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This comprehensive volume details the complex art of wooden shipbuilding in ancient and early modern times. The text includes discussion of ancient, medieval, and post-medieval shipwrecks, which represent a cross section of technology as seen through a select group of archaeological finds.
Interpreting Maritime History at Museums and Historic Sites lays the groundwork for keeping this heritage alive in museums and historic sites. It provides the broadest spectrum of discussion and direction for those approaching new installations, projects and programming. Highlights of its wide-range include: •Historic vessels and shipbuilding •Freshwater maritime history, including a focus on regionalism •Maritime archaeology, including shipwrecks •Scientific history, including the environment •Recreational history, including rowing, fishing, racing, and cruising •Lighthouses and lifesaving stations
This open access peer-reviewed volume was inspired by the UNESCO UNITWIN Network for Underwater Archaeology International Workshop held at Flinders University, Adelaide, Australia in November 2016. Content is based on, but not limited to, the work presented at the workshop which was dedicated to 3D recording and interpretation for maritime archaeology. The volume consists of contributions from leading international experts as well as up-and-coming early career researchers from around the globe. The content of the book includes recording and analysis of maritime archaeology through emerging technologies, including both practical and theoretical contributions. Topics include photogrammetric recording, laser scanning, marine geophysical 3D survey techniques, virtual reality, 3D modelling and reconstruction, data integration and Geographic Information Systems. The principal incentive for this publication is the ongoing rapid shift in the methodologies of maritime archaeology within recent years and a marked increase in the use of 3D and digital approaches. This convergence of digital technologies such as underwater photography and photogrammetry, 3D sonar, 3D virtual reality, and 3D printing has highlighted a pressing need for these new methodologies to be considered together, both in terms of defining the state-of-the-art and for consideration of future directions. As a scholarly publication, the audience for the book includes students and researchers, as well as professionals working in various aspects of archaeology, heritage management, education, museums, and public policy. It will be of special interest to those working in the field of coastal cultural resource management and underwater archaeology but will also be of broader interest to anyone interested in archaeology and to those in other disciplines who are now engaging with 3D recording and visualization.
Superb full-color photographs of submerged wrecks and their lost cargoes and treasures offer a unique "eyewitness" view of ships and the lives of those who sailed in them. Readers discover what caused the "unsinkable" "Titanic" to sink, the hazards faced by ships at sea, and much, much more.
Shipwrecks are a key site-type for maritime archaeological research and their investigations have been prominent in the subject's development over the last sixty years. At one time their value was often squandered, with anything from cursory surveys to total excavations being undertaken for the same reason George Mallory suggested that mountains were climbed: because they were there. Today it is recognised that the remains of wrecked ships, through their distribution in time and space, their variety and their complexity, comprise one of the richest forms of archaeological source material. This volume brings together researchers who explore the ways in which ships can be understood and interpreted as material culture through their wreck sites, focusing on ships as artefacts, as agents, as technology, as society, as ideology and as symbols, as well as on what they carried and the people who sailed on them. Collectively they show that shipwrecks are not just the preserve of nautical specialists but have wider implications for the understanding of human action and past societies. The editors: Jon Adams is a Professor of Archaeology at the University of Southampton and the founding Director of Southampton's Centre for Maritime Archaeology (CMA). Johan Rönnby is Professor of Archaeology at Södertörn University and Director of the Maritime Archaeological Research Institute at Södertörn (MARIS).
Presenting a novel and needed theoretical model for interpreting shipwrecks and other drowned fragments-the histories they tell, and the futures they presage-as junctures of artefact and ecofact, human remains and emergent ecologies, this book puts the environmental humanities, and particularly multispecies studies, in close conversation with literary studies, history, and aesthetic theory. Earth's oceans hold the remains of as many as three million shipwrecks, some thousands of years old. Instead of approaching shipwrecks as either artefacts or “ecofacts,” this book presents a third frame for understanding, one inspired by the material dynamism of sea-floor stuff. As they become encrusted by oceanic matter-some of it living, some inanimate-anthropic fragments participate in a distinctively submarine form of material relation. That relation comprises a wide, and sometimes incalculable, array of things, lives, times, and stories. Drawing from several centuries of literary, philosophical, and scientific encounters with encrustations-as well as from some of the innumerable encrusted “art-forms” that inhabit the sea floor- this book serves anyone in search of better ways to perceive, describe, and imagine submarine matters.
"This book is a guide to the study of the most marvelous structures ever built by humankind - wooden ships and boats. It is intended for nautical archaeologists and for anyone charged with documenting and interpreting the remains of wrecked or abandoned vessels. It will also be of value to historians, authors, model builders, and others interested in the design and construction of wooden watercraft of the past." "The text is divided into three parts. The first introduces the discipline and presents enough basic information to permit the untrained reader to understand the analysis of ship and boat construction that follows. Part II is broken into three chapters that investigate ancient, medieval, and post-medieval shipwrecks and supporting documentation. Not all of the world's ship and boat excavations can be included, in this single volume; nautical archaeology has progressed two far for that. Instead, these three chapters have been assembled to represent a cross section of ship building technology as seen through the interpretation of a select group of finds." "Part III addresses the techniques of recording hull remains, assembling archival information, reconstructing vessels, and converting data into plans and publication. It is by no means a "how-to" section. Sites, logistics, and the wrecks themselves vary so much that, like wooden ship building, this discipline can never become an exact science. Rather, the third part of the book discusses work done on previous projects and suggests additional methods that might prove helpful to readers in their own endeavors." "The book contains an illustrated glossary, specifically designed for archaeological use. There is also a select bibliography annotated where titles do not indicate content and arranged in historical groups to provide sources for most areas of research."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
First published in 1919, this reprint helps you relive the glory days of sailing.
Documents the stories of a number of sunken vessels on the United States territory in Lake Ontario, among them the steamer Ellsworth, the St. Peter, the Homer Warren, the schooner Etta Belle, the Coast Guard cable boat CG-56022, the schooner William Elgin, the Orcadian, the steamer Samuel F. Hodge, the W.Y. Emery, the British warship Ontario, the schooner C. Reeve, the Queen of the Lakes, the schooner Atlas, the Ocean Wave, the steamer Roberval, the U.S. Air Force C-45, the schooner Three Brothers, the steamship Nisbet Grammer, the steamship Bay State, the schooner Royal Albert, the sloop Washington, and the schooner Hartford. Appendices look at three particular locations: Ford Shoals, Mexico Bay, and the lake near Oswego.
This title is a comprehensive survey of maritime archaeology as seen through the eyes of nearly fifty scholars at a time when maritime archaeology has established itself as a mature branch of archaeology.