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A boy's mother lies upstairs seriously ill, and in every crash of thunder or hollow chime of the clock he seems to hear a portent of her death.--A scholar of the occult finds his marriage threatened by horrifying and otherworldly noises emanating from the cellar.--During a plague outbreak, a gravedigger accidentally prepares one too many graves and becomes obsessed with the thought that the final grave will be his own.--A haunted man, seeking refuge in a monastery, is convinced that Death itself stalks him in the building's lonely halls.--When a suicide pact goes awry, a man believes the ghost of his vengeful lover has returned to destroy him. These are the plots of the five tales in Intimations of Death (1910), available at last in English for the first time. Belgian author Felix Timmermans (1886-1947) was highly popular in his lifetime for his humorous tales of rural life, but in this early collection, written after a near-death experience with a serious illness, Timmermans reveals a more morbid side and delivers a collection of psychological horror tales worthy of Edgar Allan Poe. This edition, brilliantly translated by award-winning translator Paul Vincent, includes the macabre woodcut illustrations from the original Dutch edition and an introduction by John Howard.
Henry James’s Daisy Miller was an immediate sensation when it was first published in 1878 and has remained popular ever since. In this novella, the charming but inscrutable young American of the title shocks European society with her casual indifference to its social mores. The novella was popular in part because of the debates it sparked about foreign travel, the behaviour of women, and cultural clashes between people of different nationalities and social classes. This Broadview edition presents an early version of James’s best-known novella within the cultural contexts of its day. In addition to primary materials about nineteenth-century womanhood, foreign travel, medicine, philosophy, theatre, and art—some of the topics that interested James as he was writing the story—this volume includes James’s ruminations on fiction, theatre, and writing, and presents excerpts of Daisy Miller as he rewrote it for the theatre and for a much later and heavily revised edition.
A collection of the author's essays on the history and development of female identity from the 18th to the early 20th centuries. Throughout the book are woven themes which are constant in Castle's work: fantasy, hallucination, travesty, transgression and sexual ambiguity.
Freek Groenevelt is a mild-mannered journalist who values his peace and quiet above all else. But his orderly life is suddenly upended by the intrusion of a mysterious figure calling himself Joachim Stiller, who seems in insidious ways to be controlling Freek's life and destiny. It starts with an enigmatic letter - impossibly postmarked before Freek was even born - and as a series of bizarre and possibly supernatural phenomena ensues, Freek becomes obsessed with the question: Who is Joachim Stiller? With the help of a beautiful mathematician and a dealer in occult books, Freek tries to solve the riddle, but none of them will be prepared for the final revelation of the shocking truth! One of the great classics of 20th-century Flemish literature and a founding text of Flemish magical realism, Hubert Lampo's internationally acclaimed The Coming of Joachim Stiller (1960) has been published in fifteen languages and is now available at last in an outstanding new English version by award-winning translator Paul Vincent.
A New York Times Notable Book and Hugo and Nebula Award Finalist: This epic chronicle of ten immortals over the course of history “succeeds admirably” (The New York Times). The immortals are ten individuals born in antiquity from various cultures. Immune to disease, able to heal themselves from injuries, they will never die of old age—although they can fall victim to catastrophic wounds. They have walked among mortals for millennia, traveling across the world, trying to understand their special gifts while searching for one another in the hope of finding some meaning in a life that may go on forever. Following their individual stories over the course of human history and beyond into a richly imagined future, “one of science fiction’s most revered writers” (USA Today) weaves a broad tapestry that is “ambitious in scope, meticulous in detail, polished in style” (Library Journal).
Fascination with the dark and death threats are now accepted features of contemporary fantasy and fantastic fictions for young readers. These go back to the early gothic genre in which child characters were extensively used by authors. The aim of this book is to rediscover the children in their work.
By the time Saint Nicholas gets to Cecile's house on Saint Nicholas Eve he is out of presents, but she remembers the wonderful chocolate boat in the nearby candy shop.
This fascinating interdisciplinary study examines the relationship between literary interest in visionary kinds of experience and medical ideas about hallucination and the nerves in the first half of the nineteenth century, focusing on canonical Romantic authors, the work of women writers influenced by Romanticism, and visual culture.
Queering the Gothic is the first multi-authored book concerned with the developing interface between Gothic criticism and queer theory. Considering a range of Gothic texts produced between the eighteenth century and the present, the contributors explore the relationship between reading Gothically and reading Queerly, making this collection both an important reassessment of the Gothic tradition and a significant contribution to scholarship on queer theory. Writers discussed include William Beckford, Matthew Lewis, Mary Shelley, George Eliot, George Du Maurier, Oscar Wilde, Eric, Count Stenbock. E. M. Forster, Antonia White, Melanie Tem, Poppy Z. Brite, and Will Self. There is also exploration of non-text media including an analysis of Michael Jackson’s pop videos. Arranged chronologically, the book establishes links between texts and periods and examines how conjunctions of ‘queer’, ‘gay’, and ‘lesbian’ can be related to, and are challenged by, a Gothic tradition. All of the chapters were specially commissioned for the collection, and the contributors are drawn from the forefront of academic work in both Gothic and Queer Studies.