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A widowed matriarch’s well-to-do English family is rocked by her plan to remarry in this “page-turner” from the bestselling author of No Angel (Publishers Weekly). Rescued from the slums as a baby by Celia Lytton and now living in New York, Barty Miller heads more than half of the Lyttons publishing house. But as they fall on bad times in the years after World War II, the family is worried that Barty will make a business decision that would be devastating to them. But will she? As events unfold, long-buried secrets concerning the whole family are revealed—and Celia makes a shocking announcement that she is leaving the company and getting remarried—shaking the very foundations of the Lyttons’ world . . . “Vincenzi writes . . . fast-paced novels with plots and subplots so deftly manipulated that it’s impossible to start reading one and still lead a productive life.” —The Washington Post
Coke adds life. Just do it. Yo quiero Taco Bell. We live in a commercial age, awash in a sea of brand names, logos, and advertising jingles—not to mention commodities themselves. Are shoppers merely the unwitting stooges of the greedy producers who will stop at nothing to sell their wares? Are the producers' powers of persuasion so great that resistance is futile? James Twitchell counters this assumption of the used and abused consumer with a witty and unflinching look at commercial culture, starting from the simple observation that "we are powerfully attracted to the world of goods (after all, we don't call them 'bads')." He contends that far from being forced upon us against our better judgment, "consumerism is our better judgment." Why? Because increasingly, store-bought objects are what hold us together as a society, doing the work of "birth, patina, pews, coats of arms, house, and social rank"—previously done by religion and bloodline. We immediately understand the connotations of status and identity exemplified by the Nike swoosh, the Polo pony, the Guess? label, the DKNY logo. The commodity alone is not what we are after; rather, we actively and creatively want that logo and its signification—the social identity it bestows upon us. As Twitchell summarizes, "Tell me what you buy, and I will tell what you are and who you want to be." Using elements as disparate as the film The Jerk, French theorists, popular bumper stickers, and Money magazine to explore the nature and importance of advertising lingo, packaging, fashion, and "The Meaning of Self," Twitchell overturns one stodgy social myth after another. In the process he reveals the purchase and possession of things to be the self-identifying acts of modern life. Not only does the car you drive tell others who you are, it lets you know as well. The consumption of goods, according to Twitchell, provides us with tangible everyday comforts and with crucial inner security in a seemingly faithless age. That we may find our sense of self through buying material objects is among the chief indictments of contemporary culture. Twitchell, however, sees the significance of shopping. "There are no false needs." We buy more than objects, we buy meaning. For many of us, especially in our youth, Things R Us.
Beckett Pierce is the most eligible bachelor in the nosiest small town in upstate New York. But after his last girlfriend handcuffed herself to his porch and set his welcome mat on fire, he's not looking for any more romance. Even if it lands right in his backyard. And has miles of red hair. Gianna Decker has her hands full--no, overflowing--with problems. With two kids, a useless ex, and a brand new yoga studio, the last thing on her mind is finding a man who'll cause her more problems. Making out with her broody landlord? Yeah, that would be a problem. Lusting after the sexy mayor of the town she just moved to? Definitely a problem. Dating the "favorite" son of her father's new lady friend? It seems like Beckett is a bad idea just waiting to happen. But he's a bad idea she can't seem to resist. As Beckett and Gianna find themselves thrown together again and again, they can't help but fall into the temptation of sizzling stolen kisses, of a desire so hot it brands. And soon they're much, much closer than they ever wanted. Tempers flair when their families complicate things and the interfering citizens of Blue Moon Bend step in with their special brand of chaos. Can Beckett and Gianna manage to disentangle themselves before it's too late? Or is the temptation too much for either of them to deny?
While seminaries, by many accounts, admit an increasing number of homosexuals, women are strictly barred from ministerial roles. The church's time-honored tradition of "avoiding scandal" also backfires. For by the shielding of fallen clerics, Berry shows, the suffering of the abused is often compounded.
