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The INTERNATIONAL WHO'S WHO IN CLASSICAL MUSIC 2024 provides an invaluable and practical source of biographical information on a variety of notable men and women from the world of classical music. Covering the classical and light classical fields, it brings together reliable and up-to-date information on an exhaustive range of people and organizations. - Presents nearly 8,000 detailed biographical entries - Coverage includes composers, conductors, instrumentalists, singers, arrangers, writers and managers throughout the world - Identifies many up-and-coming artists, offering invaluable information that is often difficult to find elsewhere - Entries include details of career, repertoire, recordings and compositions, honours and contact information, where available - A directory section lists orchestras, opera companies, festivals, competitions and awards, and other music organizations - Truly international in its coverage Meticulously researched and up to date, the 40th edition of the INTERNATIONAL WHO'S WHO IN CLASSICAL MUSIC provides a one-stop guide to all aspects of the classical music world. Complementing the INTERNATIONAL WHO'S WHO IN CLASSICAL MUSIC to cover all aspects of the music spectrum is its companion title, the INTERNATIONAL WHO'S WHO IN POPULAR MUSIC. Both resources, as well as information on deceased entrants and entrants from the wide range of other Europa biographical sources, can also be accessed online at www.worldwhoswho.com.
This title is a vast source of biographical and contact information for singers, instrumentalists, composers, conductors, managers and more. Users will find both established stars and up-and-coming names, and each entrant has been given the opportunity to update his or her information for the new and improved 2024 edition.
The International Who's Who in Popular Music 2023 gives biographical information and contact details for some of the most talented and influential artists and individuals from the world of popular music, featuring both established names and up-and-coming stars. Now in its twenty-fourth edition, there are over 7,000 biographies charting the careers and achievements of artists in pop, rock, folk, jazz, dance, world, country music and much more. Each entrant has been given the opportunity to update his or her information for the 2023 edition.
Combining the International Who's Who in Classical Music and the International Who's Who in Popular Music, this two-volume set provides a complete view of the whole of the music world. Within the International Who's Who in Classical Music, each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards. The International Who's Who in Popular Music boasts detailed entries, including full biographical information, such as principal career details, recordings and compositions, honours and contact information.
Combining the International Who's Who in Classical Music 2023 and the International Who's Who in Popular Music 2023, this two-volume set provides a complete view of the whole of the music world. Within the International Who's Who in Classical Music, each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards. The International Who's Who in Popular Music boasts detailed entries, including full biographical information, such as principal career details, recordings and compositions, honours and contact information.
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.