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In this book Andrew Sullivan examines Oakeshott's transition from his original emphasis on philosophy as providing what was ultimately satisfactory in experience to his later emphasis on practical life. This satisfaction is best achieved by a fusion of the modes of poetry and practice, leading the author to examine Oakeshott's view of religious life as the consummation of practice in its most poetic incarnation. The book also examines how the conception of practice is applied in Oakeshott's political writings, focusing on the notion of civil association.
In this book Andrew Sullivan examines Oakeshott's transition from his original emphasis on philosophy as providing what was ultimately satisfactory in experience to his later emphasis on practical life. This satisfaction is best achieved by a fusion of the modes of poetry and practice, leading the author to examine Oakeshott's view of religious life as the consummation of practice in its most poetic incarnation. The book also examines how the conception of practice is applied in Oakeshott's political writings, focusing on the notion of civil association.
A systematic and accessible presentation of the ideas of one of the leading British philosophers of the twentieth century.
This is the first book-length study to provide a structured interpretation of the significance of Michael Oakeshott's critique of the Enlightenment. By seeing the thinker as a 'sceptical idealist' posing a serious challenge to the intellectual positions informed by the Enlightenment, this book attempts to resolve some of the issues debated by Oakeshott scholars. The author argues that Oakeshott's famous critique of philosophisme and Rationalism in fact expresses a sense of the crisis of philosophical modernity. Moreover, notwithstanding some recent interpretations, throughout his intellectual career Oakeshott has never altered his analysis of these two themes: philosophy as the persistent re-establishment of completeness by transcending abstractness, and the modes of experience as self-consistent worlds of discourse. To apply this philosophy in his moral and political writings, Oakeshott has redressed an imbalance in favour of the Enlightenment ethical position -- 'the sovereignty of technique', 'demonstrative moral truth', 'the politics of faith' and 'enterprise association' -- by revitalising the importance of 'traditional knowledge', 'conversation', 'intimation', 'the politics of scepticism' and 'civil association'. Oakeshott is neither a doctrinal liberal nor a dogmatic conservative, but a philosophical sceptic. Moreover, Oakeshott's contribution to history not only lies in his effort to transcend the Enlightenment historiographical position -- by separating the historical from the naturalised conception of History on which so-called 'scientific history' rests -- but also in his idealistic solution for the 'temporal dilemma' and the 'epistemic tension' in history that have long bothered philosophers.
In this book Paul Franco provides an authoritative introduction to the life and thought of Michael Oakeshott, one of the most important philosophical voices of the twentieth century. After sketching a brief biography of Oakeshott, Franco then examines his most distinctive ideas, including his early idealist theory of knowledge, his influential critique of rationalism and central social planning, and his liberal theory of civil association. Though best known as a political philosopher, Oakeshott also made significant contributions to the philosophy of history, aesthetics, the philosophy of religion, and the philosophy of education. Franco highlights Oakeshott’s impressive achievements in each of these areas. His book is an essential introduction to the whole range of Oakeshott’s thought, and it sets the philosopher’s work in historical context while also demonstrating its relevance to contemporary debates in political philosophy.
Although Oakeshott's philosophy has received considerable attention, the vision which underlies it has been almost completely ignored. This vision, which is rooted in the intellectual debates of his epoch, cements his ideas into a coherent whole and provides a compelling defence of modernity. The main feature of Oakeshott's vision of modernity is seen here as radical plurality resulting from 'fragmentation' of experience and society. On the level of experience, modernity denies the existence of the hierarchical medieval scheme and argues that there exist independent ways of understanding our world, such as science and history, which cannot be reduced to each other. On the level of society, modernity finds expression in liberal doctrine, according to which society is an aggregate of individuals each pursuing his or her own choices. For Oakeshott, to be modern means not only to recognise this condition of radical plurality but also to learn to appreciate and enjoy it. Oakeshott did not think that it was possible to find a comprehensive philosophical justification for modernity, therefore the only way to preserve modern civilisation seemed to be an appeal to sentiment. As a consequence he was a passionate defender of liberal education as the best way to underwrite the 'conversation of mankind.'
