Download Free Intimate Modernism Book in PDF and EPUB Free Download. You can read online Intimate Modernism and write the review.

The art critic Dave Hickey once identified the Forth Worth Circle as "Texas' first indigenous group of consciously cosmopolitan and irrefutably modern artists," Their work, he wrote, "represents the fruit of a special time in the culture of the western United States" (Artspace, winter 1986 -87). This book chronicles the Forth Worth Circle's distinctive output during the 1940s, the decade of their genesis and greatest innovation. These "genuine citizens of the world," as Hickey called them, possessed an unconventional vision that radically sidestepped the traditional art of post-Depression Texas. The members of the Circle responded to modern art by created a unique aesthetic based on contemporary surrealism and abstraction, and they did so drawing from their own fertile imaginations. In his essay on the Circle, Scott Grant Barker relates the personal and captivating history of these eleven young artists fro whom the standards of the day were no longer acceptable. Jane Myers writes to the aesthetic evolution of their work, including their artistic techniques and influences. The catalogue also includes succinct biographies, accompanied by photographs, of each fop the artists. Among the legends and legendary figures in Forth Worth's past - and there are many - the artists of the Fort Worth Circle occupy a special place as pioneers of modern art in a city that is today one of the preeminent art meccas in the United States. This catalogue, published by the Amon Carter Museum to coincide with an exhibition by the same title, will remain the definitive source of their art and history for years to come.
Providing a fresh perspective on an important but underappreciated group of late nineteenth-century French painters, this is the first book to provide an in-depth account of the Nabis' practice of the decorative, and its significance for twentieth-century modernism. Over the course of the ten years that define the Nabi movement (1890-1900), its principal artists included Edouard Vuillard, Pierre Bonnard, Maurice Denis, Paul S?sier, and Paul Ranson. The author reconstructs the Nabis' relationship to Impressionism, mass culture, literary Symbolism, Art Nouveau, Wagnerianism, and a revolutionary artistic tradition in order to show how their painterly practice emerges out of the pressing questions defining modernism around 1900. She shows that the Nabis were engaged, nonetheless, with issues that are always at stake in accounts of nineteenth-century modernist painting, issues such as the relationship of high and low art, of individual sensibility and collective identity, of the public and private spheres. The Nabis and Intimate Modernism is a rigorous study of the intellectual and artistic endeavors that inform the Nabis' decorative domestic paintings in the 1890s, and argues for their centrality to painterly modernism. The book ends up not only re-positioning the Nabis to occupy a crucial place in modernism's development from 1860 to 1914, but also challenges that narrative to place more emphasis on notions of decoration, totality and interiority.
In the world of architectural conservation, there is little tolerance for reconstructing or even protecting historic facades when everything behind is modern, and even less for reconstructing a building that has been completely destroyed. These offenses are considered lies against history. In this thoughtful, revealing work, conservation expert Wim Denslagen traces this predilection for honesty to the legacy of Functionalism, a Romantic-era movement that denounced the building of pseudo-architecture in favor of a new, rational form of building. With detailed analyses of headline-making restoration projects from Bruges to Berlin, Denslagen shows that the adoption of these romantic values by conservationists gave rise to a new wave of modern additions and transformations.
Examines the biographical projects that modernist women writers undertook to resist the exclusion of their friends, colleagues, lovers, and companions from literary history.
In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways that were hardly imaginable in previous decades. Among the bohemians of Greenwich Village, the sophisticates of the Algonquin Round Table, and the literati of the Harlem Renaissance, certain women found fresh, powerful voices through which to speak and write. Enda St. Vincent Millay and Dorothy Parker are now best remembered for their colorful lives; Genevieve Taggard, Gwendolyn Bennett, and Helene Johnson are hardly remembered at all. Yet each made a serious literary contribution to the meaning of modern femininity, relationship, and selfhood. Making Love Modern uncovers the deep historical sensitivity and interest in these women's love poetry. Placing their work in the context of subcultures nested within national culture, Nina Miller explores the tensions that make this literature so rewarding for contemporary readers. A poetry of intimate expression, it also functioned powerfully as public assertion. The writers themselves were high-profile embodiments of femininity, the local representatives of New Womanhood within their male-centered subcultural worlds. This book captures the literary lives of these woman as well as the complex subcultures they inhabited--Harlem, the Village, and glamorous midtown Manhattan.
In the late 19th century the conventions of domesticity came under scrutiny by British writers & others intent on bringing a modern spirit into the home. Rosner reveals the connections between those who elegantly synthesized modernist literature with architetcural plans, room designs, & decorative art.
