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When Christians profess faith in the teaching that Jesus “ascended into heaven” and is “seated at the right hand of the Father”, what do they mean? And what kind of truth is denoted by the narratives of the battle in heaven, the Fall, the Exodus, Annunciation, the theophanies of the gospels, and Second Coming? Some may interpret these literally and ascribe to a model of faith that quite happily runs contrary to reason and life experience. Many, however, recognize that the language in question is symbolic but it is not always apparent as to what is being symbolized and how such symbolism relates to objective truth claims. In response, Interpreting Mythical Language in Christian Doctrine draws upon the insights of thinkers including St. Thomas Aquinas, Paul Ricoeur, and Carl Jung so as to rescue Christian doctrines expressed through mythical language from an unwarranted expectation that they convey historical, ontological, or much less, scientific truth – or equally concerning, an assumption that these symbols relate only to a subjective form of meaning so that no interpretation is wrong. This book endeavors to unleash the true power of myth to engage with mystery and express meaning in a manner that surpasses the capacities of other genres.
Gary Dorrien follows the threads of theology through the twentieth century, examining how Christians have reconciled their myth-filled religious beliefs within a world secularized by Enlightenment criticism and science. To understand how religion keeps its place in Christians' lives, Dorrien writes, we must explore how modern theologians have answered the question of myth in today's Christianity. Dorrien's narrative walks readers through modern theology - stopping with each of the major thinkers along the way to see how they dealt with the issue of modern Christian mythology. Ultimately he offers his own "new neo-orthodoxy", a theology of Word and Spirit that is pluralistic and affirms the mythical character of the gospel while holding fast to the Gospels' myth-negating condemnation of idolatry and their focus on history.
'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.
Bibliographical footnotes. The problem introduced -- How some contemporary theologians view language -- Some general reflections on language -- The theological vocabulary -- Theology and logical empiricism -- Types of theological discourse. Case study: The language of St. Anthanasius -- Language and interpretation. Case study: Heidegger on hermeneutics -- Mythology -- Symbolism. Case study: Light as a religious symbol -- Analogy and paradox -- Empirical language -- the language of existence and being.
The Anatomy of Myth is a comprehensive study of the methods of interpreting authoritative myths from the Presocratic philosophers to the Neoplatonists and their adoption by the Church Fathers.
G. A. Gaskell’s Dictionary of the Sacred Language of All Scriptures and Myths, first published in 1923, examines several different aspects of religion, including examples from Ancient Egyptian religion and mythology to modern-day Christianity, providing explanations of gods, events, and symbols in alphabetical order. This is a perfect reference book for students of theology or the history of religion.
Aside from the fact that it is perhaps the single most discussed and controversial theological writing of the century, no one knowledgeable of Bultmann's work could doubt its basic importance for his entire contribution. Although the position is for which it argues was hardly new, having already taken shape in several of his theological essays written during the 1920s, it is nevertheless the classic formulation of this position and as such incomparable in the Bultmann corpus.
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