This book offers a clearly written and accessible critical analysis: it presents complex theories and concepts in a way that will introduce new readers to Oakeshott's work, and at the same time offers a fresh approach for those already familiar with his philosophy.
American democracy faces severe challenges today, as everyday life gathers pace, national borders become increasingly porous, and commodity culture becomes more dominant. Democracy and Vision assembles a cast of prominent political theorists to consider the problems confronting political life by reviewing, assessing, and expanding on the ideas of one of the most influential political thinkers of the past forty years, Sheldon Wolin. The book consists of three sections linked by the underlying theme of Wolin's monumental effort to define ''the political'' and the conditions of democratic life. In the first, Nicholas Xenos, George Kateb, Fred Dallmayr, and Charles Taylor focus, in particular, on whether mass political participation, sustainable in times of upheaval as what Wolin aptly termed ''fugitive democracy,'' can be buoyed by political institutions during periods of stability. In the second section, Wendy Brown, Aryeh Botwinick, Melissa A. Orlie, and Anne Norton examine the relevance of Wolin's ideas to current debates about, for example, social diversity and the commercialization of culture. In the last, Stephen K. White, Kirstie M. McClure, Michael J. Shapiro, and J. Peter Euben address globalization and temporality in relation to Wolin's narrative of decline, asking, among other things, whether citizenship today must incorporate a cosmopolitan dimension. These essays--and an introduction by William Connolly that lucidly outlines Wolin's thought and the deep uncertainty about political theory in the 1960s that did much to inspire his work--offer unprecedented insights into Wolin's lament that modernity has meant the loss of the political.
The Poetic Character of Human Activity is a collection of essays by two Oakeshott scholars, most of which explores the meaning of Oakeshott’s pregnant phrase, “the poetic character of human activity” by comparing and contrasting this idea with similar and opposing ones, in particular those of the Taoist thinker, Zhuangzi (Chuang Tzu), and his Western interpreter, A.C. Graham. Oakeshott’s deep appreciation of the poetic and non-instrumental character of human activity led him to develop an interest in the works of Zhuangzi and Confucius. Comparison of shared themes between Oakeshott and these two Chinese thinkers facilitates appreciation of his elegant analytic style and his resort to use of metaphors and story-telling when conveying some of his most profound insights. The collection also contains essays contrasting Oakeshott’s idea of the “creative” in human experience with views of, among others, Plato, Leo Strauss and Eric Voegelin. Oakeshott used the phrase “the poetic character of human activity” (arguably the animating center of his entire thought), to refer to the “creative” character of human experiential reality, that is, to the fact that the form (the how) and content (the what) of all human experience and activity arise simultaneously and fluidly, and can be separated only at the expense of theoretical coherence and practical skill. The various essays in this collection explore the meaning of this claim, and its ramifications for the proper role of critical intellect in especially philosophy, morality, learning, and governance. There is also some brief contrast of Oakeshott with John Rawls, Alasdair MacIntyre, Charles Taylor, and Quentin Skinner.
This book compares the thought of Michael Oakeshott and Leo Strauss, bringing Oakeshott’s desire for a renaissance of poetic individuality into dialogue with Strauss’s recovery of the universality of philosophical enlightenment. Starting from the conventional understanding of these thinkers as important voices of twentieth-century conservatism, McIlwain traces their deeper and more radical commitments to the highpoints of human achievement and their shared concerns with the fate of traditional inheritances in modernity, the role and meaning of history, the intention and meaning of political philosophy, and the problem of politics and religion. The book culminates in an articulation of the positions of Oakeshott and Strauss as part of the quarrel of poetry and philosophy, revealing the ongoing implications of their thinking in terms of the profound spiritual and political questions raised by modern thinkers such as Hobbes, Hegel, Nietzsche and Heidegger and leading back to foundational figures of Western civilization including St. Augustine and Socrates.