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National Archives store materials relating to the history of a nation, usually operated by the government of that nation. This is the first ever comprehensive source of information about national archives around the world covers the national archives of all 195 countries recognized by the United Nations (the 193 member states and the 2 that non-member observer states: The Holy See and the State of Palestine) as well as Taiwan (Republic of China). Of the 196 countries, 54 are in Africa, 49 in Asia, 44 in Europe, 33 in Latin America and the Caribbean, 14 in Oceania, and 2 in Northern America. All countries maintain a repository for government and historical records; whether all allow public access will be determined through research for this work. The National Archives of all 196 countries will be included in this work (see Appendix A). Each entry contains: general information about the archive and when it is open to researchers (if applicable), historical information about the institution and how it developed, information about the archives today (its mission, functions, organization, services, and a description of its physical and digital infrastructures), and a current focus section spotlighting one part of the collection’s holdings.
The essential reference to art in the workplace and the corporate art world, the International Directory of Corporate Art Collections is still the only comprehensive reference for corporate art collecting around the world. In continuous publication since 1983, the newly revised and updated 2016-2017 edition features nearly 800 companies through a global tour of art in the workplace.Several million works of art are displayed in businesses and corporations around the world -- nearly as many as in city art museums! Corporations spend millions every year purchasing art, and the total value of all of the art that is on display in the workplace is worth several billion dollars. So the most important patron of the arts during the past 70 years has been ....... not private collectors, government art programs, and not even museums, but corporations. The International Directory of Corporate Art Collections describes which companies have art collections, have commissioned art, developed art education programs, and which corporations have organized or sponsored art exhibitions or loaned art works from their collections.In two sections, the International Directory of Corporate Art Collections highlights art in the workplace from 1) Europe and Asia Pacific, and 2) North and South America. The latest edition is an essential reference for artists, art collectors, museum corporate affairs officers, curators and directors, architects, art galleries, art advisors and consultants, art historians, art appraiser, and lawyers. Information provided for each program includes contact information, description, size of collection, art programs and sponsorships, status of program, and bibliography.
An annotated guide to business and industrial directories, professional and scientific rosters, and other lists and guides of all kinds.
General directories; Cultural affairs, arts, sciences and technology; State and society; Commerce and industry; Individuals; Classified list of trades and industries; Public transportation and transport, communication; Addenda.
The American Story of the Bookstores on Fourth Avenue from the 1890s to the 1960s New York City has eight million stories, and this one unfolds just south of Fourteenth Street in Manhattan, on the seven blocks of Fourth Avenue bracketed by Union Square and Astor Place. There, for nearly eight decades from the 1890s to the 1960s, thrived the New York Booksellers’ Row, or Book Row. This richly anecdotal memoir features historical photographs and the rags-to-riches tale of the Strand, which began its life as a book stall on Eighth Street and today houses 2.5 million volumes (or sixteen miles of books) in twelve miles of space. It’s a story cast with characters as legendary and colorful as the horse-betting, poker-playing, go-getter of a book dealer George D. Smith; the irascible Russian-born book hunter Peter Stammer; the visionary Theodore C. Schulte; Lou Cohen, founder of the still-surviving Argosy Book Store; and gentleman bookseller George Rubinowitz and his formidably shrewd wife, Jenny. Book Row remembers places that all lovers of books should never forget, like Biblo & Tamen, the shop that defied book-banning laws; the Green Book Shop, favored by John Dickson Carr; Ellenor Lowenstein’s world-renowned gastronomical Corner Book Shop (which was not on a corner); and the Abbey Bookshop, the last of the Fourth Avenue bookstores to close its doors. Rising rents, street crime, urban redevelopment, and television are many of the reasons for the demise of Book Row, but in this volume, based on interviews with dozens of the people who bought, sold, collected, and breathed in its rare, bibliodiferous air, it lives again.