Mayor reminds us that there were as many Amazon love stories as there were war stories. The Greeks were not the only people enchanted by Amazons—Mayor shows that warlike women of nomadic cultures inspired exciting tales in ancient Egypt, Persia, India, Central Asia, and China. Driven by a detective's curiosity, Mayor unearths long-buried evidence and sifts fact from fiction to show how flesh-and-blood women of the Eurasian steppes were mythologized as Amazons, the equals of men. The result is likely to become a classic.
Tricia Jenkins and Tom Secker deliver a highly original exploration of how the government-entertainment complex has influenced the world’s most popular movie genre—superhero films. Superheroes, Movies, and the State sets a new standard for exploring the government-Hollywood relationship as it persuasively documents the critical role different government agencies have played in shaping characters, stories, and even the ideas behind the hottest entertainment products. Jenkins and Secker cover a wide range of US government and quasi-governmental agencies who act to influence the content of superhero movies, including the Department of Defense, the National Academy of Sciences’ Science and Entertainment Exchange and, to a lesser extent, the FBI and the CIA. Superheroes, Movies, and the State deploys a thematic framework to analyze how five of the key themes of our time—militarism, political radicalism and subversion, the exploration of space, the role of science and technology, and representation and identity—manifest in the superhero genre, and the role of the government in molding narratives around these topics. The book includes interviews with both producers and influencer insiders and covers a wide range of superhero products, from 1970s TV shows up to the most recent movie and TV releases, including the first major analysis of the hit Amazon show The Boys. In addition, it is the first deep exploration of NASA’s Hollywood office and the first detailed account of the role of the Science and Entertainment Exchange, which has worked on thousands of products since its creation in 2008 but is little known outside of the industry. Superheroes, Movies, and the State offers an innovative blend of research methods and interpretive frameworks, combining both production histories and deep readings of superhero texts to clearly reveal how the government-entertainment complex works in the world of blockbuster cinema to shape public perceptions of the United States, war, science, and much, much more.
Thalassa, the young and brave princess of the tribe of Lemnos, sees her civilization's future threatened and her world completely shaken by the arrival in her island of Elephthera, an audacious Amazon from Aretias, who seeks help for her tribe and the whole nation of warrior women after a ravaging attack of Sarmatian nomads. With the aid of their fellow sisters, they will embark on a thrilling mythological journey to save their own lives and their entire race. It will take them from Greek waters to Fezzan in the heart of the Sahara desert, and back to Aretias to face a final decisive battle that will define the course of their culture's fate. Theirs will not only be a physical, but also a spiritual quest, through which Thalassa's dark secret, hidden in her mysterious eyes, will be revealed, and an unbreakable bond will be created between these two courageous women.
Victoria, a Canadian teenager adopted from China as a baby, goes through incredible adventures in China and America to discover her mysterious background. Victorias odyssey is interwoven with the amazing story of the first warrior queen of China during the Shang dynasty, circa 1200 BCE. Victoria is also linked to a northeastern barbarian tribe at the beginning of the Han dynasty, circa 200 BCE. These barbarians and their descendants would one day rule China and become a part of China. The famous Mulan was from that barbarian ruled era. Many of the mysteries are encoded in the ancient Chinese Oracle Bone writing. Victoria also learns the origins of the Chinese and other ancient civilizations. They are all related to a mythical paradise planet known as Shangala, which colonized the red giants Betelgeuse of Orion and Antares of Scorpio, the latter also known as the Heart of the Dragon.
WONDER NO MORE—GET ALL THE FACTS ON DC COMICS’ FOREMOST SUPER HEROINE! She’s as beautiful as Aphrodite and as wise as Athena, stronger then Hercules and swifter than Hermes. Blessed at birth by the gods themselves, Princess Diana left an idyllic island paradise ruled by wise and brave women to bring the peace, love, and nobility of the Amazons to the tumultuous world of humankind. In January 1942, Wonder Woman took the world of comics—and its pantheon of superpowered males—by storm. Wielding her impervious silver bracelets and golden Lasso of Truth, she’s battled forces of evil from the Axis powers to a slew of super-villains worldwide, teamed up with the likes of Superman, Batman, Green Lantern, and the Flash, and become a high-flying feminist icon and pop-culture superstar. Now, for the first time in more than thirty years, here’s a definitive A-to-Z volume that draws together all the knowledge about the star-spangled, action-packed history of Wonder Woman. In more than 400 fact-packed pages you’ll find • the complete story of Wonder Woman’s origins, as imagined and reinterpreted by generations of comics writers—including her groundbreaking creator, William Moulton Marston • biographies of every major character in Wonder Woman’s universe, including her mother, Hippolyta; sister, Donna Troy; and mortal ally Steve Trevor—as well as such classic foes as Ares, Cheetah, Hades, and the members of Villainy Inc. • classic black-and-white comic book artwork throughout • two sixteen-page full-color artwork inserts—plus a dazzling original cover illustration by fan-favorite artist Adam Hughes Written by veteran Wonder Woman artist and writer Phil Jimenez and comics historian John Wells, The Essential Wonder Woman Encyclopedia is the ultimate archive, proving that die-hard devotees of the gorgeous go-to goddess don’t have to visit Paradise Island for a taste of heaven on earth. From the Trade Paperback edition.
The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact “Spirit figures” in film (as distinct from but inseparable from Christ-figures), even if sometimes they’re not intended as such, “Spirit-led” characters, are moved to act “prophetically,” against their inclinations and in excess of their skill or knowledge and with eccentric, life-giving creativity; third, it identifies subtle and explicit symbolizations of the Spirit in pop culture, symbolizations that requires deep, careful thinking about the Christian doctrine of the Spirit and generate new horizons for cultural analysis. The contributors of this book explore these issues, asking how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making.
Sarita Neeraj has never felt like a real Amazon. Compared to the obvious strengths of her sisters, her Water powers seem as small as her stature. She’s determined to prove herself—unfortunately, all that gets her is captured by an enemy. Ian serves a twisted goddess, preferring this to an empty afterlife. He’s taken Sarita hostage to coax the other Amazons from their safe haven. But in his ancient Scottish castle, the passion and love Ian finds for Sarita resurrect his honor, until he chafes at the dark will of his mistress. Sarita has finally found happiness—but before she can enjoy it, she’s “rescued” by her furious sisters. To save Ian from destruction at the hands of the Amazons, Sarita must risk wielding magick that could change her very nature. Only then can she prove the Water Amazon is the strongest of the four—and save them all from destruction.