Since W. B. Yeats wrote in 1890 that “the man of science is too often a person who has exchanged his soul for a formula,” the anti-scientific bent of Irish literature has often been taken as a given. Science, Technology, and Irish Modernism brings together leading and emerging scholars of Irish modernism to challenge the stereotype that Irish literature has been unconcerned with scientific and technological change. The collection spotlights authors ranging from James Joyce, Elizabeth Bowen, Flann O’Brien, and Samuel Beckett to less-studied writers like Emily Lawless, John Eglinton, Denis Johnston, and Lennox Robinson. With chapters on naturalism, futurism, dynamite, gramophones, uncertainty, astronomy, automobiles, and more, this book showcases the far-reaching scope and complexity of Irish writers’ engagement with innovations in science and technology. Taken together, the fifteen original essays in Science, Technology, and Irish Modernism map a new literary landscape of Ireland in the twentieth century. By focusing on writers’ often-ignored interest in science and technology, this book uncovers shared concerns between revivalists, modernists, and late modernists that challenge us to rethink how we categorize and periodize Irish literature.
In this innovative study, Benjamin Kahan traces the elusive history of modern celibacy. Arguing that celibacy is a distinct sexuality with its own practices and pleasures, Kahan shows it to be much more than the renunciation of sex or a cover for homosexuality. Celibacies focuses on a diverse group of authors, social activists, and artists, spanning from the suffragettes to Henry James, and from the Harlem Renaissance's Father Divine to Andy Warhol. This array of figures reveals the many varieties of celibacy that have until now escaped scholars of literary modernism and sexuality. Ultimately, this book wrests the discussion of celibacy and sexual restraint away from social and religious conservatism, resituating celibacy within a history of political protest and artistic experimentation. Celibacies offers an entirely new perspective on this little-understood sexual identity and initiates a profound reconsideration of the nature and constitution of sexuality.
Have you ever wanted to dive deep into the world of modernism and truly understand its roots, development, and impact on literature and art? Look no further than "The Modernist Revolts" by Otto Maria Carpeaux, a comprehensive analysis of modernism in Europe, the United States, and Latin America, now available in English for the first time. This book will provide you with a modernism education like no other, leaving you with an unparalleled understanding of this transformative movement. Otto Maria Carpeaux, a renowned literary critic, writer, and essayist, meticulously examines the most significant works and authors from Europe, the United States, and Latin America, highlighting their contributions to the modernist movement and the unique characteristics of each region. Throughout "The Modernist Revolts," Carpeaux discusses a wide array of authors, movements, and works, including the likes of Freud, Proust, Kafka, Joyce, Eliot, Pound, Woolf, Huxley, Borges, García Lorca, Pessoa, Bandeira, and the Andrade brothers, to name just a few. The book covers both prose and poetry, exploring the stylistic innovations that defined modernism and transformed Western literature. Not only does Carpeaux delve into the literary aspects of modernism, but he also investigates the influence of other artistic fields such as painting, music, and theater on the evolution of the movement. This interdisciplinary approach enriches the reader's understanding of the complex interactions between literature and other forms of artistic expression during the modernist period. "The Modernist Revolts" is an essential reference for students, researchers, and enthusiasts of modernist literature, offering a combination of scholarship and clear exposition. The English translation expands the reach of Carpeaux's work, allowing an even broader audience to appreciate his insightful analysis of modernism and its lasting impact on literature and art. "The Modernist Revolts" will provide you with an unparalleled understanding of this revolutionary movement, opening your eyes to the artistic and cultural transformations that took place in the 20th century.
Bloomsbury, Modernism, and the Reinvention of Intimacy integrates studies of six members and associates of the Bloomsbury group into a rich narrative of early twentieth century culture, encompassing changes in the demographics of private and public life, and Freudian and sexological assaults on middle-class proprieties Jesse Wolfe shows how numerous modernist writers felt torn between the inherited institutions of monogamy and marriage and emerging theories of sexuality which challenged Victorian notions of maleness and femaleness. For Wolfe, this ambivalence was a primary source of the Bloomsbury writers' aesthetic strength: Virginia Woolf, D. H. Lawrence, and others brought the paradoxes of modern intimacy to thrilling life on the page. By combining literary criticism with forays into philosophy, psychoanalysis, sociology, and the avant-garde art of Vienna, this book offers a fresh account of the reciprocal relations between culture and society in that key site for literary modernism known as Bloomsbury.