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Heidegger&’s thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. &“The theme of mortality&—finite human existence&—pervades Heidegger&’s thought,&” in the author&’s words, &“before, during, and after his magnum opus, Being and Times, published in 1927.&” This theme is manifested in Heidegger&’s work not &“as funereal melodramatics or as despair and destructive nihilism&” but rather &“as a thinking within anxiety.&” & Four major subthemes in Heidegger&’s thinking are explored in the book&’s four parts: the fundamental ontology developed in Being and Time; the &“lighting and clearing&” of Being, understood as &“unconcealment&”; the history of philosophy&—with emphasis on Heraclitus, Hegel, and Nietzsche&—interpreted as the &“destiny&” of Being; and the poetics of Being, explicated as the &“fundamental experience&” of mortality. & Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger&’s books, lectures, and articles&—including extensive material not yet translated into English&—informed by the author&’s conversations with Heidegger in 1974&–76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger&’s thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems.
William Wordsworth is one of the greatest poets of English Literature. This poem 'Ode: Intimations of Immortality from Recollections of Early Childhood' is often considered as one of Wordsworth's greatest masterpieces. Here, he explores some of the themes that always inspired him, namely his childhood, the memories, the beauties of nature, and the human soul. · In this book, the author has analysed the poem and given an annotation with relevant quotations from the original text. · The main poem has also been given.
Praised by the New York Times Book Review as “a powerful allegory of our civilization’s many maladies, artfully and elegantly articulated, by one of the young wise women of our generation,” Alexandra Kleeman’s debut novel, You Too Can Have a Body Like Mine, earned her comparisons to Thomas Pynchon, Don DeLillo, Ben Marcus, and Tom Perrotta. In her second book, a collection of twelve stories irresistibly seductive in their strangeness, she explores human life from beginning to end: the distress of birth into a world already formed; the brief and confusing period of “living” when we understand what is expected of us and struggle to do it; and, finally, the death-y period, when we sense everything is winding down and that it will conclude only partially understood, at best. The title Intimations is taken from one of the stories but is also a play on Wordsworth’s “Intimations of Immortality”—in this case it’s not clear exactly what is being intimated, only that it’s nothing so gleaming and good as Immortality. At once familiar and mysterious, these stories have an eerie resonance as the characters find themselves in new and surprising situations. An unnamed woman enters a room with no exit and a ready-made life; the disappearance of people, objects, and memory creates an apocalypse; the art of dance is used to try to tame a feral child; the key to surviving a house party lies in knowing the difference between fake and real blood. Elegant, surprising, wondrous, and haunting, Intimations is an utterly transporting collection from one of our most ingenious and brilliant young writers.
An abrasive and smug narrator--Brian the Badger--exposes the artful dodges and devices and the entrepreneurial ruthlessness essential for an aspiring animator on the path to fame and fortune
More than a hauntingly beautiful memoir about small dogs in Big Sky country, this book is a wise account of the relationships among dogs, humans, and the land that surrounds them. It is the story of successive generations of Jack Russell terriers, their animal friends, and their human companions. Alston Chase searches for the immortality of dogs, what makes them unique companions, and why we humans willingly give them our hearts knowing that someday they will be broken. This book will resonate with anyone who has ever loved a dog. Chase muses that dogs are the embodiment of spirit over mortality and through the window of their brief lives we glimpse eternity. This eternal includes the Earth, the land, and the bonds forged between people and dogs over thousands of years. Chase sees threats in the decline of rural life, unbridled urbanization, and in dog breeders who judge by conformation to breed standards and fashion rather than ability and health. An uplifting tribute to the dogs we love, and a reflection on the limitations of life, this book shows a triumph of the spirit. Rich in poetic citations, it is an environmental cry for help, a naturalistic appreciation of a dissolving world, and a deeply spiritual reminder that nothing loved is ever lost.
This volume, with essays by leading archaeologists and prehistorians, considers how prehistoric humans attempted to recognise, understand and conceptualise death.