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This volume is the first systematic study of Seneca’s interaction with earlier literature of a variety of genres and traditions. It examines this interaction and engagement in his prose works, offering interpretative readings that are at once groundbreaking and stimulating to further study. Focusing on the Dialogues, the Naturales quaestiones, and the Moral Epistles, the volume includes multi- perspectival studies of Seneca’s interaction with all the great Latin epics (Lucretius, Vergil and Ovid), and discussions of how Seneca’s philosophical thought is informed by Hellenistic doxography, forensic rhetoric and declamation, the Homeric tradition, Euripidean tragedy and Greco-Roman mythology. The studies analyzes the philosophy behind Seneca’s incorporating exact quotations from earlier tradition (including his criteria of selectivity) and Seneca’s interaction with ideas, trends and techniques from different sources, in order to elucidate his philosophical ideas and underscore his original contribution to the discussion of established philosophical traditions. They also provide a fresh interpretation of moral issues with particular application to the Roman worldview as fashioned by the mos maiorum. The volume, finally, features detailed discussion of the ways in which Seneca, the author of philosophical prose, puts forward his stance towards poetics and figures himself as a poet. Intertextuality in Seneca’s Philosophical Writings will be of interest not only to those working on Seneca’s philosophical works, but also to anyone working on Latin literature and intertextuality in the ancient world.
Practicing Intertextuality attempts something bold and ambitious: to map both the interactions and intertextual techniques used by New Testament authors as they engaged the Old Testament and the discourses of their fellow Jewish and Greco-Roman contemporaries. This collection of essays functions collectively as a handbook describing the relationship between ancient authors, their texts, and audience capacity to detect allusions and echoes. Aimed for biblical studies majors, graduate and seminary students, and academics, the book catalogues how New Testament authors used the very process of interacting with their Scriptures (that is, the Masoretic Text, the Septuagint, and their variants) and the texts of their immediate environment (including popular literary works, treatises, rhetorical handbooks, papyri, inscriptions, artifacts, and graffiti) for the very production of their message. Each chapter demonstrates a type of interaction (that is, doctrinal reformulations, common ancient ethical and religious usage, refutation, irenic appropriation, and competitive appropriation), describes the intertextual technique(s) employed by the ancient author, and explains how these were practiced in Jewish, Greco-Roman, or early Christian circles. Seventeen scholars, each an expert in their respective fields, have contributed studies which illuminate the biblical interpretation of the Gospels, the Pauline letters, and General Epistles through the process of intertextuality.
This volume is the first systematic study of Seneca's interaction with earlier literature of a variety of genres and traditions. It examines this interaction and engagement in his prose works, offering interpretative readings that are at once groundbreaking and stimulating to further study. Focusing on the Dialogues, the Naturales Quaestiones, and the Moral Epistles, the volume includes multi-perspectival studies of Seneca's interaction with all the great Latin epics (Lucretius, Vergil and Ovid), and discussions of how Seneca's philosophical thought is informed by Hellenistic doxography, forensic rhetoric and declamation, the Homeric tradition, Euripidean tragedy and Greco-Roman mythology. The studies analyzes the philosophy behind Seneca's incorporating exact quotations from earlier tradition (including his criteria of selectivity) and Seneca's interaction with ideas, trends and techniques from different sources, in order to elucidate his philosophical ideas and underscore his original contribution to the discussion of established philosophical traditions. They also provide a fresh interpretation of moral issues with particular application to the Roman worldview as fashioned by the mos maiorum. The volume, finally, features detailed discussion of the ways in which Seneca, the author of philosophical prose, puts forward his stance towards poetics and figures himself as a poet. Intertextuality in Seneca's Philosophical Writings will be of interest not only to those working on Seneca's philosophical works, but also to anyone working on Latin literature and intertextuality in the ancient world.
Seneca stands apart from other philosophers of Greece and Rome not only for his interest in practical ethics, but also for the beauty and liveliness of his writing. These twelve in-depth essays take up a series of interrelated topics in his works, from his relation to Stoicism, Epicureanism, and other schools of thought; to the psychology of emotion and action and the management of anger and grief; to letter-writing, gift-giving, friendship, and kindness; to Seneca's innovative use of genre, style, and humor. Recalling Socrates's critique of philosophical writing in Plato's Phaedrus, this volume gives particular attention to Seneca's ideas about the techniques of reading, writing, and study that make philosophy beneficial to the individual and to society. Clear explanations and careful translations make the volume accessible to a wide range of readers.