Lady Sophia Aberley swore she would never let Julian Rexley in her home or in her sight again. Though years have passed, she has not yet forgotten the humiliation of scandal—having been banished to the country for ‘shameful’ actions. But she cannot abandon a friend in need, even if that friend is Julian’s sister, and now she is back in London . . .
Martin Melody and his disreputable friends are too busy drinking to pay much attention to Ireland declaring itself a republic and withdrawing from the Commonwealth in 1948.
Readers of my earlier book--a memoir--may have been left with mixed feelings about it. Perhaps they felt that there was "something" wrong or missing. Maybe there was nothing redemptive about it or it had no "purpose". Maybe it seemed unfinished or was just "off". It was hard to put your finger on. After publication, I eventually came to realize these things, but never quite knew what the exact problem was. I just knew that it was out-of-balance. In 1999, a book that was written by David's oldest brother was published. I didn't read it until maybe seven years later, but when I did, I was instantly free. The book told in some detail what it was like to be a child in the Ruffin house. Time and place notwithstanding, the fact is that the father was extremely cruel to them. At that point, I was able to see David as a victim himself. Reading the details of those horrific experiences freed me of the anger, resentment and bitterness I had harbored for many years over how David had treated me and even our son. In the place of those feelings came a feeling of understanding; yes, even the gift of compassion. I understood that abuse was all he was ever taught; I was more than willing to give him the benefit of the doubt. I forgave him. After all, how is a boy to learn what it is to be a man if he isn't taught by his father's Godly example? Thus, I was led to rewrite my memoir by giving my "testimony" of coming to Jesus in 2004 and by allowing people to know about David's childhood. I was also given other corrections, and title and cover. Now it all makes perfect sense!
Sophie Dempsey wants to help her sister film a video and then get out of Temptation, Ohio. Mayor Phin Tucker wants to play pool with the police chief and keep things peaceful. But when Sophie and Phin meet, they both get more than they want. Gossip, blackmail, adultery, murder, vehicular abuse of a corpse, and slightly perverse but excellent sex: all hell breaks loose in Temptation as Sophie and Phin fall deeper and deeper in trouble... and in love.
A Dickensian coming-of-age tale about poverty, sex, World War I, and the darker side of human nature as seen through the eyes of a lobby boy in a Budapest hotel. Temptation is a rediscovered masterwork of twentieth-century fiction, a Dickensian tale of a young man coming of age in Budapest between the wars. Illegitimate and unwanted, Béla is packed off to the country to be looked after by a peasant woman the moment he is born. She starves and bullies him, and keeps him out of school. He does his best to hold his own, and eventually his mother brings him back to live with her in the city. In thrall to his feckless father, Mishka, and living in a crowded tenement, she works her fingers to the bone, while Béla shares a room with a hardworking prostitute. Finally, Béla secures a job in a fancy hotel. Though exhausted by endless work, he is fascinated by the upper-crust world that his new job exposes him to; soon he is embroiled with a rich, damaged, and dangerous woman. The atmosphere of Budapest is increasingly poisoned by the appeal of fascism, while Béla grows ever more aware of how power and money keep down the working classes. In the end, with all the odds still against him, he musters the resolve to set sail for new future.
Although temptation is a common and well-acknowledged part of the human experience, few realize the truth behind temptation and fewer still know how to defeat it. Tempted and Tried will not reassure Christians by claiming that temptation is less powerful or less prevalent than it is; instead, it will prepare believers for battle by telling the truth about the cosmic war that is raging. Moore shows that the temptation of every Christian is part of a broader conspiracy against God, a conspiracy that confronts everyone who shares the flesh of Jesus through human birth and especially confronts those who share the Spirit of Christ through the new birth of redemption. Moore walks readers through the Devil's ancient strategies for temptation revealed in Jesus' wilderness testing. Moore considers how those strategies might appear in a contemporary context and points readers to a way of escape. Tempted and Tried will remind Christians that temptation must be understood in terms of warfare, encouraging them with the truth that victory has already been secured through the triumph of Christ.