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Excerpt from The Interpretation of Italy During the Last Two Centuries, Vol. 17: A Contribution It appears the more worth while to undertake such a task, because Italy, since the Renaissance, has meant more than any other single country to the culture-life Of all nations. Generation after generation journeyed thither to derive inspiration from her in various directions. Hence the vast multitude Of letters, travels, descriptions, essays, etc., dealing with Italy, which crowd the shelves Of libraries in Europe and America, and form one Of the important records of the civilization Of modern times. Italy, indeed, is so many-sided that she could bestow on all who sought her shores gifts suited to their peculiar needs. NO two succeeding generations, at least during the last two centuries, have seen or appreciated there the same elements. What charmed one offended the Other; what was a matter Of indifference to one called out paeans Of praise from the other. As intellectual life widened, the wealth of Italy's resources became more and more apparent. The more one expected of her, the more she gave; she never disappointed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Great War in Italy. Representation and Interpretation collects interdisciplinary papers from international scholars who investigate the representation and interpretation of the First World War in Italy from the multi-faceted standpoints of literary criticism, history, cinema and cultural studies. The collected texts investigate a broad range of aspects of the Great War in the Italian context, from the ethical implications of testimony and literary rhetoric to the relationship between personal and public writing; from the role of intellectuals in the face of war to the political implications of identity, nationalism and irredentismo; from the function of propaganda and literacy among soldiers to the invention of a “spectacular” war through footage and movies.The introduction presents key-concepts such as conflict, individualism, brotherhood, responsibility, and propaganda within a framework of philosophical speculation on the idea of war as a constructive, and indeed necessary element of the relationship between individuals and of the process of identity-building, of which war represents an irrational degeneration.The volume is divided into four sections. The first focuses on language and propaganda, on the influence of the latter on the writings of soldiers, and on the role that some intellectuals such as D'Annunzio, De Roberto, Alvaro and Gadda played in representing the war and in elaborating its meaning. The second section focuses on the issue of literary representation of the war in poetry and narratives, with particular attention to the question of the “self” and to the relationship between dialect, war and poetry. Some articles also compare the British “war poets” to Italian contemporary poets, as well as to the poetics of Gadda and Ungaretti. The third section focuses on identity-related issues such as cosmopolitanism, the ideological value of irredentismo, brotherhood and the process of construction of the national identity through the experience of war. The fourth and last section concerns the legacy of the First World War in the work and function of the archival collections of letters, images and film-footage.This book offers a multidisciplinary insight into an event which was fundamental in shaping contemporary Italy and in determining the meaning of the legacy of the Italian experience in the First World War . This collection of scholarly contributions is accessible to non-specialist readers, and also represents a link between the 150th anniversary of the Unification of Italy and the 100th anniversary of the outbreak of the First World War.