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This astounding book includes 21 interviews, recorded over the past 40 years, with leading American artists. Together they illuminate all the great developments in American art. Here are the views of David Smith, Richard Serra, Willem de Kooning, Barnett Newman, Franz Kline, Philip Guston, Robert Rauschenberg, and others.
'Interviews' collates, in a single volume, the major body of interviews conducted by the revered American critic and curator Robert Storr, encompassing engaging discussions with some of the most renowned names in the artworld over the last two centuries. The book features nearly 30 illustrated interviews with artists and curators, including Gerhard Richter,Alex Katz, Chuck Close, Richard Serra, Gabriel Orozco, Elizabeth Murray, Harald Szleeman, Catherine David and Mike Kelley.The introduction by art historian and curator Francesca Pietropaolo precedes a conversation between herself and Storr in which they dissect the interview as a medium: discussing the ethics involved, the notion of technique and approach, alongside the limitations and difficulties of the process. 'Interviews' presents an important, stimulating chronicle of Storr's most essential discussions with an esteemed cast of interviewees.
In this remarkable collection of conversations, artists reflect on the culture in which they live. Through highly revealing interviews, Artists discuss their intimate relationship with their work, giving readers a real understanding of their daily role in contemporary society. They share with us their insights on AIDS, art history, feminism, civil life and childhood. These artists' voices reflect a complexity and a willingness to defy easy categories that is truly an asset to the important cultural thought of our time.
The book as object, as content, as idea, as interface. What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately. Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term “book” commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
Interviews with twenty-eight prominent artists reveal the influences that have inspired them as they each strive to forge their own individual style.
"This book is a collection of interviews that reveals the diversity of techniques employed by important artists of the past two decades. Not only do the artists yield insights into the actual creative process, but some of the most immediate questions about the conservation of contemporary art also come to light." "Since there has been increasing concern about the preservation of contemporary art, the author contends that the use of many different materials 'poses a great challenge' to the conservator." "Forced to seek new interpretations, Stephan Gotz, a conservator himself, directly confronts twenty-six New York artists in their studios. In each interview Gotz transforms the artist into a specialist who offers us a very personal and subjective view of his/her art. Each artist presents a diversity of new and accepted techniques." "A prefatory note by Robert Lue establishes the context for each interview and a reproduction of a recent or important work by the artist is included."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions is an attempt to probe the haunting singularity of opiate addiction and its ineradicable influence on art and culture.
A stunning visual survey of the arts scene of Cuba since the 1980s, this is a must-have book for all contemporary art lovers. This unique volume describes how powerful the Cuban art experience has become, especially after the emergence of Cuba's strong generation of young creatives on the Latin American art scene in the 1980s. It includes twenty-eight artists selected by the curators and introduced through contributions and interviews. Today, many of the contemporary Cuban artists can be found in the collections of some of the world's premier museums and art galleries. Now that Cuba and the United States have opened a new chapter in their relations, Cuban art is poised to be the next big thing in the art world.
Artists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of works from The Met collection appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.