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Klein’s model of projective and introjective processes and Bion’s theory of the relationship between container and contained have become increasingly significant in much clinical work. in a highly imaginative development of these models of thought, the distinguished clinician gianna williams, one of the leading figures in the field, elucidates the psychodynamics of these processes in the context of impairment of dependent relationships and of eating disorders in both men and women. This is a timely and brilliant account of an area of psychopathology that is rapidly growing in significance.
This book is the culmination of 14 years of movement research, movement technique classes and personal introspection that have created the revolutionary methodology of Internal Landscapes. John Ollom's practice is defined as archetypal movement that leads to art creation. Many actors, dancers, performance artists and non-performers have come to work with John Ollom, the creator of the Internal Landscapes methodology and his company of Ollom Movement Artists. Peer into a book that not only educates but tells personal stories of unbelievable honesty. Issues of rape, homosexuality, and survival through trauma have been addressed in this methodology. Artists that have dared to have the courage to create art that is poignant and revelatory have found John Ollom's practice to be the key to their process.
The tension between interior and exterior has always been present in architecture, differently articulated over the centuries, and expressed through several means of representation. Contemporary architecture is often characterized by the total interpenetration of interior and exterior configurations: often the differentiation between these two dialectical poles has become undistinguishable, boundaries blurry and the result of any design process is a hybrid product, based on the superposition of different and heterogeneous layers. Starting from the 18th century, Interior Landscapes describes the principles of the relationship between interior and exterior landscapes in architecture. It unveils the invariant forms that have crossed the History of Architecture, and which have periodically re-emerged to shape contemporary design episodes. By borrowing different interpretative elements—drawings, photographs, illustrations—Interior Landscapes is configured as a visual atlas, aimed to demonstrate how, through the contamination of interior and exterior, always- new architectural insights emerge. Comprising detailed essays that contribute insightfully to the international discourse, Stefano Corbo unpacks the general re-organization of topics internal to the territory of architecture. This book distinguishes itself with almost 70 unique plates of etchings, sketches, illustrations and photographs, each linking carefully and directly the visual with the theory, providing unique entry points and examinations of this text’s fascinating observations.
Klein's model of projective and introjective processes and Bion's model of the relationship between container and contained have become increasingly significant in clinical work. Here, the author elucidates the psychodynamics of these processes in the context of eating disorders in both sexes.
In the wake of a 1952 revolution, leaders of Bolivia's National Revolutionary Movement (MNR) embarked on a program of internal colonization known as the "March to the East." In an impoverished country dependent on highland mining, the MNR sought to convert the nation's vast "undeveloped" Amazonian frontier into farmland, hoping to achieve food security, territorial integrity, and demographic balance. To do so, they encouraged hundreds of thousands of Indigenous Bolivians to relocate from the "overcrowded" Andes to the tropical lowlands, but also welcomed surprising transnational migrant streams, including horse-and-buggy Mennonites from Mexico and displaced Okinawans from across the Pacific. Ben Nobbs-Thiessen details the multifaceted results of these migrations on the environment of the South American interior. As he reveals, one of the "migrants" with the greatest impact was the soybean, which Bolivia embraced as a profitable cash crop while eschewing earlier goals of food security, creating a new model for extractive export agriculture. Half a century of colonization would transform the small regional capital of Santa Cruz de la Sierra into Bolivia's largest city, and the diverging stories of Andean, Mennonite, and Okinawan migrants complicate our understandings of tradition, modernity, foreignness, and belonging in the heart of a rising agro-industrial empire.
How does knowledge of everyday environments foster deeper understanding of both past and present cultural life? Traditional studies in this field have been of rural life. Here, contributors explore aspects of the emergent field of urban cultural landscape studies--with the challenging issues of class, race, ethnicity, and subculture--to demonstrate the value of investigating the many meanings of ordinary settings. 67 illustrations.
Divisions of ornamental gardens became known as "rooms," for example, with flowers arranged in "brocaded patterns." Needleworkers used the gardener's term for a graft cutting - a "slip" - for an embroidered leaf or flower that was to be cut out and sewn onto other material.
"A beautiful catalogue of 80 plants, revered by indigenous people for their nourishing, healing, and symbolic properties." —Gardens Illustrated The belief that all life-forms are interconnected and share the same breath—known in the Rarámuri tribe as iwígara—has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique Salmón builds on this concept of connection and highlights 80 plants revered by North America’s indigenous peoples. Salmón teaches us the ways plants are used as food and medicine, the details of their identification and harvest, their important health benefits, plus their role in traditional stories and myths. Discover in these pages how the timeless wisdom of iwígara can enhance your own kinship with the natural world.
landscape/heartbreak (Two Sylvias Press, 2015) is poet Michelle Penaloza's first book. Praise For landscape/heartbreak: Peñaloza's poignantly beautiful landscape/heartbreak is more than a suite of breakup poems, its own veritable tradition in American poetry. Hers is a sequence that plumbs the meaning of what it means to love, sacrificing to secret away bits and pieces of one's self whose other parts remain scattered on corners, in parks, and bridges. This collection is about the business of reconciling memories and ghosts, the toughness in learning how to breathe again. -Major Jackson I've been in love with landscape/heartbreak since before it was written, from the moment I first learned of Michelle Peñaloza's wild idea: to map heartbreak. What if strangers told their stories while wandering the avenues and backstreets of a city? What if trauma could be healed one footfall at a time? Peñaloza enacts an urban alchemy, transforming the walkers' personal struggles into art and thereby coming closer to her own persistent ghosts. A collection for anyone who has ever had her (or his) heart stomped on. This means most of us. A powerful and exciting debut. -Susan Rich The question-"What hurt you into poetry?"-lies at the center of Michelle Peñaloza's landscape/heartbreak. And her poems urge us to seek the answer, following Peñaloza's speaker on her sojourn where walking and breathing create the meditative cadence to lull the body into the ecstatic state necessary for conjuration. From the beauty of these poems emerge the ghosts of those loves that have splintered us into jagged pieces. As we traverse Peñaloza's lyrical landscape, the "sueded/beads of unopened wild poppies" and "renegade ferns/growing upon the stumps of old docks" smooth over the serrated edges of what cuts us deep. This is a marvelous and haunting collection. -Oliver de la Paz As you read this remarkable collection, you might think that each poem begins with two people walking through a city. But then, dear reader, you realize that it's no longer two people in the distance, for you've been invited on the journey as well. These poems will transport you like that, and then they'll walk beside you through a landscape of heartache and longing. While there, "You can look back," Peñaloza writes, "remember the stories beneath all this shine." And these stories do shine. And you will remember them. -Matthew Olzmann
Riparian Landscapes examines the ecological systems of streamside and floodplain areas from the perspective of landscape ecology. The specific spatial pattern of riparian vegetation is seen as a result of, and a control on, the ecological, geomorphological, and hydrological processes that operate along rivers. Riparian structures are controlled by the spatial dynamics of channels, flooding and soil moisture. These dynamics are part of integrated cascades of water, sediment, nutrients and carbon, to which animal and plant species respond in ways that illuminate community structure and competition. The role of the riparian zone in controlling species distribution and abundance is discussed. Intelligent management of these valuable ecological resources is highlighted. The potential for linking hydrological, geomorphological and ecological simulation models is also explored. This book will be of interest to graduate and professional research workers in environmental science, ecology and physical geography.