This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The fourteen chapters collected here explore a wide range of topics clustered around the following four themes: the combination of literature and philosophy; the ways in which Seneca’s choral odes rework Horatian material and move beyond it; the treatment of ethical, poetic, and aesthetic questions by the two authors; and the problem of literary influence and reception as well as ancient and modern reflections on these problems. While the intertextual contacts between Horace and Seneca themselves lie at the core of this project, it also considers the earlier texts that serve as sources for both authors, intermediary steps in Roman literature, and later texts where connections between the two philosopher-poets are drawn. Although not as obviously palpable as the linkage between authors who share a common generic tradition, this uneven but pervasive relationship can be regarded as one of the most prolific literary interactions between the early Augustan and the Neronian periods. A bidirectional list of correspondences between Horace and Seneca concludes the volume.
"This volume contains sixteen essays on various aspects of Ovid's engagement with philosophical trends and topics. Ovid has long been celebrated for the versatility of his poetic imagination, the diversity of his generic experimentation throughout his long career, and his intimate engagement with the Greco-Roman literary tradition that precedes him; but what of his engagement with the philosophical tradition? Ovid's close familiarity with philosophical ideas and with specific philosophical texts has long been recognized, perhaps most prominently in the Pythagorean, Platonic, Empedoclean, and Lucretian shades that color his Metamorphoses. This philosophical component, however, has often been perceived as a feature subordinate to Ovid's larger literary agenda; and because of the controlling influence conceded to that literary impulse, readings of the philosophical dimension have often focused on the perceived distortion, ironizing, or parodying of philosophical sources and ideas. This book counters this tendency by (i) considering Ovid's seriousness of engagement with, and his possible critique of, the philosophical writings that inform his works; (ii) questioning the feasibility of separating out the categories of the "philosophical" and the "literary" in the first place; (iii) exploring the ways in which Ovid may offer unusual, controversial, or provocative reactions to received philosophical ideas; and (iv) investigating the case to be made for viewing the Ovidian corpus not just as a body of writings that are often philosophically inflected, but also as texts that may themselves be read as philosophically adventurous and experimental"--
This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The fourteen chapters collected here explore a wide range of topics clustered around the following four themes: the combination of literature and philosophy; the ways in which Seneca’s choral odes rework Horatian material and move beyond it; the treatment of ethical, poetic, and aesthetic questions by the two authors; and the problem of literary influence and reception as well as ancient and modern reflections on these problems. While the intertextual contacts between Horace and Seneca themselves lie at the core of this project, it also considers the earlier texts that serve as sources for both authors, intermediary steps in Roman literature, and later texts where connections between the two philosopher-poets are drawn. Although not as obviously palpable as the linkage between authors who share a common generic tradition, this uneven but pervasive relationship can be regarded as one of the most prolific literary interactions between the early Augustan and the Neronian periods. A bidirectional list of correspondences between Horace and Seneca concludes the volume.
"Several decades of scholarship by now have demonstrated that Roman thinkers have developed in new and stimulating directions the systems of thought they inherited from the Greeks, and that, taken together, they offer a range of perspectives that are of philosophical interest in their own right. This collection of essays pursues a maximally inclusive approach, covering not only authors such as Augustine, but also poets or historians. It pays attention to the mode in which these works were written (giving rhetoric too its due) and their often conscious reflections on the process of translating, or transferring Greek ideas to Roman contexts"--
A selection of Seneca’s most significant letters that illuminate his philosophical and personal life. “There is only one course of action that can make you happy. . . . rejoice in what is yours. What is it that is yours? Yourself; the best part of you.” In the year 62, citing health issues, the Roman philosopher Seneca withdrew from public service and devoted his time to writing. His letters from this period offer a window onto his experience as a landowner, a traveler, and a man coping with the onset of old age. They share his ideas on everything from the treatment of enslaved people to the perils of seafaring, and they provide lucid explanations for many key points of Stoic philosophy. This selection of fifty letters brings out the essentials of Seneca’s thought, with much that speaks directly to the modern reader. Above all, they explore the inner life of the individual who proceeds through philosophical inquiry from a state of emotional turmoil to true friendship, self-determination, and personal excellence.
The examination of Lucretian reception in Latin poetry has been served well by scholars. Lucretius’ presence in later prose writers, on the other hand, is a topic that warrants more investigation. Susanne Gatzemeier’s 2013 monograph (Ut ait Lucretius: Die Lukrezrezeption in der lateinischen Prosa bis Laktanz) is an invaluable contribution to the topic but by no means exhaustive either in terms of the potential intertextualities it traces or in terms of its interpretive methods and insights. At the same time, recent studies implicate Lucretius’ name in discussions of prose writers who were not that often thought in the past to have engaged with the De Rerum Natura in an active way. Caesar and Livy but also Vitruvius and Tacitus are some good examples. The present volume taps into this discussion and broadens further our understanding of Lucretian reception in prose writers, including Cicero, Celsus, Seneca the Younger, Quintilian, Pliny the Younger, Plutarch and Lactantius. Building on the vast scholarship on the significance of Lucretius as a model for later poets, the volume sheds new light on the De Rerum Natura’s afterlife by looking at its presence in philosophical prose, medical writing, oratory, epistolary writing and Christian theology.