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A fashionable and well-informed interest in Italy was a feature of English intellectual life in the first half of the 19th century. Most cultured people could read Italian and knew something of Italian literature. Young ladies learned to sing in Italian, whilst young gentlemen completed their education with a tour in Italy. Painters went there to make copies from Raphael; architects to sketch the Graeco-Roman ruins. Men of letters in particular found themselves drawn to Italy and much Romantic literature reflects this interest; many works owe their origin to Italian literature. In this book, which was originally published in 1957, Dr Brand traces the growth and decline of the social fashion which made Italy the goal of so many cultured Englishmen. He examines in particular the extent and significance of Italy's fascination for the English romantic writers, and traces the effects of the fashion in music, painting, architecture and political affairs.
Recent years have witnessed an intense debate concerning the size of the population of Roman Italy. This book argues that the combined literary, epigraphic and archaeological evidence supports the theory that early-imperial Italy had about six million inhabitants. At the same time the traditional view that the last century of the Republic witnessed a decline in the free Italian population is shown to be untenable. The main foci of its six chapters are: military participation rates; demographic recovery after the Second Punic War; the spread of slavery and the background to the Gracchan land reforms; the fast expansion of Italian towns after the Social War; emigration from Italy; and the fate of the Italian population during the first 150 years of the Principate.
American Historical Review is the oldest scholarly journal of history in the United States and the largest in the world. Published by the American Historical Association, it covers all areas of historical research.